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FRAT STAR
Title
FRAT STAR.
Creator
Holic, Nathan, Leiby, Jeanne, University of Central Florida
Abstract / Description
This thesis, a social novel in the tradition of Tom Wolfe's The Bonfire of the Vanities and Michael Chabon's The Amazing Adventures of Kavalier and Clay, is all at once an attentive first-person study of a twenty-something man close to his cracking point in his first post-college job, a detailed exposé of national fraternities, and the sweeping panoramic view of an entire generation of over-programmed college students searching for direction. Frat Star follows a fragile college...
Show moreThis thesis, a social novel in the tradition of Tom Wolfe's The Bonfire of the Vanities and Michael Chabon's The Amazing Adventures of Kavalier and Clay, is all at once an attentive first-person study of a twenty-something man close to his cracking point in his first post-college job, a detailed exposé of national fraternities, and the sweeping panoramic view of an entire generation of over-programmed college students searching for direction. Frat Star follows a fragile college graduate named Charles Washington, who takes a position as an "Educational Consultant" with a national fraternity in his first semester after graduation. For sixteen straight weeks, he drives across the country, from college to college and fraternity house to fraternity house, meeting with alumni and students, and living on frat house couches and in seedy off-exit hotels. As he travels, the pressure mounts for Charles to convince his family and friends back home that this is a "Real Job" and that his work actually matters to the business world, but at each new fraternity house he visits, his yearning for the old college atmosphere grows--the beer, the parties, the girls!--threatening to send him into a frightening tailspin. How can he be a professional when the temptations of youth still seem so attractive? And before Charles can sort out what is happening in his own life, he finds himself stuck in a vicious tug-of-war between students, alumni, administrators, and the national fraternity, when he must deal with one particularly abrasive undergraduate fraternity and the aftermath of its disastrous decisions. Spanning thousands of miles, from Florida to California, from Illinois to New Mexico, this thesis takes us inside fraternity houses, into their attics and their basements, behind the scenes of their rituals and ceremonies, inside their parties, inside their heads, giving us a view not only of the power of the national fraternity, but the disconnect between alumnus and student, between Baby Boomer and Generation X and Millennial. Incorporating research as varied as the generational studies of Howe and Strauss, and Alexandra Robbins' psychological study of the "Quarterlife Crisis," Frat Star stretches across the country, stretches across genre, stretches from text to illustration, but is ultimately the human story of a young man's longing for morality, independence, and purpose in a world he simply has not been prepared to understand.
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Date Issued
2007
Identifier
CFE0001587, ucf:47491
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0001587
Jindo On Becoming Shaman
Title
Jindo On Becoming Shaman.
Creator
Jo, Iljeen, Bartkevicius, Jocelyn, Milanes, Cecilia, Holic, Nathan, University of Central Florida
Abstract / Description
Jindo is a novel that incorporates drawings, photos, symbols, and comic panels in collaboration with visual artists, Minna Moon and Myungee Jo. In addition to the drawings, the novel integrates Korean folktales and family mythology into the narrative. The hybrid work also weaves elements of speculative fiction, fantasy, realism, horror, and comedy game theory. The novel is told in the first person voice of Korean American, Jindo Cho.In the wake of a nationally televised humiliation, Jindo Cho...
Show moreJindo is a novel that incorporates drawings, photos, symbols, and comic panels in collaboration with visual artists, Minna Moon and Myungee Jo. In addition to the drawings, the novel integrates Korean folktales and family mythology into the narrative. The hybrid work also weaves elements of speculative fiction, fantasy, realism, horror, and comedy game theory. The novel is told in the first person voice of Korean American, Jindo Cho.In the wake of a nationally televised humiliation, Jindo Cho leaves the world of competitive figure skating to attend state college. When, at the beginning of the semester, his childhood best friend abandons him to join a whites-only fraternity, Delta Kappa, Jindo is left to fend for himself in a surprisingly racist campus. At a party he isn't invited to, Jindo rebels against his past, present, and future, and consumes an unnamed psychedelic compound. After ingesting the unknown compound, he gets thrown into a terrifying trip that he does not remember. Once the trip ends, Jindo relapses in strange ways. Visions show him scenes from the past, present, future, and (")other places(") as he fights to reconcile reality and meaning in the universe.The novel focuses on how Jindo comes to terms with his past, his dreams, and a traumatic memory he can't quite grasp, all the while exploring the genre of the novel itself, how novels may think, breathe, and evolve in form, and how an experiment in form itself can expose the pressures a character struggles against, in Jindo's case, racial stereotypes, gender norms, and the toxic expectations of a masculinity that encourages detachment and violence. This novel seeks to dismantle stereotypes while also providing readers a wildly entertaining time.
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Date Issued
2018
Identifier
CFE0007020, ucf:52036
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0007020
Standing Up Comedy: Analyzing Rhetorical Approaches to Identity in Stand-up Comedy
Title
Standing Up Comedy: Analyzing Rhetorical Approaches to Identity in Stand-up Comedy.
Creator
Grabert, Christopher, Holic, Nathan, Wheeler, Stephanie, Brenckle, Martha, University of Central Florida
Abstract / Description
My thesis addresses contemporary conversations about stand-up comedy and the art-form's capacity for facilitating complex rhetorical decision-making. I examine how stand-up comedians have positioned themselves on-stage through choices pertaining revealing personal behaviors, personas, and beliefs in public settings. Ultimately, I argue that the art of stand-up does not require truth-telling on-stage, and that there exists an implicit contract between performers and audiences which details...
Show moreMy thesis addresses contemporary conversations about stand-up comedy and the art-form's capacity for facilitating complex rhetorical decision-making. I examine how stand-up comedians have positioned themselves on-stage through choices pertaining revealing personal behaviors, personas, and beliefs in public settings. Ultimately, I argue that the art of stand-up does not require truth-telling on-stage, and that there exists an implicit contract between performers and audiences which details comedians' license to share falsehoods, exaggerations, and embellishments on-stage without the repercussions that accompany these actions in other discourse settings. Finally, I evaluate how comics have handled this rhetorical (")license,(") with some performers delivering easily identifiable falsehoods on stage through characters and caricatures, and others choosing to deliver autobiographical material in spite of the license. My research offers a framework through which audiences may digest the speech utterances in standup comedy performances as the product of purely rhetorical, calculated choices. I will propose that audiences treat each stand-up performance, no matter how seemingly intimate or personal, as artifice. I then offer case studies of three comedians who approach the notion of crafting anon-stage persona in different fashions and evaluate how each of these comedians utilize the implicit license of stand-up comedy. My research contributes to conversations in rhetoric and composition related to the performance of public and private (")selves.(")
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Date Issued
2019
Identifier
CFE0007889, ucf:52773
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0007889
From Sisters to CEO's: Defining Organizational Rhetoric in a Case Study of Social Sorority Bylaws
Title
From Sisters to CEO's: Defining Organizational Rhetoric in a Case Study of Social Sorority Bylaws.
Creator
Rood, Paige, Roozen, Kevin, Holic, Nathan, Jones, Natasha, University of Central Florida
Abstract / Description
Organizational Rhetoric is typically used in the fields of Communication and Mass Communication to examine the communicative strategies that animate businesses and corporate organizations. This study aims to give a more rhetorically focused definition of organizational rhetoric by emphasizing how communicative acts structure action and shape the construction of identity in settings beyond formal workplaces. Based on an analysis of the social sorority bylaws of Kappa Alpha Theta and the...
Show moreOrganizational Rhetoric is typically used in the fields of Communication and Mass Communication to examine the communicative strategies that animate businesses and corporate organizations. This study aims to give a more rhetorically focused definition of organizational rhetoric by emphasizing how communicative acts structure action and shape the construction of identity in settings beyond formal workplaces. Based on an analysis of the social sorority bylaws of Kappa Alpha Theta and the rhetorical situations those bylaws address, this study suggests that social sororities employ organizational rhetoric as an effective means of persuading their members to be active participants within the organization. Ultimately, the analysis argues that the rhetoric employed by social sororities mimics the typified, effective rhetorical moves of an organization to shape the agency and identities of their members.
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Date Issued
2015
Identifier
CFE0005993, ucf:50784
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0005993
Go Ahead, Daytona
Title
Go Ahead, Daytona.
Creator
Hughes, John, Roney, Lisa, Uttich, Laurie, Holic, Nathan, University of Central Florida
Abstract / Description
Go Ahead, Daytona is a collection of essays meant to explore the experiences and lessons learned through law enforcement. It juxtaposes hope with cynicism and encourages the reader to explore his or her own biases through the lens of a narrator believing police work is something to be lived down, rather than up. The essays depict struggles with hypocrisy, sex, homelessness, violence, moral ambiguity, and self-awareness.
Date Issued
2016
Identifier
CFE0006529, ucf:51361
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0006529