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EMULATING THE SWEDES: AN EXPLORATION OF THE DEVELOPING TRENDS IN SWEDISH THEATRE FOR YOUNG AUDIENCES

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Date Issued:
2008
Abstract/Description:
As a practitioner in the field of Theatre for Young Audiences (TYA), I have always been drawn to looking at literature and productions that challenge my preconceptions of what constitutes good theatre for youth. I enjoy the bold and innovative, versus the cute and playful. My training and education in this developing branch of theatre has undoubtedly exposed me to the many accomplishments of the American TYA system, but quite often – through attending conferences, as well as participating in class discussions – I find that many debates/conversations center around what more we need to do in this field or what else we can do to make this field more relevant and interesting to young people. In my experience, I've found that discussions and opinions center around Americans looking elsewhere for theatrical models on which to shape their own practices. I began looking at international models of TYA, particularly those of European countries. Historically, theatre has been recognized and valued as an essential part of traditional European life, and Sweden is often recognized as a forerunner in creating and supporting experimental art forms. With this, I question what American theatre educators and artists can learn from Swedish TYA as we work to create more artistic and educational outlets that incorporate the youth perspective of the 21st Century. For this thesis, my interest lies in what I can learn from Swedish TYA. I question how major social and cultural factors shape Swedish children's theatre as a field, and how those factors play out within the artistic arena. I dissect various social and cultural factors in Sweden that contribute to the TYA field, and examine if/how two pieces of Swedish dramatic literature for children reflect those trends and influences occurring in Swedish theatrical practice. Specifically, I also examine how Swedish TYA scripts use elements of non-realism, and deal with taboo topics. Through an exploration of The Dreamed Life of Nora Schahrazade and One Night in February, I find considerable use of elements that extend beyond realistic norms, and it is through those non-realistic approaches that the taboo issues are dissected and explored.
Title: EMULATING THE SWEDES: AN EXPLORATION OF THE DEVELOPING TRENDS IN SWEDISH THEATRE FOR YOUNG AUDIENCES.
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Name(s): Wolgast, Amanda, Author
Alrutz, Megan, Committee Chair
University of Central Florida, Degree Grantor
Type of Resource: text
Date Issued: 2008
Publisher: University of Central Florida
Language(s): English
Abstract/Description: As a practitioner in the field of Theatre for Young Audiences (TYA), I have always been drawn to looking at literature and productions that challenge my preconceptions of what constitutes good theatre for youth. I enjoy the bold and innovative, versus the cute and playful. My training and education in this developing branch of theatre has undoubtedly exposed me to the many accomplishments of the American TYA system, but quite often – through attending conferences, as well as participating in class discussions – I find that many debates/conversations center around what more we need to do in this field or what else we can do to make this field more relevant and interesting to young people. In my experience, I've found that discussions and opinions center around Americans looking elsewhere for theatrical models on which to shape their own practices. I began looking at international models of TYA, particularly those of European countries. Historically, theatre has been recognized and valued as an essential part of traditional European life, and Sweden is often recognized as a forerunner in creating and supporting experimental art forms. With this, I question what American theatre educators and artists can learn from Swedish TYA as we work to create more artistic and educational outlets that incorporate the youth perspective of the 21st Century. For this thesis, my interest lies in what I can learn from Swedish TYA. I question how major social and cultural factors shape Swedish children's theatre as a field, and how those factors play out within the artistic arena. I dissect various social and cultural factors in Sweden that contribute to the TYA field, and examine if/how two pieces of Swedish dramatic literature for children reflect those trends and influences occurring in Swedish theatrical practice. Specifically, I also examine how Swedish TYA scripts use elements of non-realism, and deal with taboo topics. Through an exploration of The Dreamed Life of Nora Schahrazade and One Night in February, I find considerable use of elements that extend beyond realistic norms, and it is through those non-realistic approaches that the taboo issues are dissected and explored.
Identifier: CFE0002172 (IID), ucf:47514 (fedora)
Note(s): 2008-05-01
M.F.A.
Arts and Humanities, Department of Theatre
Masters
This record was generated from author submitted information.
Subject(s): Theatre
Theatre for Youth
Theatre Trends
Sweden
TYA Companies
Persistent Link to This Record: http://purl.flvc.org/ucf/fd/CFE0002172
Restrictions on Access: campus 2009-04-01
Host Institution: UCF

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