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YOU CAN'T STOP THE BEAT: BRINGING MUSICAL THEATRE TO UNDERPRIVILEGED YOUTH
CAN A METHODOLOGY BE DEVELOPED FOR MUSICAL THEATRE CHOREOGRAPHY?
Boy Meets Boy: Envisioning Queer Youth Novels for Translation to the Stage
WHAT IS THEATRE'S ROLE AS A WORSHIP TOOL IN A MESSIANIC SYNAGOGUE?
EMULATING THE SWEDES: AN EXPLORATION OF THE DEVELOPING TRENDS IN SWEDISH THEATRE FOR YOUNG AUDIENCES
STEPHEN SONDHEIM'S GESAMTKUNSTWERK: THE CONCEPT MUSICAL AS WAGNERIAN TOTAL THEATRE
TYA METHODOLOGYTWENTIETH-CENTURY PHILOSOPHY, ANDTWENTY-FIRST CENTURY PRACTICE:AN EXAMINATION OF ACTING, DIRECTING, AND DRAMATIC LITERATURE
DRAMA HAS ISSUES: A BRIEF RETROSPECTIVE ON THE AMERICAN THEATRE CRITIC IN NEW YORK FROM 1925 TO PRESENT
INVESTIGATING THE 'AUDIENCE' IN THEATRE FOR YOUNG AUDIENCES: THE CALL FOR ARTISTIC EDUCATORS
WRITES OF SPRING: A STUDY OF COMMUNICATION WITHIN COLLECTIVE DEVISING
A PERFORMANCE STUDY AND ANALYSIS OF THE ROLE OF MRS. MEDLOCK IN THE SECRET GARDEN
THE ANATOMY OF A PRODUCTION: THE ANALYSIS OF THE DIRECTORIAL JOURNEY MOUNTING "STEEL MAGNOLIAS" FOR THE STAGE
THE CHALLENGE OF PLAYING MULTIPLE ARTHURIAN CHARACTERS
THE LARAMIE PROJECT: THE SEARCH FOR A PERSONAL ACTING METHOD VIA THE PRINCIPLES OF CONSTANTIN STANISLAVKSI
A PERFORMANCE STUDY AND ANALYSIS OF THE ROLE OF SOOT IN THE MARRIAGE OF BETTE AND BOO
An Examination of the actor's approach to playwriting: Are playwrights able to write about what is unfamiliar to them?
Attention Must Be Paid: A Critical Study of the Non-Traditional Leading Man in Twentieth Century Drama
A 16 BAR CUT: THE HISTORY OF AMERICAN MUSICAL THEATREAN ORIGINAL SCRIPT AND MONOGRAPH DOCUMENT
A 16 BAR CUT:THE HISTORY OF AMERICAN MUSICAL THEATREAN ORIGINAL SCRIPT AND MONOGRAPH DOCUMENT
THE USE OF FOLEY IN LIVE THEATRE AS DEMONSTRATED THROUGH THEATRE UCF'S PRODUCTION OF SHIPWRECKED! AN ENTERTAINMENT- THE AMAZING ADVENTURES OF LOUIS DE ROUGEMONT (AS TOLD BY HIMSELF)

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