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Creating Art That Truly Reflects the Community: An Exploration Into Facilitation of Devised, Community-Engaged Performance
- Date Issued:
- 2013
- Abstract/Description:
- One purpose of community-engaged work is to build and reflect the community; to allow their voice to be heard. This research explores the relationship between the professional artist facilitator and participants in a community-engaged setting while applying devised theatre practices. The facilitating artist brings to the group their expertise in playmaking and storytelling. The research centers on how a facilitating artist might approach devising a community-engaged performance project with awareness of his/her ability to influence the group. How can the facilitator channel their influence to provide productive guidance for the collective creativity in order to honor the community's intent and minimize the distortion created by the facilitator's perspective? Are there guidelines that can be established in order to ensure that the community's voice is undiluted? I begin by engaging in dialogue with established current practitioners in the field and examining literature published on the subject with this goal in mind. From this research a roadmap of perils and pitfalls, signs to look for that indicate tension or discomfort within the group, and techniques and tips for productively refocusing the group's work have been created. The objective of the research is to formulate a philosophy on facilitation that aligns with my artistic mission and values, ensuring the work truly builds and reflects the communities from which it is produced.
Title: | Creating Art That Truly Reflects the Community: An Exploration Into Facilitation of Devised, Community-Engaged Performance. |
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23 downloads |
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Name(s): |
Grile, Courtney, Author Weaver, Earl, Committee Chair Brown, James, Committee Member McDonald, Holly, Committee Member Kovac, Kim, Committee Member University of Central Florida, Degree Grantor |
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Type of Resource: | text | |
Date Issued: | 2013 | |
Publisher: | University of Central Florida | |
Language(s): | English | |
Abstract/Description: | One purpose of community-engaged work is to build and reflect the community; to allow their voice to be heard. This research explores the relationship between the professional artist facilitator and participants in a community-engaged setting while applying devised theatre practices. The facilitating artist brings to the group their expertise in playmaking and storytelling. The research centers on how a facilitating artist might approach devising a community-engaged performance project with awareness of his/her ability to influence the group. How can the facilitator channel their influence to provide productive guidance for the collective creativity in order to honor the community's intent and minimize the distortion created by the facilitator's perspective? Are there guidelines that can be established in order to ensure that the community's voice is undiluted? I begin by engaging in dialogue with established current practitioners in the field and examining literature published on the subject with this goal in mind. From this research a roadmap of perils and pitfalls, signs to look for that indicate tension or discomfort within the group, and techniques and tips for productively refocusing the group's work have been created. The objective of the research is to formulate a philosophy on facilitation that aligns with my artistic mission and values, ensuring the work truly builds and reflects the communities from which it is produced. | |
Identifier: | CFE0005095 (IID), ucf:50737 (fedora) | |
Note(s): |
2013-05-01 M.F.A. Arts and Humanities, Theatre Masters This record was generated from author submitted information. |
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Subject(s): | Devising -- Community-Engaged Performance -- Facilitating | |
Persistent Link to This Record: | http://purl.flvc.org/ucf/fd/CFE0005095 | |
Restrictions on Access: | campus 2016-11-15 | |
Host Institution: | UCF |