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THREADS OF IDENTITY: MARISOL'S EXPLORATION OF SELF
| Title: | THREADS OF IDENTITY: MARISOL'S EXPLORATION OF SELF. |
 63 views 19 downloads |
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| Name(s): |
Williams, Emily, Author Colo'n Mendoza, Ilenia, Committee Chair University of Central Florida, Degree Grantor |
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| Type of Resource: | text | |
| Date Issued: | 2013 | |
| Publisher: | University of Central Florida | |
| Language(s): | English | |
| Abstract/Description: | Marisol Escobar, known in the 1960s as the "Latin Garbo," is a sculptor famous for showing with the Pop art greats. However, Marisol holds a curious position in art history, stranded between the formalism of the 50s and 60s male dominant Pop movement and the conceptual experimentation and radicalism of the 1970s. Her quiet yet intense observation pinpoints the overriding human elements present in the objects of her scrutiny. Most notable for turning her gaze inwards, her self-portraiture defies easy categorization. Marisol's approach to self-portraiture is in service to the exploration of her own identity. Yet, from the 1990s onwards, Marisol's work has received little scholarly coverage despite her stylistic affinities within Postmodern discourse. Therefore, I will discuss Marisol's body of work, use of iconography and development of style in the last three decades which focuses on the artist's expression of identity, sexuality, and power. | |
| Identifier: | CFH0004535 (IID), ucf:45208 (fedora) | |
| Note(s): |
2013-12-01 B.A. Arts and Humanities, School of Visual Arts and Design Bachelors This record was generated from author submitted information. |
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| Subject(s): |
marisol marisol escobar maria sol escobar sculpture pop art sculpture women artist art art history wood wood sculpture |
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| Persistent Link to This Record: | http://purl.flvc.org/ucf/fd/CFH0004535 | |
| Restrictions on Access: | campus 2016-12-01 | |
| Host Institution: | UCF |
