Current Search: postmodern (x)
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(1 - 7 of 7)
- Title
- Christ on the Postmodern Stage: Debunking Christian Metanarrative Through Contemporary Passion Plays.
- Creator
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Dambrosi, Joseph, Listengarten, Julia, Wood, Vandy, Weaver, Earl, Thomas, Aaron, University of Central Florida
- Abstract / Description
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As a Christian theatre artist with a conservative upbringing, I continually seek to discover the role of postmodernism in faith and how this intersection correlates with theatre in a postmodern society. In a profession that constantly challenges the status quo of Christian living, and a faith that frowns upon most (")secular(") behavior, I find myself in a position of questioning the connection between these two components of my life. Furthermore, I am troubled by the exclusive nature of the...
Show moreAs a Christian theatre artist with a conservative upbringing, I continually seek to discover the role of postmodernism in faith and how this intersection correlates with theatre in a postmodern society. In a profession that constantly challenges the status quo of Christian living, and a faith that frowns upon most (")secular(") behavior, I find myself in a position of questioning the connection between these two components of my life. Furthermore, I am troubled by the exclusive nature of the evangelical Christian community for people who do not meet its expectations of absolute truth(-)namely, the treatment of the LGBTQ+ community and the judgment of others. After reading several contemporary plays with religious narratives, it is safe to say that there is a correlation between Christian faith and the postmodern stage and this connection can be used to debunk these accepted truths in Christian thought. In this thesis, I explore three plays by mainstream American playwrights(-)Terrence McNally's Corpus Christi, Stephen Adly Guirgis' The Last Days of Judas Iscariot, and Sarah Ruhl's Passion Play: A Cycle(-)to disrupt the metanarrative dogma that evangelical Christianity continues to force upon its (")believers.(") These topics include the traditional evangelical treatment of homosexuality, the judgment of others, and the exclusivity of the gospel message. Using postmodern theory and the New Testament Gospels as a lens, this thesis expands the universal messages of the Gospels and makes them inviting and applicable to all people despite varying cultures, lifestyles, or worldviews.?
Show less - Date Issued
- 2016
- Identifier
- CFE0006093, ucf:51189
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFE0006093
- Title
- MINUTES FROM PRAGMA.
- Creator
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Martinez, Juan M, Hubbard, Susan, University of Central Florida
- Abstract / Description
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Minutes from Pragma is a collection of twelve pieces--a memoir, five short stories, and six short-shorts--exploring ways in which estranged characters may find refuge from chaos and entropy. These stories attempt to deal with bleakness and despair through playfulness and humor. In Enterprise Carolina: A Capsule Review, time has stopped, but somehow everyday life goes on as usual. In Errands, children work in razorblade factories. In Roadblock, the narrator lives with a relative who repeatedly...
Show moreMinutes from Pragma is a collection of twelve pieces--a memoir, five short stories, and six short-shorts--exploring ways in which estranged characters may find refuge from chaos and entropy. These stories attempt to deal with bleakness and despair through playfulness and humor. In Enterprise Carolina: A Capsule Review, time has stopped, but somehow everyday life goes on as usual. In Errands, children work in razorblade factories. In Roadblock, the narrator lives with a relative who repeatedly sets his possessions on fire. The collection concentrates on hardship and alienation, but suggests ways in which characters may confront and endure hard times. Characters' attempts to connect with others sometimes fail, but the characters themselves persevere--they read, hold hands, even treat one other kindly. In these ways, they fashion temporary shelters from the frustrations and horrors of the world.
Show less - Date Issued
- 2004
- Identifier
- CFE0000034, ucf:46105
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFE0000034
- Title
- BEYOND POSTMODERN MARGINS: THEORIZING POSTFEMINIST CONSEQUENCES THROUGH POPULAR FEMALE REPRESENTATION.
- Creator
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Mosher, Victoria, Campbell, James, University of Central Florida
- Abstract / Description
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In 1988, Linda Nicholson and Nancy Fraser published an article entitled "Social Criticism Without Philosophy: An Encounter Between Feminism and Postmodernism," arguing that this essay would provide a jumping point for discussion between feminisms and postmodernisms within academia. Within this essay, Nicholson and Fraser largely disavow a number of second wave feminist theories due to their essentialist and foundationalist underpinnings in favor of a set of postmodernist frameworks that might...
Show moreIn 1988, Linda Nicholson and Nancy Fraser published an article entitled "Social Criticism Without Philosophy: An Encounter Between Feminism and Postmodernism," arguing that this essay would provide a jumping point for discussion between feminisms and postmodernisms within academia. Within this essay, Nicholson and Fraser largely disavow a number of second wave feminist theories due to their essentialist and foundationalist underpinnings in favor of a set of postmodernist frameworks that might help feminist theorists overcome these epistemological impediments. A "postmodern feminism," Nicholson and Fraser claim, would become "the theoretical counterpart of a broader, richer, more complex, and multilayered solidarity, the sort of solidarity which is essential for overcoming the oppression of women" (35). Interpreting "Social Criticism" through a feminist cultural studies model in which texts are understood to be simultaneously constituted by and reflective of their own sociopolitical spaces, I argue that the construction of Nicholson and Fraser's "postmodern feminism" is, first and foremost, neither a postmodernist critique nor a means of overcoming the pitfalls of essentialism and foundationalism. Instead, the construction of this theoretical paradigm can be shown to be complicit with postfeminist discourses, wherein an implicitly patriarchal discourse of postmodernism is called upon to repair the deficiencies of feminisms, deficiencies that postmodernisms, in some ways, helped to bring into view. To provide a conceptual backing for these claims, I move toward an examination of mass culture, surveying the similarities between "Social Criticism" and the film What Women Want. Such a comparison, I suggest, facilitates a better understanding of how "Social Criticism" can be shown to be imbedded in a postfeminist narrative structure in which feminisms are relegated to a discursively subordinate gendered position in relation to postmodernisms. Finally, in what I find to be the most important aspect of this thesis' inquiry, I ask what it means to build a "broader, richer, more complex, and multilayered solidarity" by disavowing second wave feminisms in favor of postmodernisms. I conclude that, in using postmodernisms as a panacea for feminist theories, Nicholson and Fraser curtail what might have been a rigorous interrogation of and direct engagement with second wave feminist theories that would also attend to the phallogocentric underpinnings of postmodern theories. To underline the potential consequences, I turn to a set of televisual and filmic texts including Sex and the City, Desperate Housewives, and The Devil Wears Prada to gauge what their "postmodern feminism" might represent in practice rather than what it entails as philosophy. This juxtaposition of these two differently defined and yet overwhelmingly similar postmodern feminisms, I propose, underscores the potential that Nicholson and Fraser may have instituted a postmodern feminist methodology in which it is possible that feminisms might emerge not as discourses essential for "overcoming the oppression of women" but rather as discourses that can be critiqued into oblivion.
Show less - Date Issued
- 2008
- Identifier
- CFE0002141, ucf:47518
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFE0002141
- Title
- POSTMODERN FEMINISM, HYPERTEXT, AND THE RHETORIC OF COOKING WEBSITES.
- Creator
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McGrane, Heather, Applen, J.D., University of Central Florida
- Abstract / Description
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This study explores the ways cookbooks and their rhetorical dimensions have been re-imagined using hypertext and Web technology. Using the tenets of postmodern feminist rhetoric and Web design theory, the study considers how commercial cooking hypertexts construct users' identities. Although hypertext is a potentially empowering technology, democratizing rhetoric and knowledge making practices, commercial hypertext often circumscribes agency formation and prohibits participation....
Show moreThis study explores the ways cookbooks and their rhetorical dimensions have been re-imagined using hypertext and Web technology. Using the tenets of postmodern feminist rhetoric and Web design theory, the study considers how commercial cooking hypertexts construct users' identities. Although hypertext is a potentially empowering technology, democratizing rhetoric and knowledge making practices, commercial hypertext often circumscribes agency formation and prohibits participation. Participatory, constructive hypertexts are difficult to design and costly to maintain. Of the three sites studied, Epicurious.com, BettyCrocker.com, and FoodNetwork.com, only Epicurious.com encourages meaningful communication between users and between users and designers. In many ways, Epicurious.com conceives of its users as active agents. Most of its content celebrates many knowledge making practices traditionally considered feminine and embodied. In contrast, BettyCrocker.com and FoodNetwork.com rely on closed, proprietary systems designs to maintain their authority. Users have little opportunity to participate as active agents. In small ways, however, users can begin to deconstruct the hypertexts, to resist the standards and strictures of expertly created recipes by reporting variations and opinions. The features that most reflect the tenets of a constructive feminist hypertext make possible some small movements toward agency.
Show less - Date Issued
- 2007
- Identifier
- CFE0001855, ucf:47369
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFE0001855
- Title
- LUCIDITY: A NOVELLA.
- Creator
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Lancelotta, Rafael, Rodriguez-Milanes, Cecilia, University of Central Florida
- Abstract / Description
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"Lucidity" is a novella set in the near future of a man living in a city in the United States as a successful businessman. The novella criticizes the idea of consumerism through Aurora, a character who believes that a drug is being introduced into the water and food supply by the corporate-backed government. Characters find advertising to be almost irresistible, experience strange cravings for things like cheap beer, and are generally preoccupied with the latest products. James Simmons, the...
Show more"Lucidity" is a novella set in the near future of a man living in a city in the United States as a successful businessman. The novella criticizes the idea of consumerism through Aurora, a character who believes that a drug is being introduced into the water and food supply by the corporate-backed government. Characters find advertising to be almost irresistible, experience strange cravings for things like cheap beer, and are generally preoccupied with the latest products. James Simmons, the protagonist of the novella, finds himself in the lap of luxury. He has a job that pays well, a penthouse apartment, a fast car, and women. Even though he has the material riches that society tells him he needs to be happy, he knows that something is missing, something is wrong with the world in which he lives. For reasons unknown to him at the time, James is fired from his job and sets out on a journey to discover why. Over the course of his journey, he is finally able to begin piecing together the nature of deeper questions about himself that he never had a chance to answer.
Show less - Date Issued
- 2013
- Identifier
- CFH0004337, ucf:45046
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFH0004337
- Title
- TOWARDS THE FINITE: A CASE AGAINST INFINITY IN JORGE LUIS BORGES.
- Creator
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SANTIS, ESTEBAN, Rodríguez Milanés, Cecilia, University of Central Florida
- Abstract / Description
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The role of infinity as an antagonist in Jorge Luis Borges's oeuvre is undeniable. His stories in El jardín de senderos que se bifurcan (1941), Ficciones (1944), and El Aleph (1949) exhibit Borges's tendency to evoke dreams, labyrinths, mirrors, and libraries as both conduits for infinity and sources of conflict. Oftentimes, Borges's characters experience discomfort upon encountering the limitations of secular temporal succession. This discomfort is rooted in Borges's pessimism about the...
Show moreThe role of infinity as an antagonist in Jorge Luis Borges's oeuvre is undeniable. His stories in El jardín de senderos que se bifurcan (1941), Ficciones (1944), and El Aleph (1949) exhibit Borges's tendency to evoke dreams, labyrinths, mirrors, and libraries as both conduits for infinity and sources of conflict. Oftentimes, Borges's characters experience discomfort upon encountering the limitations of secular temporal succession. This discomfort is rooted in Borges's pessimism about the subject which is explored in Borges's most comprehensive essay on the issue of time: "A New Refutation of Time." Consequently, this thesis considers Borges's attitude towards the issue of time as postulated in "A New Refutation of Time" and exhibited in his early fiction, continues to acknowledge infinity as a fundamental conflict in Borges's work, and proceeds to search for a solution to this conflict.The analysis in this thesis relies heavily on a comparative study of the themes and symbols in Borges's fiction in order to establish a pattern wherein infinity is portrayed negatively. More importantly, the use of interviews, biographies, and Borges's own fiction, facilitates the construction of cohesive conception of time in his work. Subsequently, this study looks to establish a solution to the problem of infinity and establish a new pattern wherein there is a positive resolution to the narrative. Ultimately, the goal of this thesis is to acknowledge the problem of infinity in Borges's work and then propose a way to escape it.
Show less - Date Issued
- 2012
- Identifier
- CFH0004237, ucf:44903
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFH0004237
- Title
- THE KIOSK CULTURE: RECONCILING THE PERFORMANCE SUPPORT PARADOX IN THE POSTMODERN AGE OF MACHINES.
- Creator
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Cavanagh, Thomas, Kitalong, Karla, University of Central Florida
- Abstract / Description
-
Do you remember the first time you used an Automatic Teller Machine (ATM)? Or a pay-at-the-pump gas station? Or an airline e-ticket kiosk? How did you know what to do? Although you never received any formal instruction in how to interact with the self-service technology, you were likely able to accomplish your task (e.g., withdrawing or depositing money) as successfully as an experienced user. However, not so long ago, to accomplish that same task, you needed the direct mediation of a service...
Show moreDo you remember the first time you used an Automatic Teller Machine (ATM)? Or a pay-at-the-pump gas station? Or an airline e-ticket kiosk? How did you know what to do? Although you never received any formal instruction in how to interact with the self-service technology, you were likely able to accomplish your task (e.g., withdrawing or depositing money) as successfully as an experienced user. However, not so long ago, to accomplish that same task, you needed the direct mediation of a service professional who had been trained how to use the required complex technology. What has changed? In short, the technology is now able to compensate for the average consumer's lack of experience with the transactional system. The technology itself bridges the performance gap, allowing a novice to accomplish the same task as an experienced professional. This shift to a self-service paradigm is completely changing the dynamics of the consumer relationship with the capitalist enterprise, resulting in what is rapidly becoming the default consumer interface of the postmodern era. The recognition that the entire performance support apparatus now revolves around the end user/consumer rather than the employee represents a tectonic shift in the workforce training industry. What emerges is a homogenized consumer culture enabled by self-service technologies--a kiosk culture. No longer is the ability to interact with complex technology confined to a privileged workforce minority who has access to expensive and time-consuming training. The growth of the kiosk culture is being driven equally by business financial pressures, consumer demand for more efficient transactions, and the improved sophistication of compensatory technology that allows a novice to perform a task with the same competence as an expert. "The Kiosk Culture" examines all aspects of self-service technology and its ascendancy. Beyond the milieu of business, the kiosk culture is also infiltrating all corners of society, including medicine, athletics, and the arts, forcing us to re-examine our definitions of knowledge, skills, performance, and even humanity. The current ubiquity of self-service technology has already impacted our society and will continue to do so as we ride the rising tide of the kiosk culture.
Show less - Date Issued
- 2006
- Identifier
- CFE0001348, ucf:46989
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFE0001348
