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OUTSIDE THE FRAME: TOWARDS A PHENOMENOLOGY OF TEXTS AND TECHNOLOGY
Title
OUTSIDE THE FRAME: TOWARDS A PHENOMENOLOGY OF TEXTS AND TECHNOLOGY.
Creator
Crisafi, Anthony, Grajeda, Anthony, University of Central Florida
Abstract / Description
The subject of my dissertation is how phenomenology can be used as a tool for understanding the intersection between texts and technology. What I am suggesting here is that, specifically in connection with the focus of our program in Texts and Technology, there are very significant questions concerning how digital communications technology extends our humanity, and more importantly what kind of epistemological and ontological questions are raised because of this. There needs to be a coherent...
Show moreThe subject of my dissertation is how phenomenology can be used as a tool for understanding the intersection between texts and technology. What I am suggesting here is that, specifically in connection with the focus of our program in Texts and Technology, there are very significant questions concerning how digital communications technology extends our humanity, and more importantly what kind of epistemological and ontological questions are raised because of this. There needs to be a coherent theory for Texts and Technology that will help us to understand this shift, and I feel that this should be the main focus for the program itself. In this dissertation I present an analysis of the different phenomenological aspects of the study of Texts and Technology. For phenomenologists such as Husserl, Heidegger, and Merleau-Ponty, technology, in all of its forms, is the way in which human consciousness is embodied. Through the creation and manipulation of technology, humanity extends itself into the physical world. Therefore, I feel we must try to understand this extension as more than merely a reflection of materialist practices, because first and foremost we are discussing how the human mind uses technology to further its advancement. I will detail some of the theoretical arguments both for and against the study of technology as a function of human consciousness. I will focus on certain issues, such as problems of archiving and copyright, as central to the field. I will further argue how from a phenomenological standpoint we are in the presence of a phenomenological shift from the primacy of print towards a more hybrid system of representing human communications.
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Date Issued
2008
Identifier
CFE0002181, ucf:47885
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0002181
FIVE DEGREES: A SHORT STORY
Title
FIVE DEGREES: A SHORT STORY.
Creator
Hinds, Cassia E, Grajeda, Anthony, University of Central Florida
Abstract / Description
An interwoven fiction piece representing four perspectives and its effects on self-awareness. The most effective way to blur the line of self in this structure is to braid the minds, voices, and stories, of each perspective. With a focal point where all the voices eventually drift to being the frame of the story, there will be a unique distance between the stories. This thesis explores the effects of different types of mental and physiological illnesses through fiction, highlighting the...
Show moreAn interwoven fiction piece representing four perspectives and its effects on self-awareness. The most effective way to blur the line of self in this structure is to braid the minds, voices, and stories, of each perspective. With a focal point where all the voices eventually drift to being the frame of the story, there will be a unique distance between the stories. This thesis explores the effects of different types of mental and physiological illnesses through fiction, highlighting the effect of perception on fact and the perspective of the mentally ill.
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Date Issued
2016
Identifier
CFH2000124, ucf:45992
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFH2000124
THE REPRESSIVE ROLE OF TECHNOLOGY IN AMERICAN AND BRITISH DYSTOPIAN NOVELS OF THE COLD WAR
Title
THE REPRESSIVE ROLE OF TECHNOLOGY IN AMERICAN AND BRITISH DYSTOPIAN NOVELS OF THE COLD WAR.
Creator
Wolk, Gabriela, Grajeda, Anthony, University of Central Florida
Abstract / Description
The Cold War was a time of extreme conformity, with an equally extreme reaction against forced conformity. Representations of such reactions were not to be omitted in the literature of the time. Throughout the novels, the characters and society itself are repressed into an alternate state of being. This investigation analyzes the role that technology plays in this process in Fahrenheit 451, Sirens of Titan, 1984, Lord of the Flies, and A Clockwork Orange. The novels were all written during...
Show moreThe Cold War was a time of extreme conformity, with an equally extreme reaction against forced conformity. Representations of such reactions were not to be omitted in the literature of the time. Throughout the novels, the characters and society itself are repressed into an alternate state of being. This investigation analyzes the role that technology plays in this process in Fahrenheit 451, Sirens of Titan, 1984, Lord of the Flies, and A Clockwork Orange. The novels were all written during the Cold War and follow a dystopian society. Society is controlled and maintained in its respective disarray through the utilization of technology, whether it be pushed down upon them by their governments or by themselves. Through close analysis of the novels themselves and existing discourse related to the topic, it becomes evident that technology is able to manipulate and dictate the lives of people, diminishing their individualism. A dichotomy between creative expression and technology arises in all of the studied novels, pointing to the significance of individualism and its existence through creativity. This investigation concludes that such acts of expression, including creative writing and nonconformist acts, are vital to maintaining a stable societal system. The literature points to the ultimate evil that arises from technology and the power that inevitably comes with it, warning that humanity itself may be lost without the existence of free will and individual thought.
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Date Issued
2015
Identifier
CFH0004795, ucf:45336
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFH0004795
CRISIS, SHELL-SHOCK, AND THE TEMPORALITY OF TRAUMA: CULTURAL MEMORY AND THE GREAT WAR COMBATANT EXPERIENCE IN OWEN, GRAVES, AND BARKER
Title
CRISIS, SHELL-SHOCK, AND THE TEMPORALITY OF TRAUMA: CULTURAL MEMORY AND THE GREAT WAR COMBATANT EXPERIENCE IN OWEN, GRAVES, AND BARKER.
Creator
Kelly, Dylan, Grajeda, Anthony, University of Central Florida
Abstract / Description
The year 2014 will mark the centennial of the outbreak of World War I in August 1914. This historic anniversary will likely provoke several discussions from all fields in the humanities concerning the Great War's significance on contemporary culture through history, visual art, and in the case of this essay: literature. In light of this event, any serious discussion among scholars should undeniably begin with how the war continues to be represented today through a thorough, contemporary...
Show moreThe year 2014 will mark the centennial of the outbreak of World War I in August 1914. This historic anniversary will likely provoke several discussions from all fields in the humanities concerning the Great War's significance on contemporary culture through history, visual art, and in the case of this essay: literature. In light of this event, any serious discussion among scholars should undeniably begin with how the war continues to be represented today through a thorough, contemporary analysis of its many key literary texts. This thesis will examine, in this regard, how past and contemporary discourses in literary theory—primarily concerned with how an individual combatant subject attempts to construct and understand their own traumatic experiences through poetic and literary discourse—can continue to incite discussion on why literature of the Great War and its influential role in defining how it has come to be understood in our cultural memory remains relevant even today. Under the guiding influence of Paul Fussell's classic The Great War and Modern Memory, I will discuss how three important works—a poetry collection, a memoir, and a modern work of historical fiction—all contribute to how the war has become represented as a tragic rupture in history that reversed the idea of human progress and left an entire generation disillusioned in its aftermath, regardless of the historical veracity of this legacy. The texts I will be examining include: select poems of Wilfred Owen, Goodbye to All That by Robert Graves, and Regeneration by Pat Barker. In addition to this, I will conclude with an analysis of how a contemporary reading of these texts can contribute to a larger discussion of the crisis of historicity in our current post-modern cultural landscape.
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Date Issued
2014
Identifier
CFH0004557, ucf:45210
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFH0004557
VIRTUAL HOOD: EXPLORING THE HIP-HOP CULTURE EXPERIENCE IN A BRITISH ONLINE COMMUNITY.
Title
VIRTUAL HOOD: EXPLORING THE HIP-HOP CULTURE EXPERIENCE IN A BRITISH ONLINE COMMUNITY.
Creator
Cherjovsky, Natalia, Grajeda, Anthony, University of Central Florida
Abstract / Description
In this fast-paced, globalized world, certain online sites represent a hybrid personal-public sphere–where like-minded people commune regardless of physical distance, time difference, or lack of synchronicity. Sites that feature chat rooms and forums can offer a deep-rooted sense of community and facilitate the forging of relationships and cultivation of ideologies. This dissertation investigates whether this trend is relevant to web sites concerning hip-hop. This...
Show moreIn this fast-paced, globalized world, certain online sites represent a hybrid personal-public sphere–where like-minded people commune regardless of physical distance, time difference, or lack of synchronicity. Sites that feature chat rooms and forums can offer a deep-rooted sense of community and facilitate the forging of relationships and cultivation of ideologies. This dissertation investigates whether this trend is relevant to web sites concerning hip-hop. This genre is arguably one of the most pervasive and influential global cultural forms, yet it is markedly different from most other forms of globalized culture because it emerged within and is still embedded in a distinct subculture. The notion that the Internet could become a bastion for hip-hop fans is quite paradoxical: hip hop is a cultural form so deeply rooted in the sense of place and so invested in its relationship to spatiality that it could potentially pose a particular challenge to the notion of virtual communities. This research examines the virtual hip-hop experience in the UK in order to assess whether this music and the culture that surrounds it have been adopted in their original American form or whether they have been adapted to make them more relevant to their new locale. In particular, the study probes how the ideology, values, behaviors and attitudes that bestride American hip-hop are represented, consumed, and reproduced on the mediated world of web sites.
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Date Issued
2010
Identifier
CFE0003029, ucf:52843
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0003029
Touching the Unreal: The Definition, Narrative Strategies, and Aesthetics of 3D Cartoon Narratives.
Title
Touching the Unreal: The Definition, Narrative Strategies, and Aesthetics of 3D Cartoon Narratives.
Creator
Snow, Nathan, Mauer, Barry, Applen, JD, Grajeda, Anthony, Larsen, Darl, University of Central Florida
Abstract / Description
(")Touching the Unreal(") follows the structure set out by Scott McCloudin Understanding Comics to argue that understanding cartoons is serious business and requires that we define the art form, outline its basic tenets, and theorize how the mind understands it. The dissertation argues for a new definition of 3D computer generated cartoons, beginning with the most basic definition applicable to all forms of animation and taking into account new technological developments before arriving at...
Show more(")Touching the Unreal(") follows the structure set out by Scott McCloudin Understanding Comics to argue that understanding cartoons is serious business and requires that we define the art form, outline its basic tenets, and theorize how the mind understands it. The dissertation argues for a new definition of 3D computer generated cartoons, beginning with the most basic definition applicable to all forms of animation and taking into account new technological developments before arriving at the 3D cartoon narratives of today. The dissertation outlines the basic facets of 3D cartoon narratives in terms of narrative and aesthetics, arguing that, in spite of the technological changes required to produce the art form, narrative strategies have not changed significantly from 2D to 3D cartoon narratives. Rather, the 3D cartoon narrative aesthetic is focused primarily on synthetic, sculptural materiality to create a tactile, haptic viewing experience unavailable in any other form of animation. The dissertation advances theories of how the mind understands 3D cartoon narratives, starting with how these films guide the spectator to pre-determined conclusions based on character identification, flow theory, and mirror-neuron cognition. As a result of their narrative, aesthetics, and reception, these films constitute a new form of posthumanism and operate as a node in the modern viewer's web of distributed cognition, enchanting viewers through the ability to touch the unreal, synthetic images common to the modern world. (")Touching the Unreal(") contributes to the media field by providing a definition for 3D computer animation in all of its facets as genre, narrative, aesthetics, and ideology.
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Date Issued
2018
Identifier
CFE0007101, ucf:51962
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0007101
Noise Thinks the Anthropocene: An Experiment in Noise Poetics
Title
Noise Thinks the Anthropocene: An Experiment in Noise Poetics.
Creator
Zwintscher, Aaron, Mauer, Barry, Grajeda, Anthony, Rounsaville, Angela, Schafer, Mark, University of Central Florida
Abstract / Description
This dissertation is a textual experiment in noise poetics. It is an experiment in that it results from indeterminate means, alternative grammar, and experimental thinking. The outcome was not predetermined. Noise poetics is the use of noise to explain, elucidate, and evoke (akin to other poetic forms) within the textual milieu in a manner that seeks to be less determinate and more improvisational than conventional writing. This text argues that noise poetics is a necessary form for...
Show moreThis dissertation is a textual experiment in noise poetics. It is an experiment in that it results from indeterminate means, alternative grammar, and experimental thinking. The outcome was not predetermined. Noise poetics is the use of noise to explain, elucidate, and evoke (akin to other poetic forms) within the textual milieu in a manner that seeks to be less determinate and more improvisational than conventional writing. This text argues that noise poetics is a necessary form for addressing political inequality, coexistence with the (nonhuman) other, the ecological crisis, and sustainability because it approaches these issues as system of interconnected fragments and excesses and thus has the potential to reach or envision solutions in novel ways. The experiment draws quotations and fragments from a diverse collection of noise theory texts, arranged and assembled via indeterminate cut-up methods based on the work of several prominent artists and theorists (John Cage and William Burroughs among them). The experimental text (contained in full in Appendix B) was then edited and added to in order to craft the textual project into an argument for noise poetics that followed the juxtaposed lines of thought towards possible conclusions and practical applications. This project coincided with and was supplemented by bruit jouissance, a multimedia audiovisual noise project (contained and explicated in Appendix A). The two projects together are two applications of thoryvology (an articulation of noise theory created and presented within the text) and as complementary methods of viewing and understanding each other.
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Date Issued
2017
Identifier
CFE0006679, ucf:51911
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0006679
The Resonance and Residue of the First African American Newspaper: How Freedom's Journal Created Space in the Early 19th Century
Title
The Resonance and Residue of the First African American Newspaper: How Freedom's Journal Created Space in the Early 19th Century.
Creator
Kasper, Valerie, French, Scot, Vie, Stephanie, Grajeda, Anthony, Voss, Kimberly, University of Central Florida
Abstract / Description
The first African American newspaper, Freedom's Journal, has a historical, rhetorical, and spatial purpose. It not only showed the impact made by African Americans in the fight for their civil rights in the early 19th century, but as an artifact it illustrated and preserved that history allowing it to be studied centuries after the newspaper ceased printing. The purpose of The Resonance and Residue of the First African American Newspaper: How Freedom's Journal Created Space in the Early 19th...
Show moreThe first African American newspaper, Freedom's Journal, has a historical, rhetorical, and spatial purpose. It not only showed the impact made by African Americans in the fight for their civil rights in the early 19th century, but as an artifact it illustrated and preserved that history allowing it to be studied centuries after the newspaper ceased printing. The purpose of The Resonance and Residue of the First African American Newspaper: How Freedom's Journal Created Space in the Early 19th Century is to provide an interdisciplinary approach to historical newspapers that illustrates an alternative history in this country (-) a history of and by African Americans. By combining both print and digital research methods, new historical, rhetorical, and spatial information can be discovered that illustrates how the first African American newspaper fought against the influences of white society in the early 19th century and created a space for the black community that became meaningful enough to transform America into a place in which African Americans identified as Americans. Therefore, the purpose of this research is to combine traditional research and close reading with digital analysis (machine reading) by using different digital tools to illustrate how Freedom's Journal used text to combat the influences/powers that were shaping the early 19th century, and create a new and different type of historical narrative about how one oppressed community was successfully able to fight another dominant community through the use of text.
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Date Issued
2018
Identifier
CFE0007028, ucf:52034
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0007028
Deconstructing Disability, Assistive Technology: Secondary Orality, The Path to Universal Access
Title
Deconstructing Disability, Assistive Technology: Secondary Orality, The Path to Universal Access.
Creator
Tripathi, Tara Prakash, Grajeda, Anthony, Campbell, James, Mauer, Barry, Metcalf, David, University of Central Florida
Abstract / Description
When Thomas Edison applied for a patent for his phonograph, he listed the talking books for the blind as one of the benefits of his invention. Edison was correct in his claim about talking books or audio books. Audio books have immensely helped the blind to achieve their academic and professional goals. Blind and visually impaired people have also been using audio books for pleasure reading. But several studies have demonstrated the benefits of audio books for people who are not defined as...
Show moreWhen Thomas Edison applied for a patent for his phonograph, he listed the talking books for the blind as one of the benefits of his invention. Edison was correct in his claim about talking books or audio books. Audio books have immensely helped the blind to achieve their academic and professional goals. Blind and visually impaired people have also been using audio books for pleasure reading. But several studies have demonstrated the benefits of audio books for people who are not defined as disabled. Many nondisabled people listen to audio books and take advantage of speech based technology, such as text-to-speech programs, in their daily activities.Speech-based technology, however, has remained on the margins of the academic environments, where hegemony of the sense of vision is palpable. Dominance of the sense of sight can be seen in school curricula, class rooms, libraries, academic conferences, books and journals, and virtually everywhere else. This dissertation analyzes the reason behind such an apathy towards technology based on speech.Jacques Derrida's concept of 'metaphysics of presence' helps us understand the arbitrary privileging of one side of a binary at the expense of the other side. I demonstrate in this dissertation that both, the 'disabled' and technology used by them, are on the less privileged side of the binary formation they are part of. I use Derrida's method of 'deconstruction' to deconstruct the binaries of 'assistive' and 'main stream technology' on one hand, and that of the 'disabled' and 'nondisabled' on the other. Donna Haraway and Katherine Hayles present an alternative reading of body to conceive of a post-gendered posthuman identity, I borrow from their work on cyborgism and posthumanism to conceive of a technology driven post-disabled world. Cyberspace is a good and tested example of an identity without body and a space without disability.The opposition between mainstream and speech-based assistive technology can be deconstructed with the example of what Walter Ong calls 'secondary orality.' Both disabled and non-disabled use the speech-based technology in their daily activities. Sighted people are increasingly listening to audio books and podcasts. Secondary Orality is also manifest on their GPS devices. Thus, Secondary Orality is a common element in assistive and mainstream technologies, hitherto segregated by designers. The way Derrida uses the concept of 'incest' to deconstruct binary opposition between Nature and Culture, I employ 'secondary orality' as a deconstructing tool in the context of mainstream and assistive technology. Mainstream electronic devices, smart phones, mp3 players, computers, for instance, can now be controlled with speech and they also can read the screen aloud. With Siri assistant, the new application on iPhone that allows the device to be controlled with speech, we seem to be very close to (")the age of talking computers(") that William Crossman foretells. As a result of such a progress in speech technology, I argue, we don't need the concept of speech based assistive technology any more.
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Date Issued
2012
Identifier
CFE0004259, ucf:49521
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0004259
Don't Let the World Rot: Anarchism, Hardcore, and Counterculture
Title
Don't Let the World Rot: Anarchism, Hardcore, and Counterculture.
Creator
Bolt, Pearson, Grajeda, Anthony, Beck, Christian, Meehan, Kevin, University of Central Florida
Abstract / Description
Hardcore music is intrinsically anarchistic. The hardcore music scene represents a radical departure from contemporary society. Rejecting the materialism, militarism, and hedonism of the mainstream music scene(-)and, by extension, modern culture(-)hardcore music presents an alternative lifestyle rooted in solidarity, equality, and liberty. Indeed, the culture of the hardcore scene approaches a transitive, nomadic model of an anarchistic commune built on resistance as a way of life. In this...
Show moreHardcore music is intrinsically anarchistic. The hardcore music scene represents a radical departure from contemporary society. Rejecting the materialism, militarism, and hedonism of the mainstream music scene(-)and, by extension, modern culture(-)hardcore music presents an alternative lifestyle rooted in solidarity, equality, and liberty. Indeed, the culture of the hardcore scene approaches a transitive, nomadic model of an anarchistic commune built on resistance as a way of life. In this study, I identified the ways music and lyrics craft attitudes and environments for revolt and rebellion, cultivating critical thinking and disobedience in equal measures. In order to understand the hardcore community, I conducted interviews, studied political theory, analyzed the lyrics of hardcore bands, and synthesized the data to draw connections between major thematic elements of this community. I've found that hardcore music has created a countercultural ethos that subverts and defies political apathy and instigates direct action in order to revolutionize the political process and erect spaces of anarchic solidarity.
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Date Issued
2016
Identifier
CFE0006267, ucf:51042
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0006267
Inverse Intuition: Repurposing as a Method to Create New Artifacts, to Invent new Practices, and to Produce new Knowledge
Title
Inverse Intuition: Repurposing as a Method to Create New Artifacts, to Invent new Practices, and to Produce new Knowledge.
Creator
Jones, Warren, Mauer, Barry, Grajeda, Anthony, Bowdon, Melody, Koller, Lynn, University of Central Florida
Abstract / Description
This dissertation argues that Digital Natives, rather than employing novel ways of thinking (such as those suggested by Walter Ong's concept of Second Orality), are in fact employing a way of thinking that has always existed: repurposing. Ruth Oldenziel discusses how, historically, women used (")a kind of mental quality(") enabling them to re-use objects in novel ways to accomplish more of life's tasks. My research led me to investigate how a wide variety of people, especially historically...
Show moreThis dissertation argues that Digital Natives, rather than employing novel ways of thinking (such as those suggested by Walter Ong's concept of Second Orality), are in fact employing a way of thinking that has always existed: repurposing. Ruth Oldenziel discusses how, historically, women used (")a kind of mental quality(") enabling them to re-use objects in novel ways to accomplish more of life's tasks. My research led me to investigate how a wide variety of people, especially historically marginalized people, used this kind of mental quality. This dissertation explores repurposing's real world uses as well as its uses in narratives, specifically dystopia and apocalyptic narratives. Within these narratives, repurposing plays a similar role to repurposing in the real world, filling the gap between a survival mode of life and a science/technology driven society. The last part of this dissertation explores the place of repurposing among a myriad of current concepts concerning creativity.
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Date Issued
2013
Identifier
CFE0005010, ucf:50013
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0005010
Recycled Modernity: Google, Immigration History, and the Limits for H-1B
Title
Recycled Modernity: Google, Immigration History, and the Limits for H-1B.
Creator
Patten, Neil, Dombrowski, Paul, Mauer, Barry, Grajeda, Anthony, Dziuban, Charles, University of Central Florida
Abstract / Description
Regulation of admission to the United States for technology workers from foreign countries has been a difficult issue, especially during periods of intense development. Following the dot.com bubble, the Google Corporation continued to argue in favor of higher limits under the Immigration and Nationality Act exception referred to as (")H-1B(") for the section of the law where it appears. H-1B authorized temporary admission for highly skilled labor in specialty occupations. Congressional...
Show moreRegulation of admission to the United States for technology workers from foreign countries has been a difficult issue, especially during periods of intense development. Following the dot.com bubble, the Google Corporation continued to argue in favor of higher limits under the Immigration and Nationality Act exception referred to as (")H-1B(") for the section of the law where it appears. H-1B authorized temporary admission for highly skilled labor in specialty occupations. Congressional testimony by Laszlo Bock, Google Vice President for People Operations, provided the most succinct statement of Google's concerns based on maintaining a competitive and diverse workforce. Diversity has been a rhetorical priority for Google, yet diversity did not affect the argument in a substantial and realistic way. Likewise, emphasis on geographically situated competitive capability suggests a limited commitment to the global communities invoked by information technology. The history of American industry produced corporations determined to control and exploit every detail of their affairs. In the process, industrial corporations used immigration as a labor resource. Google portrayed itself, and Google has been portrayed by media from the outside, as representative of new information technology culture, an information community of diverse, inclusive, and democratically transparent technology in the sense of universal availability and benefit with a deliberate concern for avoiding evil. However, emphasis by Google on American supremacy combined with a kind of half-hearted rhetorical advocacy for principles of diversity suggest an inconsistent approach to the argument about H-1B. The Google argument for manageable resources connected to corporate priorities of Industrial Modernity, a habit of control, more than to democratic communities of technology. In this outcome, there are concerns for information technology and the Industry of Knowledge Work. By considering the treatment of immigration as a sign of management attitude, I look at questions posed by Jean Baudrillard, Daniel Headrick, Alan Liu, and others about whether information technology as an industry and as communities of common interests has achieved any democratically universal (")ethical progress(") beyond the preceding system of industrial commerce that demands the absolute power to exploit resources, including human resources. Does Google's performance confirm skeptical questions, or did Google actually achieve something more socially responsible? In the rhetoric of immigration history and the rhetoric of Google as technology, this study finds connections to a recycled corporate-management version of Industrial Modernity that constrains the diffusion of technology.
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Date Issued
2014
Identifier
CFE0005685, ucf:50135
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0005685
When the Alligator Called to Elijah: A Handcrafted Exploration of the Digital Moving Image
Title
When the Alligator Called to Elijah: A Handcrafted Exploration of the Digital Moving Image.
Creator
Shults, Katherine, Harris, Christopher, Stoeckl, Ula, Schlow, Stephen, Grajeda, Anthony, University of Central Florida
Abstract / Description
When the Alligator Called to Elijah is a feature-length video conceptualized and constructed by Kate Shults in partial fulfillment of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The video is the result of an evolving exploration of the aesthetic capabilities of the digital image using Flip Video cameras, found footage and Final Cut Pro. Though originating as an experiment, When the Alligator Called to Elijah...
Show moreWhen the Alligator Called to Elijah is a feature-length video conceptualized and constructed by Kate Shults in partial fulfillment of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The video is the result of an evolving exploration of the aesthetic capabilities of the digital image using Flip Video cameras, found footage and Final Cut Pro. Though originating as an experiment, When the Alligator Called to Elijah became a creation of motion collage with very specific production parameters. This thesis is a record of this video's progression, from development to picture lock, taking it into preparation for exhibition and distribution.
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Date Issued
2012
Identifier
CFE0004442, ucf:49332
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0004442
Critical Programming: Toward a Philosophy of Computing
Title
Critical Programming: Toward a Philosophy of Computing.
Creator
Bork, John, Janz, Bruce, Grajeda, Anthony, McDaniel, Rudy, Hughes, Charles, University of Central Florida
Abstract / Description
Beliefs about the relationship between human beings and computing machines and their destinies have alternated from heroic counterparts to conspirators of automated genocide, from apocalyptic extinction events to evolutionary cyborg convergences. Many fear that people are losing key intellectual and social abilities as tasks are offloaded to the everywhere of the built environment, which is developing a mind of its own. If digital technologies have contributed to forming a dumbest generation...
Show moreBeliefs about the relationship between human beings and computing machines and their destinies have alternated from heroic counterparts to conspirators of automated genocide, from apocalyptic extinction events to evolutionary cyborg convergences. Many fear that people are losing key intellectual and social abilities as tasks are offloaded to the everywhere of the built environment, which is developing a mind of its own. If digital technologies have contributed to forming a dumbest generation and ushering in a robotic moment, we all have a stake in addressing this collective intelligence problem. While digital humanities continue to flourish and introduce new uses for computer technologies, the basic modes of philosophical inquiry remain in the grip of print media, and default philosophies of computing prevail, or experimental ones propagate false hopes. I cast this as-is situation as the post-postmodern network dividual cyborg, recognizing that the rational enlightenment of modernism and regressive subjectivity of postmodernism now operate in an empire of extended mind cybernetics combined with techno-capitalist networks forming societies of control.Recent critical theorists identify a justificatory scheme foregrounding participation in projects, valorizing social network linkages over heroic individualism, and commending flexibility and adaptability through life long learning over stable career paths. It seems to reify one possible, contingent configuration of global capitalism as if it was the reflection of a deterministic evolution of commingled technogenesis and synaptogenesis. To counter this trend I offer a theoretical framework to focus on the phenomenology of software and code, joining social critiques with textuality and media studies, the former proposing that theory be done through practice, and the latter seeking to understand their schematism of perceptibility by taking into account engineering techniques like time axis manipulation. The social construction of technology makes additional theoretical contributions dispelling closed world, deterministic historical narratives and requiring voices be given to the engineers and technologists that best know their subject area. This theoretical slate has been recently deployed to produce rich histories of computing, networking, and software, inform the nascent disciplines of software studies and code studies, as well as guide ethnographers of software development communities.I call my syncretism of these approaches the procedural rhetoric of diachrony in synchrony, recognizing that multiple explanatory layers operating in their individual temporal and physical orders of magnitude simultaneously undergird post-postmodern network phenomena. Its touchstone is that the human-machine situation is best contemplated by doing, which as a methodology for digital humanities research I call critical programming. Philosophers of computing explore working code places by designing, coding, and executing complex software projects as an integral part of their intellectual activity, reflecting on how developing theoretical understanding necessitates iterative development of code as it does other texts, and how resolving coding dilemmas may clarify or modify provisional theories as our minds struggle to intuit the alien temporalities of machine processes.
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Date Issued
2015
Identifier
CFE0005928, ucf:50843
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0005928