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- Title
- WHY DO WOMEN AND CHILDREN JOIN INSURGENCIES? A COMPARATIVE STUDY OF THE PKK AND THE FARC.
- Creator
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Melendez, Stephanie, Tezc�r, G�ne? Murat, University of Central Florida
- Abstract / Description
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Why do women and children join insurgency groups? The subject has been a matter of extensive debate, with experts offering theories of motivation on well-known groups such as the National Liberation Front (FLN) or the Irish Republican Army (IRA). However, there has been a small amount of work comparing two insurgency groups and their participants to one another. This paper addresses the underlying reasons for why women and children join insurgencies, explicitly focusing on the Revolutionary...
Show moreWhy do women and children join insurgency groups? The subject has been a matter of extensive debate, with experts offering theories of motivation on well-known groups such as the National Liberation Front (FLN) or the Irish Republican Army (IRA). However, there has been a small amount of work comparing two insurgency groups and their participants to one another. This paper addresses the underlying reasons for why women and children join insurgencies, explicitly focusing on the Revolutionary Armed Forces of Colombia (FARC) and the Kurdistan Workers' Party (PKK) in Turkey from their origins to the present. The paper uses interviews from other scholarly works on the two groups and their participants. In doing this, the paper showcases that despite differences across geographic location and each group's motivation, there are similar indicators that motivate women and children to join insurgency groups. This paper finds that women and children are primarily motivated to join the FARC because of harsh gender inequality and economic poverty. Regarding women and children joining the PKK, their motivations primarily concern ethnic discrimination and gender inequality. The implications of this research will provide information about dynamics leading large numbers of women and children to join violent organizations. Furthermore, it will find that despite regional differences and group's overall goals, there are universal motivating factors, like gender inequality, which influence women and children to participate in political violence.
Show less - Date Issued
- 2018
- Identifier
- CFH2000345, ucf:45756
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFH2000345
- Title
- IT WILL TURN VICIOUS: AN EXPLORATION OF THE CYCLE OF AUDIENCE RIDICULE IN FRENCH DRAMA.
- Creator
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Elfont, Stephanie C, Thomas, Aaron C., University of Central Florida
- Abstract / Description
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The intent of this thesis is to investigate the prominence of audience ridicule in the French theatre from the medieval sottie to Ionescan Absurdism of the mid-twentieth century. Throughout the history of French drama, playwrights have exploited this tactic with either the purpose of invoking an emotional or intellectual response or inciting a social or political call to action. This exploration takes particular interest in shaming theatrical audiences during periods of political unrest,...
Show moreThe intent of this thesis is to investigate the prominence of audience ridicule in the French theatre from the medieval sottie to Ionescan Absurdism of the mid-twentieth century. Throughout the history of French drama, playwrights have exploited this tactic with either the purpose of invoking an emotional or intellectual response or inciting a social or political call to action. This exploration takes particular interest in shaming theatrical audiences during periods of political unrest, analyzing the ways in which playwrights employed language, studies of characters, and plot-related content to highlight the prevalent and pervasive ills of society and of humanity. The majority of the literature from the sixteenth and seventeenth centuries criticizes the aristocracy, the clergy, and the crown. As we approach revolutionary France, the theatre all but abandons intrigue in favor of the tears that flowed that from the ocean of English Sentimentalism. Melodrama and the well-made play adorned the early-nineteenth century, while the later part of the century brought French theatre Jarry�s pataphysics and his affinity for audience shaming that set the stage for the impending onslaught of twentieth-century ridicule. The avant-garde movement flourished at the beginning of the century with the Dadas and the Surrealists responding to humanity�s response to the War to End All Wars. When Ionesco arrived at the forefront of the French theatre mid-century, he employed the most effective audience ridicule tactics invented by his predecessors and created his Absurdist theatre. Ionesco writes: �take a circle, caress it, and it will turn vicious� (38). From the fifteenth century to the twentieth century, the cycle of audience ridicule was indeed vicious in a theatre that sought to effect positive change in a rapidly changing society.
Show less - Date Issued
- 2016
- Identifier
- CFH2000040, ucf:45521
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFH2000040