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"Exiled as the Ship Itself": Liminality and Transnational Identity in Malcolm Lowry's Ultramarine, Under the Volcano, and Dark as the Grave Wherein My Friend is Laid
Title
"Exiled as the Ship Itself": Liminality and Transnational Identity in Malcolm Lowry's Ultramarine, Under the Volcano, and Dark as the Grave Wherein My Friend is Laid.
Creator
Tricker, Spencer, Lillios, Anna, Nwakanma, Obi, Campbell, James, University of Central Florida
Abstract / Description
The themes of empire, nationality, and self-imposed exile constitute underexplored topics in critical discussions of modernist author Malcolm Lowry (1909-1957). Until recently, most academic studies have approached his work from biographical, mythological, and psychoanalytic perspectives. While a few studies have performed historical readings of his novels, such investigations tend, primarily, to focus on his engagement with western literary and theoretical movements of the early twentieth...
Show moreThe themes of empire, nationality, and self-imposed exile constitute underexplored topics in critical discussions of modernist author Malcolm Lowry (1909-1957). Until recently, most academic studies have approached his work from biographical, mythological, and psychoanalytic perspectives. While a few studies have performed historical readings of his novels, such investigations tend, primarily, to focus on his engagement with western literary and theoretical movements of the early twentieth century. Of the few studies that address the cross-cultural reach of his novels, most are limited to discussions of Mexican history and traditions, thus prioritizing a specific geographical region when they might, instead, illuminate the author's career-long engagement with cultural developments on a world scale(-)historical realignments triggered by wartime anxieties and the impending dissolution of the British Empire. Employing an interpretive framework that synthesizes postcolonial theory, cultural anthropology, and contemporary theories of the transnational, I demonstrate how the exile-heroes of three of Lowry's novels(-)Ultramarine (1933), Under the Volcano (1947), and Dark as the Grave Wherein My Friend is Laid (1968)(-)struggle to navigate the experience of social liminality, dramatizing, in the process, an increasingly fraught relationship between English expatriates and imperial models of English national identity. Rejecting the well-known mythical hero's cyclical quest, so often culminating in a triumphant return to society, the Lowrian exile-hero, instead, remains in a liminal state, emblematizing, through persistent cultural questioning, a transnational concept of identity that resists institutionally prescribed models of thought and behavior.
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Date Issued
2012
Identifier
CFE0004237, ucf:49524
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0004237
THE COLONIAL LEGACIES OF TRADE AGREEMENTS WITH THE EUROPEAN UNION
Title
THE COLONIAL LEGACIES OF TRADE AGREEMENTS WITH THE EUROPEAN UNION.
Creator
Warshofsky, Mia R, Dolan, Thomas, University of Central Florida
Abstract / Description
As European colonialism was the dominant system of long-distance governance and resource appropriation for centuries, its economic legacies are diverse albeit understated. The existing research looks mainly at the effects of colonialism on a former colony's internal development. This study broadens that scope, looking at which factors are correlated with the presence or absence of a trade agreement with the European Union as well as the number of restrictions to free trade within them. This...
Show moreAs European colonialism was the dominant system of long-distance governance and resource appropriation for centuries, its economic legacies are diverse albeit understated. The existing research looks mainly at the effects of colonialism on a former colony's internal development. This study broadens that scope, looking at which factors are correlated with the presence or absence of a trade agreement with the European Union as well as the number of restrictions to free trade within them. This was carried out through four large-n regressions. The first compared current former- and non-colony trading partners. The second narrowed the scope by comparing only former colonies. The third measured the number of restrictions among all current European Union trade agreements. The fourth measured trade restrictions among former colonies. The results are that various identity, developmental and intuitional variables are correlated with the existence of trade deals and the number of restrictions they contain.
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Date Issued
2017
Identifier
CFH2000185, ucf:46014
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFH2000185
NATIVE AMERICAN AND ALASKAN NATIVE YOUTH SUICIDE
Title
NATIVE AMERICAN AND ALASKAN NATIVE YOUTH SUICIDE.
Creator
Yurasek, Emily, Reyes-Foster, Beatriz, University of Central Florida
Abstract / Description
Indigenous populations in the U.S. have been suffering from a youth suicide epidemic for decades. The epidemic and risk factors associated with it can be connected to the mistreatment of Native Americans throughout history which has caused their communities to suffer from numerous inequalities such as poverty, inadequate housing, loss of land, and destruction of culture. Using the concepts of biopolitics, post-colonialism, and structural violence, I argue that the social and political...
Show moreIndigenous populations in the U.S. have been suffering from a youth suicide epidemic for decades. The epidemic and risk factors associated with it can be connected to the mistreatment of Native Americans throughout history which has caused their communities to suffer from numerous inequalities such as poverty, inadequate housing, loss of land, and destruction of culture. Using the concepts of biopolitics, post-colonialism, and structural violence, I argue that the social and political institutions forced upon Native American communities have led to increased alcohol and drug abuse, poverty, and disempowerment, all important factors that aid in the youth suicide epidemic. I also suggests that preventative programs not only focus on suicide but other risk factors involved such as alcohol and drug abuse.
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Date Issued
2014
Identifier
CFH0004592, ucf:45230
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFH0004592
DESTABILIZING IDENTITY: THE WORKS OF DOROTHY CROSS
Title
DESTABILIZING IDENTITY: THE WORKS OF DOROTHY CROSS.
Creator
Dowling, Aileen, Mendoza, Ilenia Col�n, University of Central Florida
Abstract / Description
This thesis aims to analyze Dorothy Cross's sculptural, installation, and video works in relation to Ireland's Post-Conflict struggle with its cultural and global identity. Throughout the course of history, Ireland's identity has always been in question, sparking new interest over the last thirty years in producing an Irish identity discerned by "hybridity, multiplicity, and mobility."[1] Declan McGonagle states that the traditional Irish constructs of gender and sexuality were primarily...
Show moreThis thesis aims to analyze Dorothy Cross's sculptural, installation, and video works in relation to Ireland's Post-Conflict struggle with its cultural and global identity. Throughout the course of history, Ireland's identity has always been in question, sparking new interest over the last thirty years in producing an Irish identity discerned by "hybridity, multiplicity, and mobility."[1] Declan McGonagle states that the traditional Irish constructs of gender and sexuality were primarily challenged by Dorothy Cross during this period of rapid sociopolitical change.[2] Cross consistently deconstructs pre-Christian Mother Ireland and patriarchal Catholic Ireland in her early sculptural works, and ultimately transitions towards communicating a collective identity rooted in loss and desire. [3] The constructions of gendered, cultural, and collective identity are dismantled across multiple media throughout Cross's oeuvre, which can be analyzed through a synthesis of poststructuralist, postmodern, and French feminist theory. In evaluating Dorothy Cross's destabilization of identity, I will expand the literature on contemporary Irish art during the nation's turbulent time of globalization, which has been underemphasized in the study of contemporary European art.
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Date Issued
2016
Identifier
CFH2000126, ucf:46012
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFH2000126
Arrangement of Google Search Results and Imperial Ideology: Searching for Benghazi, Libya
Title
Arrangement of Google Search Results and Imperial Ideology: Searching for Benghazi, Libya.
Creator
Stewart, Jacob, Pigg, Stacey, Rounsaville, Angela, Walls, Douglas, University of Central Florida
Abstract / Description
This project responds to an ongoing discussion in scholarship that identifies and analyzes the ideological functions of computer interfaces. In 1994, Cynthia Selfe and Richard Selfe claimed that interfaces are maps of cultural information and are therefore ideological (485). For Selfe and Selfe and other scholars, these interfaces carried a colonial ideology that resulted in Western dominance over other cultures. Since this early scholarship, our perspectives on interface have shifted with...
Show moreThis project responds to an ongoing discussion in scholarship that identifies and analyzes the ideological functions of computer interfaces. In 1994, Cynthia Selfe and Richard Selfe claimed that interfaces are maps of cultural information and are therefore ideological (485). For Selfe and Selfe and other scholars, these interfaces carried a colonial ideology that resulted in Western dominance over other cultures. Since this early scholarship, our perspectives on interface have shifted with changing technology; interfaces can no longer be treated as having persistent and predictable characteristics like texts. I argue that interfaces are interactions among dynamic information that is constantly being updated online. One of the most prominent ways users interact with information online is through the use of search engines such as Google. Interfaces like Google assist users in navigating dynamic cultural information. How this information is arranged in a Google search event has a profound impact on what meaning we make surrounding the search term.In this project, I argue that colonial ideologies are upheld in several Google search events for the term (")Benghazi, Libya.(") I claim that networked connection during Google search events leads to the creation and sustainment of a colonial ideology through patterns of arrangement. Finally, I offer a methodology for understanding how ideologies are created when search events occur. This methodology searches for patterns in connected information in order to understand how they create an ideological lens.
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Date Issued
2014
Identifier
CFE0005267, ucf:50559
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0005267
MADAMA BUTTERFLY: THE MYTHOLOGY OR HOW IMPERIALISM AND THE PATRIARCHY CRUSHED BUTTERFLY'S WINGS
Title
MADAMA BUTTERFLY: THE MYTHOLOGY OR HOW IMPERIALISM AND THE PATRIARCHY CRUSHED BUTTERFLY'S WINGS.
Creator
Nieves, Adriana, Warfield, Scott, University of Central Florida
Abstract / Description
As a popular historic work with constant and worldwide performances, the sexist and racist narratives disseminated by Giacomo Puccini's opera Madama Butterfly causes harmful social and political ramifications. Many scholars point to this opera specifically when discussing the fetishization of Asian females, and mention the title character as the quintessential example of damaging stereotypes. Thus, I conduct a postcolonial and feminist reading of Madama Butterfly, through analysis of the...
Show moreAs a popular historic work with constant and worldwide performances, the sexist and racist narratives disseminated by Giacomo Puccini's opera Madama Butterfly causes harmful social and political ramifications. Many scholars point to this opera specifically when discussing the fetishization of Asian females, and mention the title character as the quintessential example of damaging stereotypes. Thus, I conduct a postcolonial and feminist reading of Madama Butterfly, through analysis of the opera's libretto, the libretto sources, and the opera's score. I unravel the Orientalist assumptions that make up the foundation of the Butterfly narrative, and trace them as they make their way into Puccini's opera. I re-read Madama Butterfly as a metaphor for imperialism, and its effects on the colonized psyche. I examine Lieutenant Pinkerton and Butterfly's characters with specific attention to the power dynamics of their relationship in the context of colonization. I emphasize gender, race, and class tensions evident within the white male and white female gazes on the bodies of third world women of color. I present Puccini's musical choices in the operatic score as supplementary to my postcolonial-feminist reading. Puccini's use of pentatonic scales to evoke "Oriental" sounds, as well as his appropriation of Japanese folk tunes and "The Star Spangled Banner" into the score serve to supplement my basic contentions that Madama Butterfly is a product of Oriental discourse and a metaphor for imperialism and its effect on the colonized psyche.
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Date Issued
2014
Identifier
CFH0004716, ucf:45400
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFH0004716
THE UNCANNY AND THE POSTCOLONIAL IN J.R.R. TOLKIEN'S MIDDLE-EARTH
Title
THE UNCANNY AND THE POSTCOLONIAL IN J.R.R. TOLKIEN'S MIDDLE-EARTH.
Creator
Brown-Fuller, Molly, Jones, Anna, University of Central Florida
Abstract / Description
This thesis examines J.R.R. Tolkien's texts The Hobbit, The Fellowship of the Ring, The Two Towers, and The Return of the King from a postcolonial literary perspective. By examining how these texts, written at the decline of the British Empire, engage with the theoretical polemics of imperialism, this thesis takes a new look at these popular and widely regarded books from a stance of serious academic interest. The first chapter examines how certain characters, who are Othered temporally in...
Show moreThis thesis examines J.R.R. Tolkien's texts The Hobbit, The Fellowship of the Ring, The Two Towers, and The Return of the King from a postcolonial literary perspective. By examining how these texts, written at the decline of the British Empire, engage with the theoretical polemics of imperialism, this thesis takes a new look at these popular and widely regarded books from a stance of serious academic interest. The first chapter examines how certain characters, who are Othered temporally in the realm of Middle-earth, manage to find a place of narrative centrality from the defamiliarized view of Merry, Pippin, Samwise, and Frodo, uncannily reoccurring throughout the narrative in increasingly disturbing manifestations. From there, the thesis moves on to uncanny places, examining in detail Mirkwood, Moria, Dunharrow, and the Shire at the end of The Return of the King. Each of these locations in Middle-earth helps Tolkien to explore the relationship between colonizer, colonized, and fetishism; the colonizer(s) disavow their own fears of these places by fetishizing the pathways they colonize for their safe passage. Since their paths are unsustainable colonially, these fetishes cannot fulfill their function, as the places are marked with unavoidable reminders of wildness and uncontrollability which cannot successfully be repressed for long. Ending this chapter with a discussion of the hobbit's return to the Shire, the argument moves into the next chapter that discusses the small-scale colonization that takes place in the heart of Frodo himself, making the Shire he used to know firmly unavailable to him. The Ring, in this case, is the colonizer, doubling, fracturing, and displacing Frodo's selfhood so that he becomes unfamiliar to himself. The uncanniness that this produces and Frodo's inability to heal from his experience with the Ring, this thesis argues, echoes the postcolonial themes of irreconcilability and the fantasy of origin. Concluding on this note, the thesis argues that reading The Lord of the Rings in this way renders postcolonial concepts accessible to a whole generation of readers already familiar with the series, and points to the possibility of examining other contemporary texts, or even further analysis of Tolkien's to reveal more postcolonial sensitivities engendered in the texts.
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Date Issued
2013
Identifier
CFH0004428, ucf:45133
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFH0004428
STORY LINES: MOVING THROUGH THE MULTIPLE IMAGINED COMMUNITIES OF AN ASIAN-/AMERICAN-/FEMINIST BODY
Title
STORY LINES: MOVING THROUGH THE MULTIPLE IMAGINED COMMUNITIES OF AN ASIAN-/AMERICAN-/FEMINIST BODY.
Creator
Choudhury, Athia, Park, Shelley, University of Central Florida
Abstract / Description
We all have stories to share, to build, to pass around, to inherit, and to create. This story - the one I piece together now - is about a Thai-/Bengali-/Muslim-/American-/Feminist looking for home, looking to manage the tension and conflict of wanting to belong to her family and to her feminist community. This thesis focuses on the seemingly conflicting obligations to kinship on the one hand and to feminist practice on the other, a conflict where being a good scholar or activist is directly...
Show moreWe all have stories to share, to build, to pass around, to inherit, and to create. This story - the one I piece together now - is about a Thai-/Bengali-/Muslim-/American-/Feminist looking for home, looking to manage the tension and conflict of wanting to belong to her family and to her feminist community. This thesis focuses on the seemingly conflicting obligations to kinship on the one hand and to feminist practice on the other, a conflict where being a good scholar or activist is directly in opposition to being a good Asian daughter. In order to understand how and why these communities appear at odds with one another, I examine how the material spaces and psychological realities inhabited by specific hyphenated, fragmented subjects are represented (and misrepresented) in both popular culture and practical politics, arguing against images of the hybrid body that bracket its lived tensions. I argue that fantasies of home as an unconditional site of belonging and comfort distract us from the multiple communities to which hyphenated subjects must move between. Hyphenated Asian-/American bodies often find ourselves torn between nativism and assimilationism - having to neutralize, forsake, or discard parts of our identities. Thus, I reduce complicated, difficult ideas of being to the size of a thimble, to a question of loyalty between my Asian-/American history and my American-/feminist future, between my familial background and the issues that have become foregrounded for me during college, between the home from which I originate and the new home to which I wish to belong. To move with fluidity, I must - in collaboration with others - invent new stories of identity and belonging.
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Date Issued
2012
Identifier
CFH0004200, ucf:44974
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFH0004200