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Because You Are Beautiful and Dead
- Date Issued:
- 2017
- Abstract/Description:
- The poems in Because You Are Beautiful and Dead deal with dysfunctional people, substance abuse, loss, and death and dying. The poems also highlight the struggle of the poet/speaker finding her place in a hideous world, which, paradoxically, she really doesn't want to belong. The poems are influenced by the playful and sad imagery and subject matter of poet Matthew Dickman. These poems, like Dickman's, are assessable and quirky. Michael Earl Craig and Terrance Hayes are two other influences. Hayes' work is artistic and experimental. Michael Earl Craig's poems have a brilliance that isn't fueled in its complex or radical subject matter, but by the ability to see into the human condition in its most simple form. These poems are interested in language and form. The speaker in it often wants to tell someone I am sorry that I have forgotten you. You are still here, inside my poems. The poems bring people back to life. Sometimes these people are symbolic(-)not any specific person(-)but rather a representative of loss. Mostly the speaker wants to highlight the absurd and dysfunctional nature of humankind without any need to offer a remedy. Humans are predictable narcissists, they mess up their children, talk too much, and simply annoy. These poems are not predictable, boring, or always so fundamentally normal.
Title: | Because You Are Beautiful and Dead. |
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24 downloads |
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Name(s): |
Amey, Yvonne, Author Thaxton, Terry, Committee Chair Stap, Donald, Committee Member Uttich, Laurie, Committee Member University of Central Florida, Degree Grantor |
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Type of Resource: | text | |
Date Issued: | 2017 | |
Publisher: | University of Central Florida | |
Language(s): | English | |
Abstract/Description: | The poems in Because You Are Beautiful and Dead deal with dysfunctional people, substance abuse, loss, and death and dying. The poems also highlight the struggle of the poet/speaker finding her place in a hideous world, which, paradoxically, she really doesn't want to belong. The poems are influenced by the playful and sad imagery and subject matter of poet Matthew Dickman. These poems, like Dickman's, are assessable and quirky. Michael Earl Craig and Terrance Hayes are two other influences. Hayes' work is artistic and experimental. Michael Earl Craig's poems have a brilliance that isn't fueled in its complex or radical subject matter, but by the ability to see into the human condition in its most simple form. These poems are interested in language and form. The speaker in it often wants to tell someone I am sorry that I have forgotten you. You are still here, inside my poems. The poems bring people back to life. Sometimes these people are symbolic(-)not any specific person(-)but rather a representative of loss. Mostly the speaker wants to highlight the absurd and dysfunctional nature of humankind without any need to offer a remedy. Humans are predictable narcissists, they mess up their children, talk too much, and simply annoy. These poems are not predictable, boring, or always so fundamentally normal. | |
Identifier: | CFE0006556 (IID), ucf:51335 (fedora) | |
Note(s): |
2017-05-01 M.F.A. Arts and Humanities, English Masters This record was generated from author submitted information. |
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Subject(s): | poetry -- dysfunction -- death -- loss -- substance abuse -- dying | |
Persistent Link to This Record: | http://purl.flvc.org/ucf/fd/CFE0006556 | |
Restrictions on Access: | campus 2022-05-15 | |
Host Institution: | UCF |