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"A Memorial and a Name": Construction of Public Memory Through Chronotopic Arrangement of Antecedent Genre at Yad Vashem

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Date Issued:
2015
Abstract/Description:
This spring marked the 70th anniversary of the defeat of the Nazis and the end of the Holocaust in Europe. Memory of this genocide has occupied a central place in Israeli identity since the establishment of the state. This thesis explores the history of Holocaust memory in Israel and examines how public memory is constructed in the present, as the era of the survivor draws to a close and commemorative efforts linked to survivors take on a sense of urgency. The contemporary memorial places examined in this study are part of Yad Vashem, Israel's premier institution for Holocaust commemoration. The thesis focuses on the museum's Hall of Names and its analogous web space, the Central Database of Shoah Victims' Names. Specifically, I draw on two concepts from Rhetorical Genre Studies(-)the chronotope (Bakhtin) and antecedent genre (Jamieson)(-)to examine the relationship between genre and the making of public memory. The findings of this analysis point to the importance of the antecedent genre of Holocaust testimony in the construction of public memory at Yad Vashem. Through a chronotopic analysis of the Hall of Names and the Central Database, I found that the genre of testimony changed across these spaces to ideologically construct memory in different ways. It is in the Hall of Names and Central Database's repurposing of the testimonial genre, and the expression of this genre through chronotopic arrangement in each of these locations, that a legacy of social concerns coalesces into the memorial expression of the contemporary moment. This study contributes to scholarship on the rhetorical construction of public memory and Rhetorical Genre Studies. First, it suggests the importance of genre and genre change in considerations of the rhetorical construction of public memory. Second, it suggests additionalconsiderations in determining how context affects genre and vice versa when features of time and space are especially salient for meaning-making. Specifically, these findings suggest additional complexity in the relationship between genre and the chronotope: genre change across contexts may result from a genre's integration into places with different space/time arrangements.
Title: "A Memorial and a Name": Construction of Public Memory Through Chronotopic Arrangement of Antecedent Genre at Yad Vashem.
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Name(s): Brennan, Emily, Author
Rounsaville, Angela, Committee Chair
Scott, Blake, Committee Member
Walls, Douglas, Committee Member
University of Central Florida, Degree Grantor
Type of Resource: text
Date Issued: 2015
Publisher: University of Central Florida
Language(s): English
Abstract/Description: This spring marked the 70th anniversary of the defeat of the Nazis and the end of the Holocaust in Europe. Memory of this genocide has occupied a central place in Israeli identity since the establishment of the state. This thesis explores the history of Holocaust memory in Israel and examines how public memory is constructed in the present, as the era of the survivor draws to a close and commemorative efforts linked to survivors take on a sense of urgency. The contemporary memorial places examined in this study are part of Yad Vashem, Israel's premier institution for Holocaust commemoration. The thesis focuses on the museum's Hall of Names and its analogous web space, the Central Database of Shoah Victims' Names. Specifically, I draw on two concepts from Rhetorical Genre Studies(-)the chronotope (Bakhtin) and antecedent genre (Jamieson)(-)to examine the relationship between genre and the making of public memory. The findings of this analysis point to the importance of the antecedent genre of Holocaust testimony in the construction of public memory at Yad Vashem. Through a chronotopic analysis of the Hall of Names and the Central Database, I found that the genre of testimony changed across these spaces to ideologically construct memory in different ways. It is in the Hall of Names and Central Database's repurposing of the testimonial genre, and the expression of this genre through chronotopic arrangement in each of these locations, that a legacy of social concerns coalesces into the memorial expression of the contemporary moment. This study contributes to scholarship on the rhetorical construction of public memory and Rhetorical Genre Studies. First, it suggests the importance of genre and genre change in considerations of the rhetorical construction of public memory. Second, it suggests additionalconsiderations in determining how context affects genre and vice versa when features of time and space are especially salient for meaning-making. Specifically, these findings suggest additional complexity in the relationship between genre and the chronotope: genre change across contexts may result from a genre's integration into places with different space/time arrangements.
Identifier: CFE0005913 (IID), ucf:50836 (fedora)
Note(s): 2015-08-01
M.A.
Arts and Humanities, Writing and Rhetoric
Masters
This record was generated from author submitted information.
Subject(s): Rhetorical Genre Studies -- public memory -- rhetorical analysis -- Holocaust memory
Persistent Link to This Record: http://purl.flvc.org/ucf/fd/CFE0005913
Restrictions on Access: public 2015-08-15
Host Institution: UCF

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