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Title: Rebuilt and Remade: The Florida Citrus Industry, 1909-1939.
Creator: Padgett, James, Lester, Connie, Pineda, Yovanna, French, Scot, University of Central Florida
Abstract / Description: Prior to orange juice concentrate, Florida citrus was already an industrialized agricultural sector. This thesis explores the early-20th-century Florida citrus industry and demonstrates that contemporary farming practices were influential in advancing how citrus was produced, processed, worked, marketed, and regulated in early-20th-century Florida. Restarted after devastating freezes in 1894-1895, resolute Florida growers rebuilt their groves into marvels of large-scale citrus fruit...
Show morePrior to orange juice concentrate, Florida citrus was already an industrialized agricultural sector. This thesis explores the early-20th-century Florida citrus industry and demonstrates that contemporary farming practices were influential in advancing how citrus was produced, processed, worked, marketed, and regulated in early-20th-century Florida. Restarted after devastating freezes in 1894-1895, resolute Florida growers rebuilt their groves into marvels of large-scale citrus fruit production. Continuing a legacy in experimental crossbreeding, improved varieties of citrus were developed to lengthen the season and markets. Advocated by nurserymen and university educators, biological innovation helped the citrus thrive in the 1910s and 1920s from adverse weather effects, pests, and diseases. Scientists were agents of modernization whose research influenced its industrialization. With the inclusion of machines in the processing of citrus, technological innovation materialized significantly in Florida's packinghouses by the 1930s. These changes affected the lives of agricultural workers and small growers. Whether by prejudice or by resisting collective efforts, big growers gained power and influence in the industry, Their power concentrated into the Florida Citrus Codes and Florida Citrus Commission in 1935, which effectively allowed large-scale growers to direct the industry's development into the rest of the 20th century. In all, this reexamination into Florida citrus exemplifies the remaking of this industry into a modern agricultural system as well as the gradualism of southern agricultural modernization in early-20th-century America.
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Date Issued: 2018
Identifier: CFE0007906, ucf:52745
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0007906

Title: The Resonance and Residue of the First African American Newspaper: How Freedom's Journal Created Space in the Early 19th Century.
Creator: Kasper, Valerie, French, Scot, Vie, Stephanie, Grajeda, Anthony, Voss, Kimberly, University of Central Florida
Abstract / Description: The first African American newspaper, Freedom's Journal, has a historical, rhetorical, and spatial purpose. It not only showed the impact made by African Americans in the fight for their civil rights in the early 19th century, but as an artifact it illustrated and preserved that history allowing it to be studied centuries after the newspaper ceased printing. The purpose of The Resonance and Residue of the First African American Newspaper: How Freedom's Journal Created Space in the Early 19th...
Show moreThe first African American newspaper, Freedom's Journal, has a historical, rhetorical, and spatial purpose. It not only showed the impact made by African Americans in the fight for their civil rights in the early 19th century, but as an artifact it illustrated and preserved that history allowing it to be studied centuries after the newspaper ceased printing. The purpose of The Resonance and Residue of the First African American Newspaper: How Freedom's Journal Created Space in the Early 19th Century is to provide an interdisciplinary approach to historical newspapers that illustrates an alternative history in this country (-) a history of and by African Americans. By combining both print and digital research methods, new historical, rhetorical, and spatial information can be discovered that illustrates how the first African American newspaper fought against the influences of white society in the early 19th century and created a space for the black community that became meaningful enough to transform America into a place in which African Americans identified as Americans. Therefore, the purpose of this research is to combine traditional research and close reading with digital analysis (machine reading) by using different digital tools to illustrate how Freedom's Journal used text to combat the influences/powers that were shaping the early 19th century, and create a new and different type of historical narrative about how one oppressed community was successfully able to fight another dominant community through the use of text.
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Date Issued: 2018
Identifier: CFE0007028, ucf:52034
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0007028

Title: Sanford, DeBary Hall and the New South Movement in Central Florida.
Creator: Thorncroft, Sarah, Lester, Connie, French, Scot, Walker, Ezekiel, University of Central Florida
Abstract / Description: The so-called New South movement coincided with national industrialization in the Gilded Age and Progressive Era. In the New South, modernization focused on the development of small diversified farms, mills that processed cotton and tobacco, and small cities that connected the countryside to national markets and provided area residents with mass produced goods. Florida's experience and more specifically development around Lake Monroe in Central Florida complicates and expands our...
Show moreThe so-called New South movement coincided with national industrialization in the Gilded Age and Progressive Era. In the New South, modernization focused on the development of small diversified farms, mills that processed cotton and tobacco, and small cities that connected the countryside to national markets and provided area residents with mass produced goods. Florida's experience and more specifically development around Lake Monroe in Central Florida complicates and expands our understanding of the New South. Located in what was considered a frontier area, Sanford on the south shore of the lake and DeBary Hall on the north shore illustrate the development of Central Florida in the context of the New South movement. Finally, an analysis of two museums, Sanford Museum and DeBary Hall House Museum, assesses the community understanding of the role of New South in the development of the area and offers suggestions for writing the New South into the story.
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Date Issued: 2018
Identifier: CFE0007256, ucf:52185
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0007256

Title: The Tragic City: Black Rebellion and the Struggle for Freedom in Miami, 1945-1990.
Creator: Dossie, Porsha, Lester, Connie, French, Scot, Walker, Ezekiel, University of Central Florida
Abstract / Description: This thesis examines the creation of South Florida's tri-ethnic racial hierarchy during the postwar period, from 1945-1990. This racial hierarchy, coupled with discriminatory housing practices and police violence, created the necessary conditions for Dade County's first deadly uprising in 1968. Following the acquittal of several officers charged in the killing of an unarmed black businessman, a second uprising in 1980 culminated in three days and three nights of violent street warfare between...
Show moreThis thesis examines the creation of South Florida's tri-ethnic racial hierarchy during the postwar period, from 1945-1990. This racial hierarchy, coupled with discriminatory housing practices and police violence, created the necessary conditions for Dade County's first deadly uprising in 1968. Following the acquittal of several officers charged in the killing of an unarmed black businessman, a second uprising in 1980 culminated in three days and three nights of violent street warfare between law enforcement and black residents in Miami's northwest Liberty City neighborhood. The presence of state sanctioned violence at the hands of police in Liberty City set the stage for the city's second uprising. Further, the oftentimes murky and ambiguous racial divide that made people of color both comrades and rivals within Miami's larger power structure resulted in an Anglo-Cuban alliance by the late 1960s and early 1970s that only worsened racial tensions, especially among the city's ethnically diverse, English speaking black population. This thesis project uses a socio-historical framework to investigate how race and immigration, police brutality, and federal housing policy created a climate in which one of Miami's most vulnerable populations resorted to collective violence.
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Date Issued: 2018
Identifier: CFE0007173, ucf:52269
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0007173

Title: A Digital Media Exploration of the Federal Writers' Project's Folk Song Collecting Expeditions in Depression Era Florida.
Creator: Baker, Holly, Cassanello, Robert, French, Scot, Walker, Ezekiel, University of Central Florida
Abstract / Description: This digital thesis project examines the folk song collecting expeditions of the Federal Writers' Project (FWP) in Florida between 1935 and 1942. The FWP carried out numerous folk music collecting expeditions in Florida through the Works Progress Administration. Folklorists such as Zora Neale Hurston, Alan Lomax, and Stetson Kennedy led the expeditions and traveled throughout Florida to record blues, (")jook(") songs, work songs, and traditional music from African American, Cuban, Czech,...
Show moreThis digital thesis project examines the folk song collecting expeditions of the Federal Writers' Project (FWP) in Florida between 1935 and 1942. The FWP carried out numerous folk music collecting expeditions in Florida through the Works Progress Administration. Folklorists such as Zora Neale Hurston, Alan Lomax, and Stetson Kennedy led the expeditions and traveled throughout Florida to record blues, (")jook(") songs, work songs, and traditional music from African American, Cuban, Czech, Greek, Minorcan, Seminole, and Slavic communities. While romantic notions of nationalism in the 1930s often promoted homogenization, the FWP emphasized inclusiveness and highlighted cultural diversity. The FWP's approach challenged popular concepts concerning the homogeneousness of American culture and identity. Their recordings indicate that Florida was a patchwork of varied cultures. Yet, Florida's diversity is not adequately highlighted in popular history. Historians often see Florida history through the eyes of the mythologized (")Florida Cracker("), the Celtic pioneer who settled in Florida in the eighteenth century, but the Cracker perspective represents but a square in the patchwork quilt that makes up Florida's cultural history. An exploration of the FWP folk song recordings brings Florida's diversity to the forefront and increases the public's understanding of the state's cultural variety. The project includes a podcast series that features stories about the FWP expeditions, the folklorists, the performers, and the music. It also includes an interactive exhibit that is currently a work in progress. Source materials derived from open-access public archives create an immersive, interactive learning experience.
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Date Issued: 2018
Identifier: CFE0007153, ucf:52321
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0007153

Title: The Heralds of the Dawn: A History of the Motion Picture Industry in the State of Florida, 1908-2019.
Creator: Morton, David, Foster, Amy, French, Scot, Zhang, Hong, University of Central Florida
Abstract / Description: Often overlooked in its contribution to cinema history, the State of Florida has the distinction of being among just a handful of regions in the United States to have a continuous connection with the American motion picture industry. This relationship in turn has produced iconic entertainment that has shaped the state's image to the outside world, while production spending has served as an important booster for local economies across Florida. The purpose of this study is to demonstrate how...
Show moreOften overlooked in its contribution to cinema history, the State of Florida has the distinction of being among just a handful of regions in the United States to have a continuous connection with the American motion picture industry. This relationship in turn has produced iconic entertainment that has shaped the state's image to the outside world, while production spending has served as an important booster for local economies across Florida. The purpose of this study is to demonstrate how the sometimes cooperative and often contentious dynamics between film and television producers and state politicians have influenced this history of film production in Florida. This can best be understood by examining the ideological divide between the pro-business and anti-corporate factions in Florida's government. Through a series of interconnected case studies that apply place-based analysis, this project demonstrates how the Florida government and communities have historically interacted with the motion picture industry. While Florida never truly became an (")Almost Hollywood(") or (")Hollywood East,(") film producers and state officials were at various times successful in turning the cities of Jacksonville, Tampa, Orlando, and Miami into important centers for film and television production. Yet just as each of these production hubs gained momentum, resistance at the state and local level resulted in the industry's decline and departure. These moments of cooperation and conflict provide important insights into the specific environmental characteristics that inspired filmmakers to come to Florida, as well as the social-political circumstances that eventually pushed them from the state. With a close scrutiny of trade press sources, periodicals, local newspapers, and the personal papers of filmmakers and politicians, this work explains the varied reasons behind the repeated rise, fall, and occasional exodus of the state's motion picture industry. This will be achieved by scrutinizing examples that range from policy decisions made by Florida's government from the turn of the twentieth century on through to the current efforts being made by Florida lawmakers to reinvigorate the state's production industry.
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Date Issued: 2019
Identifier: CFE0007505, ucf:52630
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0007505

Title: The Migration of Indians to Eastern Africa: A case study of the Ismaili community, 1866-1966.
Creator: Tejpar, Azizeddin, Pineda, Yovanna, Walker, Ezekiel, French, Scot, University of Central Florida
Abstract / Description: ABSTRACTMuch of the Ismaili settlement in Eastern Africa, together with several other immigrantcommunities of Indian origin, took place in the late nineteenth century and early twentiethcenturies. This thesis argues that the primary mover of the migration were the edicts, orFarmans, of the Ismaili spiritual leader. They were instrumental in motivating Ismailis to go toEast Africa. Although there were other Indian groups from the general geographical area ofWestern Indian and Gujarat who also...
Show moreABSTRACTMuch of the Ismaili settlement in Eastern Africa, together with several other immigrantcommunities of Indian origin, took place in the late nineteenth century and early twentiethcenturies. This thesis argues that the primary mover of the migration were the edicts, orFarmans, of the Ismaili spiritual leader. They were instrumental in motivating Ismailis to go toEast Africa. Although there were other Indian groups from the general geographical area ofWestern Indian and Gujarat who also migrated to East Africa, the crucial factor in the migrationof Ismailis were the edicts or Farmans of the Imams. My thesis argues that the Farmans or edictsplayed a very important role in persuading Ismailis to move to East Africa. Though other groupsfrom Gujarat and Western India also moved to East Africa, the Ismailis followed the edicts orFarmans of the Imam and this was the major factor for the Ismailis to move. Ismaili history isreplete with migratory movements, whether due to persecution or economic reasons. Thereligious leader of the Ismailis, the Imam or the (")Imam of the Time(") as he is known as by theIsmailis, including all the Aga Khans to date, sought to bring the Ismailis out of their poverty andfamine-stricken land and settle into more favored economic areas under British jurisdiction. Thisthesis will demonstrate that Aga Khan III actively promoted the movement of the Ismailis to EastAfrica. His edicts shaped the migration of Ismailis and they provided uneducated people thereason as well as the motivation to go together with a sense of reassurance.I will use personal oral histories which add to the historiography to make my case forboth Ismailis and the Ithnasheris, the largest Shia Muslim community. Since Ismailis aregenerally a closed community and actively practiced Taqia (secret practice), I will use whateverwritten material I have been able to find to make my case. The Ithnasheris were also Khojas whohad split from the main Khoja Ismaili community in India because of their objection to the ivcontrol being exercised by the Imam, Aga Khan I, who had arrived in Sind Province in 1843from Persia. Though they were part of the Shia sect, the Ismailis who converted to the Ithnasherisect, became Shias but maintained the Khoja name. To support my argument, I draw on oralhistories of both Ismailis and Ithnasheris as there is no written record of any pronouncements bythe leaders of the Ismailis and it is entirely oral history by word of mouth. This thesis addssubstantially to the historiography of the subject matter. Since written accounts are not available,my oral history recollections accomplish this.
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Date Issued: 2019
Identifier: CFE0007540, ucf:52600
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0007540

Title: Revisiting Roadside Attractions: A "Deep Dive" into Florida's Weeki Wachee Springs.
Creator: Schwandt, Rebecca, French, Scot, Gannon, Barbara, Solonari, Vladimir, University of Central Florida
Abstract / Description: This digital public history project explores one of the oldest and longest running of Florida's roadside attractions, Weeki Wachee Springs, during the years considered to be the park's heyday, the 1950s through the mid-1970s. With the 75th anniversary of the park approaching in 2022 and preliminary discussions of a new or expanded mermaid museum, there is a growing need to document the experiences of aging former employees and preserve park-related ephemera from that period. For this project...
Show moreThis digital public history project explores one of the oldest and longest running of Florida's roadside attractions, Weeki Wachee Springs, during the years considered to be the park's heyday, the 1950s through the mid-1970s. With the 75th anniversary of the park approaching in 2022 and preliminary discussions of a new or expanded mermaid museum, there is a growing need to document the experiences of aging former employees and preserve park-related ephemera from that period. For this project six oral histories of former mermaids and former employees have been recorded, transcribed, and made publicly accessible through RICHES, the University of Central Florida's free-to-access digital archive, along with hundreds of documents and images related to the park. This newly discovered material uncovers the lived experiences of the mermaids and other employees interviewed, some of whom have never been written about previously. Historiographically, the park has attracted little attention from scholars. The few popular works devoted to Weeki Wachee Springs fail to place the attraction within the context of Florida's social or political climates in any meaningful way. Using oral histories of the park's employees recorded for this project, archival material uncovered during the research stage, and existing interviews from one of the only books written about the park (Lu Vickers' Weeki Wachee: City of Mermaids, 2007), this study combines a digital archive with scholarly interpretation informed by women's studies, social and cultural history, and oral history theory.
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Date Issued: 2018
Identifier: CFE0007369, ucf:52104
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0007369

Title: Searching for Home at Ch(&)#226;teau de la Guette and Beyond: Social and Spatial Dimensions of Jewish German and Austrian Children's Journey to Flee Nazi Persecution via Children's Homes in France.
Creator: Schneider, Sarah, French, Scot, Walker, Ezekiel, Crepeau, Richard, Lyons, Amelia, University of Central Florida
Abstract / Description: This study examines the experiences of a group of Jewish German and Austrian children who were sent on the Kindertransport to France in an effort to escape Nazi persecution. Using oral history interviews from the USC Shoah Foundation Visual History Archive, written testimonies, personal papers, and archival collections from organizations such as the OEuvre de Secours aux Enfants (OSE), this study analyzes the children's experiences at the Ch(&)#226;teau de la Guette children's home in France...
Show moreThis study examines the experiences of a group of Jewish German and Austrian children who were sent on the Kindertransport to France in an effort to escape Nazi persecution. Using oral history interviews from the USC Shoah Foundation Visual History Archive, written testimonies, personal papers, and archival collections from organizations such as the OEuvre de Secours aux Enfants (OSE), this study analyzes the children's experiences at the Ch(&)#226;teau de la Guette children's home in France and their subsequent time at the children's home H(&)#244;tel des Anglais in La Bourboule. This thesis examines the social and spatial dimensions of the children's journey to find home and flee Nazi persecution via France. While research has more extensively covered other children's rescue efforts such as the Kindertransport to Great Britain, this thesis demonstrates that the migrations of children fleeing the Holocaust via France were diverse and often characterized by frequent movement due to the historical context of France during World War II. In conjunction with a digital project, this thesis maps and discusses four paths taken by the La Guette children during the war: life in hiding in France, illegal flight over the border into Switzerland, deportation, and immigration to the United States. This research also examines the impact of children's homes on the pre-war, wartime, and post-war experiences of Jewish refugee children fleeing Nazism. After the La Guette group dispersed, many of the children stayed in contact with one another. Through survivor reunions and other commemorative activities years later, many survivors maintained a connection with their peers, educators, the Rothschild family, and others associated with their time in France and constructed memory of their wartime experiences. Ultimately, the La Guette case shows the long-lasting impact of children's homes on the lives of Jewish refugee children fleeing the Holocaust.
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Date Issued: 2018
Identifier: CFE0007244, ucf:52211
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0007244

Title: The Spatial Relationship Between Labor, Cultural Migration, and the Development of Folk Music in the American South: A Digital Visualization Project.
Creator: Clarke, Robert, French, Scot, Martinez Fernandez, Luis, Walker, Ezekiel, University of Central Florida
Abstract / Description: This Digital/Public History visualization thesis project explores how three factors(-)Atlantic migration patterns, demographics, and socioeconomic systems(-)influenced the development of folk music in the southern United States from the 18th century through the 20th century. A large body of written scholarship exists addressing plantation economies, the slave trade, and folk music. Digital technology, however, creates new opportunities for analyzing the geo-temporal aspects contained within...
Show moreThis Digital/Public History visualization thesis project explores how three factors(-)Atlantic migration patterns, demographics, and socioeconomic systems(-)influenced the development of folk music in the southern United States from the 18th century through the 20th century. A large body of written scholarship exists addressing plantation economies, the slave trade, and folk music. Digital technology, however, creates new opportunities for analyzing the geo-temporal aspects contained within the numerous archival resources such as census and migration records, field recordings, economic data, diaries, and other personal records. The written portion of the thesis addresses the historiography, research findings, and the process of creating the visualization product. The digital component employs open-source archives and MapScholar, a visualization tool developed at the University of Virginia, to reveal the spatial dimensions of three distinct regions(-)The greater Chesapeake (Virginia/North Carolina/), the coastal lowlands and sea islands of the Gullah Corridor (Charleston/Savannah), and Louisiana (New Orleans). The end result is an educational and potential research tool that affords viewers a more dynamic perspective on the relationship between agricultural slave labor, migration patterns, and folk music than is possible with text alone.
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Date Issued: 2014
Identifier: CFE0005150, ucf:50697
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0005150

Title: Rhetoric of Imagery: Gendering Identity and Consumption Throughout Interwar American Advertisment.
Creator: Delgado, Natalie, Dandrow, Edward, Crepeau, Richard, French, Scot, University of Central Florida
Abstract / Description: Interwar American advertising rose alongside new levels of hygiene, personal appearance, and technology in order to sell their products to target audiences. Despite the abundance of scholarship on media and gender, few studies have examined the gendered techniques through which interwar advertisers communicated with consumers in response to changing social norms and economic stability. The question this thesis explores is how these changes and communication shifted in response to consumer...
Show moreInterwar American advertising rose alongside new levels of hygiene, personal appearance, and technology in order to sell their products to target audiences. Despite the abundance of scholarship on media and gender, few studies have examined the gendered techniques through which interwar advertisers communicated with consumers in response to changing social norms and economic stability. The question this thesis explores is how these changes and communication shifted in response to consumer culture and how advertisers utilized early market research and persuasion techniques to target their audiences. Building on the studies of gender, consumption, and identity, this thesis examines the relationship between American advertisers and their targeted male and female consumers between 1920 and 1940. By exploring how admen and women within Madison Avenue's top advertising agencies utilized psychology and consumer feedback to develop a two-way communication with middle-classed consumers, this thesis draws from social, cultural, and gendered studies to understand how advertisers communicated with and tried to appeal to their target audiences. Utilizing both copy and imagery as sources of communication, this study examines every issue of the top circulating American magazines between 1920 and 1940 to explain how advertisers rose with early consumer behavioral psychology and new standards of sanitation and hygiene, how a growing consumer culture and American notion of identity and gender affected the selling of selfhood and personal beauty products, and how gendered media representations and persuasion techniques helped advertisers sell modernity and individuality to readers. This analysis surveys specific advertising campaigns before, during, and after the Stock Market Crash to follow shifts in appeals to masculinity and femininity in response to changing social norms. By delving into this intersection of gender, media, and identity, this study finds various nuances through which advertisers and their audiences communicated in and alongside a growing consumer culture.
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Date Issued: 2017
Identifier: CFE0006870, ucf:51740
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0006870

Title: Communism's Futures: Intelligentsia Imaginations in the Writings of the Strugatsky Brothers.
Creator: Tammaro, Elizabeth, Solonari, Vladimir, Gannon, Barbara, French, Scot, University of Central Florida
Abstract / Description: Arkady and Boris Strugatsky were the most popular science fiction writing duo in Soviet Russia from the 1960s through the 1980s. Examining their imaginative fictional worlds against the background of wider changes in the Soviet Union allows scholars to gain insights in the world of the Soviet intelligentsia, the educated bearers of culture. As members of this group, the Strugatskys expressed the hopes, frustrations and fears, of their peers, vindicating their intellectual and emotional life....
Show moreArkady and Boris Strugatsky were the most popular science fiction writing duo in Soviet Russia from the 1960s through the 1980s. Examining their imaginative fictional worlds against the background of wider changes in the Soviet Union allows scholars to gain insights in the world of the Soviet intelligentsia, the educated bearers of culture. As members of this group, the Strugatskys expressed the hopes, frustrations and fears, of their peers, vindicating their intellectual and emotional life. I support the argument that the Brothers occupied a middle ground between conformity and dissident, dubbed the (")lost(") intelligentsia by Lloyd Churchward. I demonstrate this state of being in Soviet society by providing context to popular Strugatsky works, and discussing the evolution of their perspective over time, as displayed in their literature. Featured prominently in Strugatsky works are themes of governmental authority and scientific development, therefore these are the key focuses of this research. The Strugatskys examination of the essential question of the meaning and attainment of happiness adds a new layer of insight to this argument. Studying the Strugatsky Brothers aligns with the greater trend in the field of cultural studies of the Soviet Union, as historians seek to gain greater understanding of how society experienced the communist government. The captivating writing of the Strugatskys, a mixture of foreboding, irony and humor, contributes to the narrative of Soviet history as the authors were culturally significant figures whose legacy remains influential today.
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Date Issued: 2017
Identifier: CFE0006919, ucf:51693
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0006919

Title: Creating a Digital Exhibit on the Colonial Fur Trade in Florida: A Public History / Digital History Project.
Creator: DiBiase, Benjamin, Cassanello, Robert, Beiler, Rosalind, French, Scot, University of Central Florida
Abstract / Description: This thesis project incorporates podcasts and high resolution digital imagery visualizations into a single online exhibit to democratize archival material on the web. It employs contemporary new museology and digital history methodological frameworks, and utilizes the burgeoning medium of podcasting to increase public understanding and interaction with an historical period. For this project I have partnered with the Florida Historical Society and have utilized original materials from their...
Show moreThis thesis project incorporates podcasts and high resolution digital imagery visualizations into a single online exhibit to democratize archival material on the web. It employs contemporary new museology and digital history methodological frameworks, and utilizes the burgeoning medium of podcasting to increase public understanding and interaction with an historical period. For this project I have partnered with the Florida Historical Society and have utilized original materials from their collection relating to the colonial fur trade in Florida. The study of the North American fur trade has recently expanded to include more information about the indigenous societies engaged in the trade through closer examination of primary source documents, and this digital exhibit, hosted by the Florida Historical Society, created a series of module entities to achieve that end. The exhibit consists of three sections, each exploring a different aspect of the traditional discourse surrounding the colonial American fur trade in Florida, including the voices of indigenous populations and their agency in trade negotiations. Each podcast has aired as part of the Florida Historical Society's weekly radio magazine, Florida Frontiers, which is broadcast throughout the state, and is archived on the Society's website. The exhibit enhances the scholarly discussion on public history and digital history, while utilizing new media such as podcasts and interactive digital maps to create a more immersive user experience with primary source material to answer questions concerning the colonial fur trade in Florida. The project has combined new mediums of historical interpretation with traditional museum methodology and historical analysis to create a multi-faceted, unique digital experience on the web.
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Date Issued: 2017
Identifier: CFE0006734, ucf:51868
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0006734

Title: The Afro-American Slave Music Project: Building a Case for Digital History.
Creator: Cepero, Laura, French, Scot, Lester, Connie, Larson, Peter, University of Central Florida
Abstract / Description: This public history thesis project experimented with the application of new technology in creating an educational resource aimed at twenty-first century public audiences. The project presents the history, musicology, and historiography of Afro-American slave music in the United States. In doing so, the project utilizes two digital media tools: VuVox, to create interactive collages; and VisualEyes, to create digital visualizations. The purpose of this thesis is to assess how the project...
Show moreThis public history thesis project experimented with the application of new technology in creating an educational resource aimed at twenty-first century public audiences. The project presents the history, musicology, and historiography of Afro-American slave music in the United States. In doing so, the project utilizes two digital media tools: VuVox, to create interactive collages; and VisualEyes, to create digital visualizations. The purpose of this thesis is to assess how the project balances the goals of digital history, public history, and academic history.During the production of the Afro-American Slave Music Project, a number of the promises of digital history were highlighted, along with several of the potential challenges of digital history. In designing the project, compensations had to be made in order to minimize the challenges while maximizing the benefits. In effect, this thesis argues for the utility of digital history in a public setting as an alternative to traditional, prose-based academic history.
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Date Issued: 2013
Identifier: CFE0004663, ucf:49901
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0004663

Title: "City of Superb Democracy:" The Emergence of Brooklyn's Cultural Identity During Cinema's Silent Era, 1893-1928.
Creator: Morton, David, Foster, Amy, French, Scot, Zhang, Hong, University of Central Florida
Abstract / Description: This study discusses how motion picture spectatorship practices in Brooklyn developed separately from that of any other urban center in the United States between 1893 and 1928. Often overshadowed by Manhattan's glamorous cultural districts, Brooklyn's cultural arbiters adopted the motion picture as a means of asserting a sense of independence from the other New York boroughs. This argument is reinforced by focusing on the motion picture's ascendancy as one of the first forms of mass...
Show moreThis study discusses how motion picture spectatorship practices in Brooklyn developed separately from that of any other urban center in the United States between 1893 and 1928. Often overshadowed by Manhattan's glamorous cultural districts, Brooklyn's cultural arbiters adopted the motion picture as a means of asserting a sense of independence from the other New York boroughs. This argument is reinforced by focusing on the motion picture's ascendancy as one of the first forms of mass entertainment to be disseminated throughout New York City in congruence with the Borough of Brooklyn's rapid urbanization. In many significant areas Brooklyn's relationship with the motion picture was largely unique from anywhere else in New York. These differences are best illuminated through several key examples ranging from the manner in which Brooklyn's political and religious authorities enforced film censorship to discussing how the motion picture was exhibited and the way theaters proliferated throughout the borough Lastly this work will address the ways in which members of the Brooklyn community influenced the production practices of the films made at several Brooklyn-based film studios. Ultimately this work sets out to explain how an independent community was able to determine its own form of cultural expression through its relationship with mass entertainment.
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Date Issued: 2014
Identifier: CFE0005217, ucf:50636
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0005217

Title: Acoustic Ecology and Sound Mapping the University of Central Florida Main Campus.
Creator: Clarke, Robert, Beever, Jonathan, French, Scot, Janz, Bruce, Pijanowski, Bryan, University of Central Florida
Abstract / Description: (")Acoustic Ecology and Sound Mapping the University of Central Florida Main Campus(") explores the intersection of place and space, sound studies and acoustic ecology, visualization, and archives. The end result consists of a collection of (")soundwalk(") and stationary recordings conducted from 2016-2019 at the University of Central Florida (UCF) main campus in Orlando presented as an online Sound Map. This archive previously did not exist and provides a snapshot of the various sounds heard...
Show more(")Acoustic Ecology and Sound Mapping the University of Central Florida Main Campus(") explores the intersection of place and space, sound studies and acoustic ecology, visualization, and archives. The end result consists of a collection of (")soundwalk(") and stationary recordings conducted from 2016-2019 at the University of Central Florida (UCF) main campus in Orlando presented as an online Sound Map. This archive previously did not exist and provides a snapshot of the various sounds heard throughout the campus as well as a starting point and context for future research into this still-emerging field of acoustic ecology and sound studies. While the individual recordings help to provide a sense of place at the university, they also represent a benchmark from a public history standpoint to interpret sonic change over time.
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Date Issued: 2019
Identifier: CFE0007793, ucf:52344
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0007793

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public history (3)	+ -
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French, Scot (16)	+ -
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Walker, Ezekiel (6)	+ -
Lester, Connie (4)	+ -
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Clarke, Robert (2)	+ -
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Beever, Jonathan (1)	+ -
Beiler, Rosalind (1)	+ -
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Janz, Bruce (1)	+ -
Kasper, Valerie (1)	+ -
Larson, Peter (1)	+ -
Lyons, Amelia (1)	+ -
Martinez Fernandez, Luis (1)	+ -
Padgett, James (1)	+ -
Pijanowski, Bryan (1)	+ -
Schneider, Sarah (1)	+ -

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