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JOURNEY
Title
JOURNEY.
Creator
Martinsen, Suzann, Haxton, John, University of Central Florida
Abstract / Description
In my drawings and animation, I create a representation of a culture that is instilled in me, yet foreign. The work is inspired from a childlike perspective to depict a personal primitive experience with the Korean culture. The subtleties of the animations are meant to reflect the quiet nature of Asian paintings and to allow the viewer to experience and interpret it as they choose. I want others to see without hearing words in an already noisy world.
Date Issued
2008
Identifier
CFE0002089, ucf:47528
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0002089
GREEN CHAIRS, FICTIONAL PHALLUSES, INFILTRATION, AND LOVE ON THE ROCKS: MEDICAL IMAGING ARTIFACTS BLOWN UP
Title
GREEN CHAIRS, FICTIONAL PHALLUSES, INFILTRATION, AND LOVE ON THE ROCKS: MEDICAL IMAGING ARTIFACTS BLOWN UP.
Creator
Koller, Lynn, Bowdon, Melody, University of Central Florida
Abstract / Description
This text outlines and applies a methodology for deciphering problems and producing new information by analyzing the artifacts produced by medical imaging technologies – text and images – using practices gleaned from Surrealists, semiologists, and visual artists, emphasizing its own form as being the product of the apparatuses that produce it and therefore untrustworthy. Its basic assumption is that every text contains the information necessary to solve problems of all sorts, though...
Show moreThis text outlines and applies a methodology for deciphering problems and producing new information by analyzing the artifacts produced by medical imaging technologies – text and images – using practices gleaned from Surrealists, semiologists, and visual artists, emphasizing its own form as being the product of the apparatuses that produce it and therefore untrustworthy. Its basic assumption is that every text contains the information necessary to solve problems of all sorts, though because of the limitations of this text in both form and authorial intellect, we may only reach a starting point for a solution herein. In this regard, we are deciphering rather than solving. Further, this text illustrates primarily through narratives how digital imaging technologies mediate our relationship with our doctors, illnesses, and our bodies. It explores how the artifacts produced by medical imaging technologies create a data stream that replaces the corporal patient, shifting the physician's focus from the whole body to pieces and parts. It is a study of texts and technologies. The method evolved from a rhetorical approach to examining the medical imaging artifacts and the processes by which those artifacts come into existence, with the method and form becoming part of the story, producing a wide array of new information that transcends disciplinary constraints.
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Date Issued
2008
Identifier
CFE0002193, ucf:47916
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0002193
When the Alligator Called to Elijah: A Handcrafted Exploration of the Digital Moving Image
Title
When the Alligator Called to Elijah: A Handcrafted Exploration of the Digital Moving Image.
Creator
Shults, Katherine, Harris, Christopher, Stoeckl, Ula, Schlow, Stephen, Grajeda, Anthony, University of Central Florida
Abstract / Description
When the Alligator Called to Elijah is a feature-length video conceptualized and constructed by Kate Shults in partial fulfillment of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The video is the result of an evolving exploration of the aesthetic capabilities of the digital image using Flip Video cameras, found footage and Final Cut Pro. Though originating as an experiment, When the Alligator Called to Elijah...
Show moreWhen the Alligator Called to Elijah is a feature-length video conceptualized and constructed by Kate Shults in partial fulfillment of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The video is the result of an evolving exploration of the aesthetic capabilities of the digital image using Flip Video cameras, found footage and Final Cut Pro. Though originating as an experiment, When the Alligator Called to Elijah became a creation of motion collage with very specific production parameters. This thesis is a record of this video's progression, from development to picture lock, taking it into preparation for exhibition and distribution.
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Date Issued
2012
Identifier
CFE0004442, ucf:49332
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0004442
Changing the Channel: A Study of Agenda, Immersion and Social Commentary in Art.
Title
Changing the Channel: A Study of Agenda, Immersion and Social Commentary in Art.
Creator
Kalemba, Nicholas, Poindexter, Carla, Lotz, Theo, Kovach, Keith, University of Central Florida
Abstract / Description
This thesis examines the concepts and ideas that pervade my body of work in painting. These concepts include immersion and scale, interactions in space, harmony and disunity, flat and dimensional space and perhaps most importantly, ambiguity. I intentionally use these formal devices to create immersive environments that appear as a familiar but skewed version of reality. By forcing together disparate languages of visual representation into the theoretical space of a painting, I strive to...
Show moreThis thesis examines the concepts and ideas that pervade my body of work in painting. These concepts include immersion and scale, interactions in space, harmony and disunity, flat and dimensional space and perhaps most importantly, ambiguity. I intentionally use these formal devices to create immersive environments that appear as a familiar but skewed version of reality. By forcing together disparate languages of visual representation into the theoretical space of a painting, I strive to expose some of the humor and decay of our social institutions. In using the format of collage, my paintings have the opportunity to incorporate a wide array of iconography and imagery, while adding commentary through their juxtapositions. This thesis further explores the notion of oversaturation of images in media and how it has resulted in a clashing of imagery in the public space, akin to the format of collage in art-making. By using more easily readable or accessible iconography like cartoons or digital images to draw viewers in to the work on a visceral level, I discuss how the audience becomes witness to something sinister or something in the process of decay. Since I do not fully understand my own position as an artist and consumer of images, painting serves as a way to examine and question my relationship to society and culture as a whole. The artworks are inevitably questions in themselves: Who is to blame? What does it mean to be American? What is my duty as an artist?
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Date Issued
2019
Identifier
CFE0007472, ucf:52664
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0007472
Recollections: An Internal Analysis of Memory and Perception
Title
Recollections: An Internal Analysis of Memory and Perception.
Creator
Jimenez, Samuel, Kovach, Keith, Price, Mark, Raimundi-Ortiz, Wanda, Poindexter, Carla, University of Central Florida
Abstract / Description
I investigate the depths of memory, the entanglement of personal recollections withcommunal knowledge (learned semantic information from media and society such as facts and social norms) and the changing perceptions of environments over time. Memories define us. Throughout life we are exposed to vast quantities of imagery through a variety of media and personal experiences. Over time our firsthand experiences and what we witness in film, print, photography, and the internet become...
Show moreI investigate the depths of memory, the entanglement of personal recollections withcommunal knowledge (learned semantic information from media and society such as facts and social norms) and the changing perceptions of environments over time. Memories define us. Throughout life we are exposed to vast quantities of imagery through a variety of media and personal experiences. Over time our firsthand experiences and what we witness in film, print, photography, and the internet become indistinguishable in our memory.My work recreates consequential scenes from my past through technical drawings and blended imagery while exploring the possibilities provided by the interaction of common knowledge and the ambiguous nature of memory.
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Date Issued
2014
Identifier
CFE0005188, ucf:50623
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0005188
Mirrors and Vanities
Title
Mirrors and Vanities.
Creator
Salas, Leslie, Rushin, Patrick, Poissant, David, Bartkevicius, Jocelyn, University of Central Florida
Abstract / Description
"Mirrors and Vanities" is a multi-modal collection which showcases the diversity of working in long and short storytelling forms. Featured in this thesis are fiction, nonfiction, graphic narrative, and screenplay.Using unconventional approaches to storytelling in order to achieve emotional resonance with the audience while maintaining high standards for craft, these stories and essays explore the costs inherent to the subtle nuances of interpersonal relationships. The fiction focuses on the...
Show more"Mirrors and Vanities" is a multi-modal collection which showcases the diversity of working in long and short storytelling forms. Featured in this thesis are fiction, nonfiction, graphic narrative, and screenplay.Using unconventional approaches to storytelling in order to achieve emotional resonance with the audience while maintaining high standards for craft, these stories and essays explore the costs inherent to the subtle nuances of interpersonal relationships. The fiction focuses on the complications of characters keeping secrets. A husband discovers the truth behind his wife's miscarriage. A girl visits her fianc(&)#233; in purgatory. A boy crosses a line and loses his best friend. Meanwhile, the nonfiction centers on self-discovery and gender roles associated with power struggles. A schizophrenic threatens to ruin my mother's wedding. I rediscover my relationship with my father through food writing. Sword-work teaches me to fail and succeed at making martial art. The title work of the thesis is a collaged story highlighting the tribulations of a physicist fixated on recovering his lost love by manipulating the multiverse. The multi-modal format implicates the nebulosity of physics theories and how different aspects of the narrative can be presented in various formats to best suit the nature of the storytelling.Through the interactions of characters in mundane and extraordinary circumstances, the works in this thesis examine the consequences of choice, the contrast between reality and expectation, coming of age, and the Truth of narrative.
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Date Issued
2013
Identifier
CFE0004745, ucf:49789
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0004745