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DESIGN: FEEL IT, SEE IT, SPEAK IT, DO IT...
Title
DESIGN: FEEL IT, SEE IT, SPEAK IT, DO IT...
Creator
Yates, Sarah, Wood, Mary V., University of Central Florida
Abstract / Description
Description of Project: This project explores the design process for Tales of a Fourth Grade Nothing by Judy Blume (adapted for the stage by Bruce Mason) as performed at Orlando Repertory Theatre in Orlando, Florida. In this exploration, I approach the topics of the design process from conceptual discussions with the design team through closing night. I document this process with a lighting design journal (including thoughts about the design approach, renderings, sketches, research images,...
Show moreDescription of Project: This project explores the design process for Tales of a Fourth Grade Nothing by Judy Blume (adapted for the stage by Bruce Mason) as performed at Orlando Repertory Theatre in Orlando, Florida. In this exploration, I approach the topics of the design process from conceptual discussions with the design team through closing night. I document this process with a lighting design journal (including thoughts about the design approach, renderings, sketches, research images, rough plots and paperwork.) The project concludes with a self evaluation, completed plots and paperwork, and finished production photos.
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Date Issued
2007
Identifier
CFE0001646, ucf:47238
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0001646
A LIGHTING AND SCENIC DESIGN FOR THE UNIVERSITY OF CENTRAL FLORIDAÂÂ'SA SYMPHONY OF DANCE
Title
A LIGHTING AND SCENIC DESIGN FOR THE UNIVERSITY OF CENTRAL FLORIDAÂÂ'SA SYMPHONY OF DANCE.
Creator
Baldwin, Terra, Scott, Hubert, University of Central Florida
Abstract / Description
ABSTRACT The beginnings of modern stage lighting emerged during the late 1800s when Adolphe Appia and Edward Gordon Craig theorized about the potential use of lighting to create plasticity in a theatrical production. Appia and Craig conducted experiments, only to find that the limitation of the instruments available at the time prevented the achievement of their theory. The next documented step was when Stanley McCandless proposed and published a system for implementing the Appia and Craig...
Show moreABSTRACT The beginnings of modern stage lighting emerged during the late 1800s when Adolphe Appia and Edward Gordon Craig theorized about the potential use of lighting to create plasticity in a theatrical production. Appia and Craig conducted experiments, only to find that the limitation of the instruments available at the time prevented the achievement of their theory. The next documented step was when Stanley McCandless proposed and published a system for implementing the Appia and Craig theory of plasticity. Stanley McCandlessÂÂ' lighting textbook, A Syllabus of Stage Lighting. The book broke down the elements and function of light; ultimately becoming the common practice of academic lighting designers. One of his students, Jean Rosenthal, studied the theory and became aware of its limitations. Jean Rosenthal attempted to apply the McCandless theory to dance and found that it was not useful for sculpting the body. She then developed a new technique that better served dance lighting and adhered to the ideas of Appia and Craig. RosenthalÂÂ's theory became the foundation of contemporary dance lighting practice. The aim of this thesis consists of four parts. First is to research the evolution of dance lighting, second is to explore and apply the Rosenthal Theory of Dance Lighting, third is to document the design process and the fourth part is the personal growth and development throughout this entire process. As the Lighting and Scenic Designer I will have extensive documentation of both the process of design and the production. I will also have documentation on my growth and development based on this thesis project.
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Date Issued
2010
Identifier
CFE0003282, ucf:48530
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0003282
MIKADO LIGHTING DESIGN
Title
MIKADO LIGHTING DESIGN.
Creator
Becker, Adrienne M, Hart, Jim, University of Central Florida
Abstract / Description
My thesis will encompass the completion of the lighting design for W. S. Gilbert and Sir Arthur Sullivan's opera The Mikado and a post-production written documentation of the entire production process. The thesis will involve the completion of a lighting design with all of its accompanying paperwork. The design will require lights for a two-act, multi-locational musical. The entire design process will involve close communication with the design team, the director, and the shop crew. The...
Show moreMy thesis will encompass the completion of the lighting design for W. S. Gilbert and Sir Arthur Sullivan's opera The Mikado and a post-production written documentation of the entire production process. The thesis will involve the completion of a lighting design with all of its accompanying paperwork. The design will require lights for a two-act, multi-locational musical. The entire design process will involve close communication with the design team, the director, and the shop crew. The written portion of the Thesis will document the design process from early concept discussions through the completion and opening of the show. The thesis will examine the artistic developments and growth, as well as reflect on the overall success and development of the design. The personal journals maintained throughout the process will provide insight into the working relationship and nature of my collaboration with all the departments.
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Date Issued
2004
Identifier
CFE0000083, ucf:46102
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0000083
SAVAGE IN LIMBO: A STUDY IN LIGHTING DESIGN
Title
SAVAGE IN LIMBO: A STUDY IN LIGHTING DESIGN.
Creator
Haines, Kenneth, Perry, Charles, University of Central Florida
Abstract / Description
Designing the elements of a theatrical production is a unique and often experimental process. This process changes from show to show, and it can be difficult for a viewer to differentiate mistakes from design choices without a background in lighting. That is why it is important to take a look at the design process step by step. Two goals I strove for when designing Savage In Limbo were, how the director's concept blended with a design and if the integrity of the designer's vision was evident...
Show moreDesigning the elements of a theatrical production is a unique and often experimental process. This process changes from show to show, and it can be difficult for a viewer to differentiate mistakes from design choices without a background in lighting. That is why it is important to take a look at the design process step by step. Two goals I strove for when designing Savage In Limbo were, how the director's concept blended with a design and if the integrity of the designer's vision was evident on stage. To explore these goals, script analysis and consideration of the director's vision are two very important processes. Additionally, an exploration of the design process will better describe the growth and personal achievements of the design. This thesis will show the process of the lighting design for The University of Central Florida's 2011 production of John Patrick Shanley's Savage In Limbo. The project will highlight the design achievements and the goals explained previously, and create a formal dialogue on this specific design in order to provide insight into the process. When analyzing the design it was important that I assessed the process as well as the product by looking at whether the design met the expectations of the script and audience. This thesis will also explore how my past experiences, education and current skill level have prepared me for this design process in order to create a guideline for others interested in the development of knowledge needed for design.
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Date Issued
2012
Identifier
CFH0004206, ucf:44969
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFH0004206
LIGHTING DESIGN FOR FROM SUN TO SUN: A DAY IN A RAILROAD CAMP
Title
LIGHTING DESIGN FOR FROM SUN TO SUN: A DAY IN A RAILROAD CAMP.
Creator
Szewczyk, Nathan, Scott, Bert, University of Central Florida
Abstract / Description
In this thesis the notion of a theoretical approach to the beginning stages of designing lighting for a theatrical production will be discussed. The topic being researched is: How a theoretical approach to entering the design process will enhance the final lighting design. The target audience for this study is theatrical lighting designers. A theoretical approach, in this case to the beginning of the design process, could be described as utilizing current dramatic theories to develop a better...
Show moreIn this thesis the notion of a theoretical approach to the beginning stages of designing lighting for a theatrical production will be discussed. The topic being researched is: How a theoretical approach to entering the design process will enhance the final lighting design. The target audience for this study is theatrical lighting designers. A theoretical approach, in this case to the beginning of the design process, could be described as utilizing current dramatic theories to develop a better understanding for the design of this production. In order to better understand this topic one would need to know how the process of lighting design is typically created and where the theoretical approach is implemented. An issue with this approach is that the short period allowed for the design process does not allow sufficient time to utilize a theoretical approach in a real world setting. A way of determining if this process is effective is through personal self review. Journaling and discussion with my advisor for this production will be the method of data collection. The method of validation will be a self reflection at the end of the final performance. An issue with the collection process is its reliance on personal opinions, including the author's. There are no ethical issues relating to this study. When applied, a theoretical approach to the design process will enhance the quality of the final lighting design through allowing the designer to be better prepared for a specific scene that he/she is struggling with.
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Date Issued
2011
Identifier
CFE0003609, ucf:48874
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0003609
FREEFORM REFLECTOR DESIGN WITH EXTENDED SOURCES
Title
FREEFORM REFLECTOR DESIGN WITH EXTENDED SOURCES.
Creator
Fournier, Florian, Rolland, Jannick, University of Central Florida
Abstract / Description
Reflector design stemmed from the need to shape the light emitted by candles or lamps. Over 2,000 years ago people realized that a mirror shaped as a parabola can concentrate light, and thus significantly boosts its intensity, to the point where objects can be set afire. Nowadays many applications require an accurate control of light, such as automotive headlights, streetlights, projection displays, and medical illuminators. In all cases light emitted from a light source can be shaped into a...
Show moreReflector design stemmed from the need to shape the light emitted by candles or lamps. Over 2,000 years ago people realized that a mirror shaped as a parabola can concentrate light, and thus significantly boosts its intensity, to the point where objects can be set afire. Nowadays many applications require an accurate control of light, such as automotive headlights, streetlights, projection displays, and medical illuminators. In all cases light emitted from a light source can be shaped into a desired target distribution with a reflective surface. Design methods for systems with rotational and translational symmetry were devised in the 1930s. However, the freeform reflector shapes required to illuminate targets with no such symmetries proved to be much more challenging to design. Even when the source is assumed to be a point, the reflector shape is governed by a set of second-order partial non-linear differential equations that cannot be solved with standard numerical integration techniques. An iterative approach to solve the problem for a discrete target, known as the method of supporting ellipsoids, was recently proposed by Oliker. In this research we report several efficient implementations of the method of supporting ellipsoids, based on the point source approximation, and we propose new reflector design techniques that take into account the extent of the source. More specifically, this work has led to three major achievements. First, a thorough analysis of the method of supporting ellipsoids was performed that resulted in two alternative implementations of the algorithm, which enable a fast generation of freeform reflector shapes within the point source approximation. We tailored the algorithm in order to provide control over the parameters of interest to the designers, such as the reflector scale and geometry. Second, the shape generation algorithm was used to analyze how source flux can be mapped onto the target. We derived the condition under which a given source-target mapping can be achieved with a smooth continuous surface, referred as the integrability condition. We proposed a method to derive mappings that satisfy the integrability condition. We then use these mappings to quickly generate reflector shapes that create continuous target distributions as opposed to reflectors generated with the method of supporting ellipsoids that create discrete sets of points on the target. We also show how mappings that do not satisfy the integrability condition can be achieved by introducing step discontinuities in the reflector surface. Third, we investigated two methods to design reflectors with extended sources. The first method uses a compensation approach where the prescribed target distribution is adjusted iteratively. This method is effective for compact sources and systems with rotational or translational symmetry. The second method tiles the source images created by a reflector designed with the method of supporting ellipsoids and then blends the source images together using scattering in order to obtain a continuous target distribution. This latter method is effective for freeform reflectors and target distributions with no sharp variations. Finally, several case studies illustrate how these methods can be successfully applied to design reflectors for general illumination applications such as street lighting or luminaires. We show that the proposed design methods can ease the design of freeform reflectors and provide efficient, cost-effective solutions that avoid unnecessary energy consumption and light pollution.
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Date Issued
2010
Identifier
CFE0003311, ucf:48508
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0003311
DESIGNING LIGHT FILTERS TO DETECT SKIN USING A LOW-POWERED SENSOR
Title
DESIGNING LIGHT FILTERS TO DETECT SKIN USING A LOW-POWERED SENSOR.
Creator
Tariq, Muhammad, Wisniewski, Pamela, Gong, Boqing, Leavens, Gary, University of Central Florida
Abstract / Description
Detection of nudity in photos and videos, especially prior to uploading to the internet, is vital to solving many problems related to adolescent sexting, the distribution of child pornography, and cyber-bullying. The problem with using nudity detection algorithms as a means to combat these problems is that: 1) it implies that a digitized nude photo of a minor already exists (i.e., child pornography), and 2) there are real ethical and legal concerns around the distribution and processing of...
Show moreDetection of nudity in photos and videos, especially prior to uploading to the internet, is vital to solving many problems related to adolescent sexting, the distribution of child pornography, and cyber-bullying. The problem with using nudity detection algorithms as a means to combat these problems is that: 1) it implies that a digitized nude photo of a minor already exists (i.e., child pornography), and 2) there are real ethical and legal concerns around the distribution and processing of child pornography. Once a camera captures an image, that image is no longer secure. Therefore, we need to develop new privacy-preserving solutions that prevent the digital capture of nude imagery of minors. My research takes a first step in trying to accomplish this long-term goal: In this thesis, I examine the feasibility of using a low-powered sensor to detect skin dominance (defined as an image comprised of 50% or more of human skin tone) in a visual scene. By designing four custom light filters to enhance the digital information extracted from 300 scenes captured with the sensor (without digitizing high-fidelity visual features), I was able to accurately detect a skin dominant scene with 83.7% accuracy, 83% precision, and 85% recall. The long-term goal to be achieved in the future is to design a low-powered vision sensor that can be mounted on a digital camera lens on a teen's mobile device to detect and/or prevent the capture of nude imagery. Thus, I discuss the limitations of this work toward this larger goal, as well as future research directions.
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Date Issued
2017
Identifier
CFE0006806, ucf:51792
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0006806
COMPUTER TECHNOLOGYIN THE DESIGN PROCESS
Title
COMPUTER TECHNOLOGYIN THE DESIGN PROCESS.
Creator
Montague, Gregory, Scott, Bert, University of Central Florida
Abstract / Description
This is a study of computer technologyÂÂ's impact on the theatrical design process. The tools of communication provided by technology were studied, and an analysis was conducted in the classroom of Digital Rendering, Digital Rendering Videos, and 3d CADD. After-wards, these tools were applied to an actual production of West Side Story where, with the addition of 3d light simulation software, the tools were used to communicate the design ideas from the lighting designer...
Show moreThis is a study of computer technologyÂÂ's impact on the theatrical design process. The tools of communication provided by technology were studied, and an analysis was conducted in the classroom of Digital Rendering, Digital Rendering Videos, and 3d CADD. After-wards, these tools were applied to an actual production of West Side Story where, with the addition of 3d light simulation software, the tools were used to communicate the design ideas from the lighting designer to the director. The goal of this process was to provide a ÂÂ"real to lifeÂÂ" virtual representation of the show to the director with the least amount of confusion. An additional goal was to test the limits and functions of the software; trying to learn all the benefits that could be provided to the process of mounting a theatrical production.
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Date Issued
2010
Identifier
CFE0003032, ucf:48365
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0003032