Current Search: magical (x)
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Title
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EXAMINING THE MAGIC TREE HOUSE SERIES FOR HISTORICAL ACCURACY AND EDUCATIONAL IMPLICATIONS.
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Creator
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Washington, NIna, Killingsworth Roberts, Sherron, University of Central Florida
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Abstract / Description
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Often teachers are faced with the challenge of teaching more content with less time and resources. The use of trade books within the content areas allows teachers to integrate multiple skills in one lesson. The Magic Tree House series has been popular with students and teachers on the elementary level. Using books such as these would be a good way for teachers to use their allotted time to teach all of the content that they are accountable for. This thesis will explore the historical accuracy...
Show moreOften teachers are faced with the challenge of teaching more content with less time and resources. The use of trade books within the content areas allows teachers to integrate multiple skills in one lesson. The Magic Tree House series has been popular with students and teachers on the elementary level. Using books such as these would be a good way for teachers to use their allotted time to teach all of the content that they are accountable for. This thesis will explore the historical accuracy and educational connections within the Magic Tree House series by Mary Pope Osborne. The purpose of my thesis research is to determine, through the methodology of content analysis, if the facts provided within the Magic Tree House series are accurate enough to use as supplements within the classroom as well as what Next Generation Sunshine State Standards might be linked to particular books.
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Date Issued
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2011
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Identifier
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CFH0003827, ucf:44761
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Format
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Document (PDF)
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PURL
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http://purl.flvc.org/ucf/fd/CFH0003827
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Title
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Modern Arcana.
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Creator
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Kolhoff, Kaitlin, Thaxton, Terry, Pugh, William, Sommers, Ephraim, University of Central Florida
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Abstract / Description
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Modern Arcana is a collection of eleven short stories, totaling 124 pages, and was written in pursuit of a Master of Fine Arts in Creative Writing. This collection was written through multiple stages of planning and revising work in response to the feedback of peers and instructors. Through writing this thesis, I explored my own relationship to the craft of creative writing and composition, as well as the familiarized myself with the current work being published in my field and genre. This...
Show moreModern Arcana is a collection of eleven short stories, totaling 124 pages, and was written in pursuit of a Master of Fine Arts in Creative Writing. This collection was written through multiple stages of planning and revising work in response to the feedback of peers and instructors. Through writing this thesis, I explored my own relationship to the craft of creative writing and composition, as well as the familiarized myself with the current work being published in my field and genre. This collection is made unique through the sharing magical elements between pieces and the themes of agency in relation to destiny explored throughout the collection that are also inherent in the practice of interpreting the tarot. The many narrators of this collection navigate issues of family, friendship, responsibility, isolation, and the level agency with which they move forward in their multitude of possible futures.
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Date Issued
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2017
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Identifier
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CFE0006892, ucf:51709
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Format
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Document (PDF)
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PURL
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http://purl.flvc.org/ucf/fd/CFE0006892
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Title
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THE IMPORTANCE OF SELF-ESTEEM IN LEARNING AND BEHAVIOR IN CHILDREN WITH EXCEPTIONALITIES AND THE ROLE MAGIC TRICKS MAY PLAY IN IMPROVING SELF-ESTEEM AND IN MOTIVATING LEARNING.
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Creator
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Bauman, Shannon, Ezell, Dan, University of Central Florida
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Abstract / Description
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This paper was written using various research based sources to determine the effects of self-esteem on learning and behaviors and whether or not the use of magic tricks can play a role in raising self-esteem and in motivating learning for children with exceptionalities. There have been multiple studies that show self-esteem has a significant effect on a child's ability to learn as well as studies that show self-esteem plays a role in a child's behavior. There are opposing studies showing that...
Show moreThis paper was written using various research based sources to determine the effects of self-esteem on learning and behaviors and whether or not the use of magic tricks can play a role in raising self-esteem and in motivating learning for children with exceptionalities. There have been multiple studies that show self-esteem has a significant effect on a child's ability to learn as well as studies that show self-esteem plays a role in a child's behavior. There are opposing studies showing that self-esteem has no effect on learning and behavior in children with and without exceptionalities. There was no information found that state high self-esteem has a negative effect on learning or motivation in children with exceptionalities or without exceptionalities. Regardless of whether or not one agrees that self-esteem affects learning and behavior in children with exceptionalities, it is important that educators find ways to help all children with exceptionalities, as well as without exceptionalities, improve their self-esteem thereby possibly helping improve learning, behavior, and motivation. One possible way to help raise self-esteem in children with exceptionalities is the use of magic tricks inside and outside the classroom. Incorporating the use of magic tricks in lessons seems to motivate learning. The information on the use of using magic tricks to raise self-esteem is limited to few articles and only one study. While the information on using magic to improve self-esteem in children with exceptionalities is limited, the information collected to date all state positive results using magic tricks to not only raise self-esteem but to also to motivate learning in children with exceptionalities.
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Date Issued
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2012
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Identifier
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CFH0004293, ucf:44914
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Format
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Document (PDF)
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PURL
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http://purl.flvc.org/ucf/fd/CFH0004293
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Title
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The Knitting Witch.
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Creator
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Ervin, Katherine, Hicks, Micah, Peynado, Brenda, Pugh, William, University of Central Florida
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Abstract / Description
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Dangerous, magical women live in a world which explores queerness and antagonistic female relationships against the backdrop of Midwestern crafting culture. Craft magic is beauty and cruelty entwined, a perfect tool for witches to use against each other.After her mother is murdered, the eponymous knitting witch inherits a kidnapping and extortion ring, the victims sewn into enchanted quilts and hidden. With her mother dead, political squabbles consume the knitting witch's coven and rival...
Show moreDangerous, magical women live in a world which explores queerness and antagonistic female relationships against the backdrop of Midwestern crafting culture. Craft magic is beauty and cruelty entwined, a perfect tool for witches to use against each other.After her mother is murdered, the eponymous knitting witch inherits a kidnapping and extortion ring, the victims sewn into enchanted quilts and hidden. With her mother dead, political squabbles consume the knitting witch's coven and rival magical families put pressure on her to give up the quilts, including the dangerous Ma family, whose daughter the knitting witch loves. The knitting witch must navigate a forbidden romance, master her magical craft, and fend off her mother's many enemies, all while searching for the hidden quilts. Once she finds the quilts, will she use them as her mother did to take power in the magical city of witches? Or will she find another way to survive, choosing love over power?The stories of queer women are unusual in the fantasy genre, bisexual stories even more so. This work hopes to amplify queer female narratives and draw attention specifically to the issues that bisexual women face in their family and romantic relationships. This thesis explores the question of how and why we love people who hurt us.
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Date Issued
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2019
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Identifier
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CFE0007453, ucf:52692
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Format
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Document (PDF)
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PURL
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http://purl.flvc.org/ucf/fd/CFE0007453
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Title
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El silencio literario como artificio narrativo en Pedro P(&)#225;ramo de Juan Rulfo.
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Creator
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Rodriguez, Florilde, Lopez, Humberto, Izquierdo Jimenez, Lucas, Nalbone, Lisa, University of Central Florida
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Abstract / Description
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This work exposes the narrative silence as the main enunciator of the textual discourse in Juan Rulfo's novel, Pedro Paramo. Through a sociological reading, the literary silences comprised in the events are interpreted to access one of the multiple possible meanings of the story. The study inserts ideas, historical facts and human, social, psychological and material factors in the openings left by the author, thus producing a discourse that shapes the manifesto of contemporary life.
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Date Issued
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2019
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Identifier
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CFE0007856, ucf:52802
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Format
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Document (PDF)
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PURL
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http://purl.flvc.org/ucf/fd/CFE0007856
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Title
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A FLOATING WORLD: STORIES.
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Creator
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Best, Karen, Jensen, Toni, University of Central Florida
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Abstract / Description
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A Floating World is a collection of short stories inspired by fairy tales. Often set in worlds where the mundane and the fantastic come together, these stories explore moments of strangeness that slip beyond the bounds of realist fiction. Fantastical events intrude into mundane reality as characters attempt to reconcile the known with the unknowable.
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Date Issued
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2010
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Identifier
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CFE0003076, ucf:48309
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Format
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Document (PDF)
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PURL
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http://purl.flvc.org/ucf/fd/CFE0003076
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Title
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Escape Artist.
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Creator
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Mujica, Alejandro, Rushin, Patrick, Bartkevicius, Jocelyn, Neal, Mary, University of Central Florida
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Abstract / Description
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My thesis, Escape Artist, is a composite novel written as a fictitious memoir, similar in style to Tim O'Brien's The Things They Carried, that describes my experiences between the years 2001 and 2011. During that time I went through Marine Corps Boot Camp, became a military police officer, patrolled Yuma, AZ, was sent to Iraq for a seven-month tour as a security detail just before the start of Operation Iraqi Freedom, and made it back home four years later. The novel also looks into my...
Show moreMy thesis, Escape Artist, is a composite novel written as a fictitious memoir, similar in style to Tim O'Brien's The Things They Carried, that describes my experiences between the years 2001 and 2011. During that time I went through Marine Corps Boot Camp, became a military police officer, patrolled Yuma, AZ, was sent to Iraq for a seven-month tour as a security detail just before the start of Operation Iraqi Freedom, and made it back home four years later. The novel also looks into my struggles with Post-Traumatic Stress Disorder symptoms, how they affected the people around me, and what I've been trying to do to remedy them (or ignore them).
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Date Issued
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2012
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Identifier
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CFE0004788, ucf:49732
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Format
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Document (PDF)
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PURL
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http://purl.flvc.org/ucf/fd/CFE0004788
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Title
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Nothing Buried Stays Buried.
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Creator
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Porven, Stephanie, Thaxton, Terry, Uttich, Laurie, Stap, Donald, University of Central Florida
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Abstract / Description
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Nothing Buried Stays Buried is a collection of poems that embraces raw imagery, threads of magical realism, and allusions to classical mythology in an attempt to make sense of the tangible and intangible losses experienced by its speakers. Told through the voices of confessional speakers who struggle with loneliness, identity, faith, and death, the collection aims to delve into contrasting themes that have long been perpetuated by Greek and Roman mythology: passionate love and violent death,...
Show moreNothing Buried Stays Buried is a collection of poems that embraces raw imagery, threads of magical realism, and allusions to classical mythology in an attempt to make sense of the tangible and intangible losses experienced by its speakers. Told through the voices of confessional speakers who struggle with loneliness, identity, faith, and death, the collection aims to delve into contrasting themes that have long been perpetuated by Greek and Roman mythology: passionate love and violent death, liberation and violation, the natural alongside the celestial. Poems such as (")What You Left Behind,(") (")Loneliness Braids My Hair,(") and (")If You Die First(") dwell on the idea of loss not as a past occurrence, but as an active emotional experience that can haunt an individual, follow them throughout their daily life and into their dreams like their shadow. Speakers within the collection reexamine memories of withered relationships and explore imaginary realms (a floating island and the second circle of hell, for example) in their search for answers to the questions: What do we make of loss? And how do we go on after something or someone has been lost to us: a pair of saltwater earrings, a loved one, a part of ourselves which has left a throbbing absence we still carry in our hearts?
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Date Issued
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2018
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Identifier
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CFE0007076, ucf:52012
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Format
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Document (PDF)
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PURL
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http://purl.flvc.org/ucf/fd/CFE0007076
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Title
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Wise the Wizard: A Feature Documentary about the Late Harry Wise of Sanford, Florida.
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Creator
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Blakelock, Daisy, Mills, Lisa, Jones, Robert, Danker, Elizabeth, University of Central Florida
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Abstract / Description
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Wise the Wizard is a feature-length documentary by Daisy Sara Blakelock, made as part of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The film focuses on the late Harry Wise, a magician from Sanford, Florida, as remembered by the people who knew him best. Interview subjects include the following: author and TV Producer Charlie Carlson, who wrote a biography about Harry Wise entitled A Wizard's Tux and Tales ...
Show moreWise the Wizard is a feature-length documentary by Daisy Sara Blakelock, made as part of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The film focuses on the late Harry Wise, a magician from Sanford, Florida, as remembered by the people who knew him best. Interview subjects include the following: author and TV Producer Charlie Carlson, who wrote a biography about Harry Wise entitled A Wizard's Tux and Tales (Luthers Press, New Smyrna Beach: 2004); Brendan and Anna McWilliams, who accompanied Harry on countless adventures throughout Sanford and the surrounding areas; Art Litka, who dedicated a portion of his Halloween Village to Harry Wise; filmmaker and magician Gary Lester, who studied magic under Harry Wise and acquired and restored many of Harry's former props; and Lynn Ashe, Harry Wise's best friend.
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Date Issued
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2015
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Identifier
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CFE0005925, ucf:50839
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Format
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Document (PDF)
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PURL
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http://purl.flvc.org/ucf/fd/CFE0005925
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Title
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"Indivim-kara: An Exploration of Ego and the Archetypes in Art".
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Creator
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Justice, Jared, Mills, Lisa, Adams, JoAnne, Poindexter, Carla, University of Central Florida
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Abstract / Description
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The purpose of this document is to demonstrate how I use my art making as an active meditation in order to temporarily subvert ego and create a new subjective reality in visual form. The results of my research will provide the reader with the ability to connect existing philosophies of the Yoga Sutras and Jungian Theory with new art works that explore active meditation, neurosis, and the archetypes of the collective psyche. My goal is to reconstruct these concepts into a visual medium that...
Show moreThe purpose of this document is to demonstrate how I use my art making as an active meditation in order to temporarily subvert ego and create a new subjective reality in visual form. The results of my research will provide the reader with the ability to connect existing philosophies of the Yoga Sutras and Jungian Theory with new art works that explore active meditation, neurosis, and the archetypes of the collective psyche. My goal is to reconstruct these concepts into a visual medium that reshapes facts and theories into images of my own truth, giving free play to fantasy akin to that of magical realism by detailing works from Corrupted Chakras: A Bestiary, You Want Alchemy, and the State of Mind: Chitta Vritti series. The reader and viewer will be challenged to think about how the art I make resynthesizes these concepts in a unique way, which communicate my feelings and strivings that ultimately affect a measure of personal and creative transformation.
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Date Issued
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2017
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Identifier
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CFE0006610, ucf:51296
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Format
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Document (PDF)
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PURL
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http://purl.flvc.org/ucf/fd/CFE0006610
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Title
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PREDICTING SCIENCE LITERACY AND SCIENCE APPRECIATION.
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Creator
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Hellmuth, Robert, Negy, Charles, University of Central Florida
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Abstract / Description
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Research has shown that the benefits of having a populace literate in science are great. Even if citizens are not literate in basic science, it is important that citizens still appreciate science and those with expertise in the field for many reasons. Recent research suggests that the United States (U.S.) has lower levels of science literacy than it should. Evidence may also suggest that many U.S. citizens are not appreciative of science. Overall, little research has been conducted on what...
Show moreResearch has shown that the benefits of having a populace literate in science are great. Even if citizens are not literate in basic science, it is important that citizens still appreciate science and those with expertise in the field for many reasons. Recent research suggests that the United States (U.S.) has lower levels of science literacy than it should. Evidence may also suggest that many U.S. citizens are not appreciative of science. Overall, little research has been conducted on what may predict science literacy and science appreciation which is the aim of this research. Specifically, I have examined socio-personal variables, beliefs, thought paradigms, and various demographic variables that may be predictive of science literacy and science appreciation. Results indicated that scriptural literalism, religiosity, and magical ideation were predictive of low levels of science literacy. In addition, predictors of low levels of science appreciation included scriptural literalism and magical ideation. Implications of the findings are discussed.
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Date Issued
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2014
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Identifier
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CFH0004685, ucf:45240
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Format
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Document (PDF)
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PURL
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http://purl.flvc.org/ucf/fd/CFH0004685
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Title
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TRUE WILL VS. CONSCIOUS WILL: AN EXPLORATION OF ALEISTER CROWLEY'SCONCEPTS OF TRUE WILL AND CONSCIOUS WILL AND ITS POSSIBLEAPPLICATIONS TO A MIDSUMMER NIGHTS DREAM, MARISOL, AND WICKED.
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Creator
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Payne, John, Listengarten, Julia, University of Central Florida
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Abstract / Description
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In our lives we will have to make hundreds upon thousands of choices. The effects of these choices will follow us with varying intervals; some effects may be brief while others may literally last a lifetime. In these moments that we are forced to chose, it ultimately comes down to two options, what we should do, and what we want to do. Essentially, it is a choice between the head and the heart. Playwrights depend on these moments of choice, for it is the basis of almost all plays. At some...
Show moreIn our lives we will have to make hundreds upon thousands of choices. The effects of these choices will follow us with varying intervals; some effects may be brief while others may literally last a lifetime. In these moments that we are forced to chose, it ultimately comes down to two options, what we should do, and what we want to do. Essentially, it is a choice between the head and the heart. Playwrights depend on these moments of choice, for it is the basis of almost all plays. At some point, the protagonist must make a choice, even if the choice is not to choose. In the early part of the 20th Century, a religious philosopher by the name of Aleister Crowley helped to define these choices, or as he referred to them, Wills. In essence, he stated that everyone has a True Will and a conscious will, and the path that you will ultimately follow is contingent on the choices you make in your life. Following your True Will, the path of 'the heart' will lead you to a sense of Nirvana, while following your conscious will, the path of 'the head' leads to a life unfulfilled. While some called him demonic (he occasionally referred to himself as 'The Beast With Two Backs) others saw him as a sage someone to esoterically explain the chaotic and industrial world of the early 1900's. Aleister Crowley seemed to be one of those few men that you either loved, or hated, or hated to love. At the dawn of the 20th Century, he was an English philosopher and religious guru that made a call to arms to the general populous to start living a better life. His theories will be explained fully in Chapter One, but ultimately he wanted everyone to achieve their True Will and leave their conscious wills by the wayside. He felt that this process could be achieved through what he referred to as his 'theorems' on magick. It is unknown exactly how the idea came to him to add the 'k' to the original magic; however speculation reveals he might have taken from the original Greek word magikE. Contrary to the modern definition of magic (the art of producing illusions by sleight of hand), Crowley felt that his magick was significantly more complex. Pulling on philosophies from the Egyptians and the Celts along with basic Buddhist principles, he defined his magick within his twenty-eight 'theorems'. Ultimately, he philosophized that magick was a way to enlighten a person, or, for the purposes of this thesis a character's True Will4 and to avoid following their conscious will. In layman's terms, Crowley saw it as an argument between the head (conscious will) and the heart (True Will). While the main focus of this thesis is on the tension and outcome of the decision of a character to follow their True Will or their conscious will, it is impossible to talk about these two concepts without discussing, at least in part, magick. Crowley saw magick as the practice and process to achieve True Will. This study, therefore, involves both homonyms, magic and magick. By applying this process as defined by Crowley in his self-named theorems to plays and musicals that have been defined as strictly 'magic,' I am looking for not only the exact moment in which the main protagonists in each play define and execute their decision to follow their True or conscious Wills, but also to critically examine their journey to that fatal decision. I describe it as such because I feel that a characters fate may truly depend on the choice that they make. These philosophies are not new to the philosophical world. Other theorists such as Schopenhauer and Nietzsche and their relation to Crowley's theories will be discussed later; however I felt that because Crowley is the one who his responsible for rejuvenating the word 'magick' from the Greeks in the 20th Century, I should be able to use his theories as a modern lens to examine A Midsummer Nights Dream, Marisol, and Wicked. I plan to take plays that cross both genre and era and consider not only (1) what can be illuminated using this 'Crowlean lens', but I also to highlight (2) any universal truths, by which I mean any ideological or philosophical ideas that appear in all three plays, that can be found in works as diverse as the ones that I have chosen. While their connection to True Will may be tangential in nature, if there are things in common in these plays that are brought to light using Crowley's lens, then I feel it is worth noting. By examining these two factors I will be able to see if critics have accurately defined these plays. My goal is to add the 'Crowlean lens' to the already existing approaches to critically examining a theatrical piece. This lens, as defined before, is simply taking Crowley's concepts of True Will and conscious will and their link to the progression of magick within a character to illuminate the characters choices leading up to their breaking point in which they must ask themselves "Do I chose what I should do, or what I want to do?" The three plays I chose were done for specific reasons. The basic criterion was to choose on a basis of (1) chronology, (2) genre, (3) and magical reference5. I took three plays that entertained the religious, philosophical, and fantastical nature of what I felt best applied to Crowley's theories. Keeping in mind that Crowley interpreted his magick as a philosophy, a religion, and a way of life to ultimately achieving True Will, I felt it pertinent to explore these aspects of each play as well. In the musical Wicked, the philosophical nature of the piece asks the question 'Are people born wicked? Or do they have wickedness thrust upon them?' This question can be answered through a variety of subjects. By exploring these issues within the context of its main character, Elphaba, (pronounced EL-fa-ba), and a variety of themes throughout this musical (including behavior, appearance, deception, honesty, courage and labeling) we find that True Will and conscious will in the land of Oz are flowering. Defining our True Will, according to Crowley, takes constant affirmations and diligent calculations of our feelings and utilizing those to aid in making the right choice for that specific moment6. In this fashion, Marisol marries the idea of what the author calls 'magical realism' in a post-apocalyptic New York City with a fervent religiosity all while underscoring the political nature of the 1980s indigent cleanup initiated by then mayor Ed Koch. Through the character of Marisol Perez, we find that not only is the choice between True Will and conscious confusing, but it can be potentially lethal. Within the structure of this play is also where Crowley's spiritual views on True Will and conscious will become highlighted. The Lovers (Helena, Demetrius, Hermia, and Lysander) in Shakespeare's fantastical A Midsummer Night's Dream is the perfect backdrop to explore Crowley's more eccentric philosophies on magick and how these philosophies relate to True and conscious will. In essence, I plan to not only explore the choices that these four individuals make due to acts of both types of magic(k), but their ultimate consequences as well. It also must be noted that during the process of this thesis, the one overarching theme throughout all three plays dealt with Crowley's theory of self-preservation. I feel that this is innately tied into the idea of True Will. By achieving True Will, we are inherently attempting to make the best choices for ourselves. This inherently keeps alive the innate human instinct of survival. At the end of this thesis, I hope to defend that Crowley's concepts of True Will and conscious will, when applied in tandem with Crowley's concepts of magick, can be a valid lens to examine theatrical works, old and new alike.
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Date Issued
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2008
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Identifier
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CFE0002456, ucf:47712
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Format
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Document (PDF)
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PURL
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http://purl.flvc.org/ucf/fd/CFE0002456
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Title
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Joining the "Big Leagues": Politics, Race, and the Pursuit of NBA Franchises in Miami and Orlando, 1982-1987.
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Creator
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Hillyer, Garrett, Crepeau, Richard, Lester, Connie, Lyons, Amelia, University of Central Florida
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Abstract / Description
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This thesis analyzes the formation of two National Basketball Association (NBA) franchises(-)the Miami Heat and the Orlando Magic(-)and the efforts of groups representing both cities to procure those franchises between 1982 and 1987. Drawing primarily from discourse found in local newspapers, this thesis serves as a case study of the dual nature of sport to both unite and divide communities. While proponents of the NBA in Miami and Orlando preached the social, cultural, and economic benefits...
Show moreThis thesis analyzes the formation of two National Basketball Association (NBA) franchises(-)the Miami Heat and the Orlando Magic(-)and the efforts of groups representing both cities to procure those franchises between 1982 and 1987. Drawing primarily from discourse found in local newspapers, this thesis serves as a case study of the dual nature of sport to both unite and divide communities. While proponents of the NBA in Miami and Orlando preached the social, cultural, and economic benefits of sport, they ignored the ways in which the pursuit of sport divided local governments and perpetuated historic hostility toward African-American residents in each city. Debates over basketball arena funding created deep divisions within and between city, county, and state governments. Arena construction ultimately displaced hundreds of families in the historically African-American neighborhoods of Overtown (Miami) and Parramore (Orlando). Still, prospective NBA franchise owners in each city promised residents that professional sport would galvanize their community, provide national relevance, and spur economic revitalization. Although city and team officials attempted to shape the discourse surrounding their NBA pursuit as wholly unifying, underlying discourse revealed divisions within each city.Chapter one explores the history of arena and sport-related politics in Miami, relays the history of racial prejudice by Miami government toward Overtown African Americans, and analyzes how these two histories influenced the funding and location of the city's eventual NBA arena. Similarly, Chapter two explores the history of arena politics in Orlando, relays the history of racial prejudice from municipal government toward Parramore residents, and analyzes the relation of these two elements to the financing and planning of Orlando's arena. Chapter three analyzes prospective NBA ownership groups in Miami and Orlando, their structural makeup, characteristics, and their efforts to sell season-ticket deposits in hopes of luring the league to their city. Chapter four analyzes the underlying destructive discourse surrounding the arenas and prospective franchises, particularly as it relates prejudicial language toward Overtown and Parramore and vitriolic language between Miami and Orlando.
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Date Issued
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2016
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Identifier
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CFE0006324, ucf:51554
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Format
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Document (PDF)
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PURL
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http://purl.flvc.org/ucf/fd/CFE0006324
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Title
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Mirrors and Vanities.
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Creator
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Salas, Leslie, Rushin, Patrick, Poissant, David, Bartkevicius, Jocelyn, University of Central Florida
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Abstract / Description
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"Mirrors and Vanities" is a multi-modal collection which showcases the diversity of working in long and short storytelling forms. Featured in this thesis are fiction, nonfiction, graphic narrative, and screenplay.Using unconventional approaches to storytelling in order to achieve emotional resonance with the audience while maintaining high standards for craft, these stories and essays explore the costs inherent to the subtle nuances of interpersonal relationships. The fiction focuses on the...
Show more"Mirrors and Vanities" is a multi-modal collection which showcases the diversity of working in long and short storytelling forms. Featured in this thesis are fiction, nonfiction, graphic narrative, and screenplay.Using unconventional approaches to storytelling in order to achieve emotional resonance with the audience while maintaining high standards for craft, these stories and essays explore the costs inherent to the subtle nuances of interpersonal relationships. The fiction focuses on the complications of characters keeping secrets. A husband discovers the truth behind his wife's miscarriage. A girl visits her fianc(&)#233; in purgatory. A boy crosses a line and loses his best friend. Meanwhile, the nonfiction centers on self-discovery and gender roles associated with power struggles. A schizophrenic threatens to ruin my mother's wedding. I rediscover my relationship with my father through food writing. Sword-work teaches me to fail and succeed at making martial art. The title work of the thesis is a collaged story highlighting the tribulations of a physicist fixated on recovering his lost love by manipulating the multiverse. The multi-modal format implicates the nebulosity of physics theories and how different aspects of the narrative can be presented in various formats to best suit the nature of the storytelling.Through the interactions of characters in mundane and extraordinary circumstances, the works in this thesis examine the consequences of choice, the contrast between reality and expectation, coming of age, and the Truth of narrative.
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Date Issued
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2013
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Identifier
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CFE0004745, ucf:49789
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Format
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Document (PDF)
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PURL
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http://purl.flvc.org/ucf/fd/CFE0004745