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E.A.I. Anxiety: Technopanic and Post-Human Potential
Title
E.A.I. Anxiety: Technopanic and Post-Human Potential.
Creator
Mandell, Zachary, Brenckle, Martha, Jones, Natasha, Scott, Blake, University of Central Florida
Abstract / Description
Robots have been a part of the imagination of Western culture for centuries. The possibility for automation and artificial life has inspired the curiosity of thinkers like Leonardo Da Vinci who once designed a mechanical knight. It wasn't until the 19th century that automated machinery has become realized. The confrontation between human and automation has inspired a fear, referred to as (")technopanic("), that has been exacerbated in tandem with the evolution of technology. This thesis seeks...
Show moreRobots have been a part of the imagination of Western culture for centuries. The possibility for automation and artificial life has inspired the curiosity of thinkers like Leonardo Da Vinci who once designed a mechanical knight. It wasn't until the 19th century that automated machinery has become realized. The confrontation between human and automation has inspired a fear, referred to as (")technopanic("), that has been exacerbated in tandem with the evolution of technology. This thesis seeks to discover the historical precedence for these fears. I explore three modes of knowledge (Philosophy, Economics, and Film Theory) to examine the agendas behind the messages on the topic of Artificial Life, specifically Robots. I then advocate for an alternative philosophy called Post-Humanism. I argue that what is needed to alleviate the fears and anxieties of Western culture is a shift in how humanity views itself and its relation to the natural world. By structuring my thesis in this way, I identify the roots of Western humanity's anthropocentric ontology first, explore the economic implications of automation second, analyze the cultural anticipations of artificial life in Western media third, and finally offer an alternative attitude and ethic as a way out of the pre-established judgments that do little to protect Western culture from E.A.I.
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Date Issued
2018
Identifier
CFE0007049, ucf:52022
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0007049
Rewriting Patriarchal Norms in Academia: Invitational Rhetoric in a Crowdsourced Survey
Title
Rewriting Patriarchal Norms in Academia: Invitational Rhetoric in a Crowdsourced Survey.
Creator
Molko, Rachel, Wheeler, Stephanie, Rounsaville, Angela, Jones, Natasha, University of Central Florida
Abstract / Description
This thesis seeks to understand the how texts are constructed to forward feminist communicative objectives through a case study of Dr. Karen Kelsky's "A Crowdsourced Survey of Sexual Harassment in the Academy.(") In this research, sexual harassment is understood as(&)nbsp;an act of power, sexual in nature, enacted by faculty or staff (employed or contracted in different capacities) in their relations with other faculty or staff, who are often lower ranking.(&)nbsp;By adopting invitational...
Show moreThis thesis seeks to understand the how texts are constructed to forward feminist communicative objectives through a case study of Dr. Karen Kelsky's "A Crowdsourced Survey of Sexual Harassment in the Academy.(") In this research, sexual harassment is understood as(&)nbsp;an act of power, sexual in nature, enacted by faculty or staff (employed or contracted in different capacities) in their relations with other faculty or staff, who are often lower ranking.(&)nbsp;By adopting invitational rhetoric as a theoretical framework, this thesis examines the way(&)nbsp;Dr. Karen Kelsky's crowdsourced survey creates the space to articulate and elevate often(&)nbsp;suppressed(&)nbsp;personal testimony regarding sexual harassment.(&)nbsp;By welcoming, and then displaying, narratives that have been deliberately silenced over the course of history, Kelsky's spreadsheet showcases a collective consciousness surrounding sexual harassment in academia. The current scholarship surrounding feminist communicative praxis highlights the importance of the written personal narrative as meaning-making and as a reflective practice, especially through the medium of journaling. However, this research examines how texts can employ personal testimony to co-create meaning as a mode of resistance. In particular, Kelsky's artifacts create a space that privileges and displays situated knowledge about sexual harassment that has been otherwise obfuscated. By conducting a feminist(&)nbsp;rhetorical analysis, this thesis argues that Kelsky's artifacts perform invitational rhetoric that mediates situated knowledge surrounding sexual harassment in the academic workplace.(&)nbsp;Reflection and dialogue shape the nature of storytelling as evoked by the survey, which are approached by this thesis as feminist communicative praxes that are activated throughout engagement with the artifacts.
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Date Issued
2018
Identifier
CFE0007228, ucf:52229
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0007228
Constituting Rhetorical Agency in a Feminist Discursive Space
Title
Constituting Rhetorical Agency in a Feminist Discursive Space.
Creator
Raynor, Ella, Scott, Blake, Jones, Natasha, Brenckle, Martha, University of Central Florida
Abstract / Description
This thesis details an analysis of a project called Exposing the Silence in order to learn about agency and discursive space. This gallery for traumatic birth stories serves as a relevant site for better understanding how women are constituting their experiences with embodied autonomy and rhetorical dis/empowerment and how they come together to visually and discursively form a feminist space online. I completed a rhetorical analysis of the birth narratives and of an interview with Lindsay...
Show moreThis thesis details an analysis of a project called Exposing the Silence in order to learn about agency and discursive space. This gallery for traumatic birth stories serves as a relevant site for better understanding how women are constituting their experiences with embodied autonomy and rhetorical dis/empowerment and how they come together to visually and discursively form a feminist space online. I completed a rhetorical analysis of the birth narratives and of an interview with Lindsay Askins, one of the creators of Exposing the Silence.My study finds that a dyadic relationship between embodied autonomy and rhetorical agency exists while women negotiate power constructs during their traumatic obstetric experiences. When their rhetorical agency was diminished, so was their embodied autonomy. While they asserted agency during the traumatic experience, loss of agency is the main reason for their feelings of trauma. However, they work to re-assert rhetorical agency by sharing their narratives in the discursive space. The discursive space of the website is feminist because it promotes the rhetorical agency of its users and provides the opportunity for its users to socially construct that agency.My study contributes to the rhetoric of health and medicine (RHM) through its focus on how women constitute their embodied autonomy and rhetorical agency when speaking about an experience in which they lost some amount of both. I especially contribute an interpretation of how rhetorical agency, a discursive assertion of agency, can interact with agency itself, or embodied autonomy, without being the same entities. This project also contributes to RHM through its focus on how an online feminist visual-discursive space is socially constructed by its occupants and creators to assert rhetorical agency.
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Date Issued
2018
Identifier
CFE0007238, ucf:52238
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0007238
From Sisters to CEO's: Defining Organizational Rhetoric in a Case Study of Social Sorority Bylaws
Title
From Sisters to CEO's: Defining Organizational Rhetoric in a Case Study of Social Sorority Bylaws.
Creator
Rood, Paige, Roozen, Kevin, Holic, Nathan, Jones, Natasha, University of Central Florida
Abstract / Description
Organizational Rhetoric is typically used in the fields of Communication and Mass Communication to examine the communicative strategies that animate businesses and corporate organizations. This study aims to give a more rhetorically focused definition of organizational rhetoric by emphasizing how communicative acts structure action and shape the construction of identity in settings beyond formal workplaces. Based on an analysis of the social sorority bylaws of Kappa Alpha Theta and the...
Show moreOrganizational Rhetoric is typically used in the fields of Communication and Mass Communication to examine the communicative strategies that animate businesses and corporate organizations. This study aims to give a more rhetorically focused definition of organizational rhetoric by emphasizing how communicative acts structure action and shape the construction of identity in settings beyond formal workplaces. Based on an analysis of the social sorority bylaws of Kappa Alpha Theta and the rhetorical situations those bylaws address, this study suggests that social sororities employ organizational rhetoric as an effective means of persuading their members to be active participants within the organization. Ultimately, the analysis argues that the rhetoric employed by social sororities mimics the typified, effective rhetorical moves of an organization to shape the agency and identities of their members.
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Date Issued
2015
Identifier
CFE0005993, ucf:50784
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0005993
On Digital Doctrine: The Mediatization of Religious Culture
Title
On Digital Doctrine: The Mediatization of Religious Culture.
Creator
Yebba, Celina, Jones, Natasha, Wheeler, Stephanie, Brenckle, Martha, University of Central Florida
Abstract / Description
Media is a constant feature in our modern lives, transforming and influencing society and culture. This study examined how increased participation in digital media has changed the nature of religious representation, culture, and practice. Data was collected from both secular websites and religious media spaces where people post information about religion. This discussion is a necessary step in determining how media has not only become embedded in religious culture but has influenced the...
Show moreMedia is a constant feature in our modern lives, transforming and influencing society and culture. This study examined how increased participation in digital media has changed the nature of religious representation, culture, and practice. Data was collected from both secular websites and religious media spaces where people post information about religion. This discussion is a necessary step in determining how media has not only become embedded in religious culture but has influenced the transformation of American religious culture.The first part of this analysis concentrated on uncovering rhetorical strategies in religious digital spaces. I assumed that organizational identification would be a common approach used on the Mormon.org member profiles. The data collected verified this assumption. The second part of this analysis compared collaboratively produced articles in wiki-spaces that described Roman Catholicism and Mormonism. The goal of this part of the analysis was to determine how faith organizations are represented in digital spaces that are situated outside church authority.
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Date Issued
2017
Identifier
CFE0006824, ucf:51780
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0006824
Ok, Ladies, Now Let's Get Information: Recognizing Moments of Rhetorical Identification in Beyonc(&)#233;'s Digital Activism
Title
Ok, Ladies, Now Let's Get Information: Recognizing Moments of Rhetorical Identification in Beyonc(&)#233;'s Digital Activism.
Creator
Arban, Garrett, Jones, Natasha, Vie, Stephanie, Wheeler, Stephanie, University of Central Florida
Abstract / Description
This research seeks to understand how activists are encouraging audiences to identify with their work in digital spaces through a case study of Beyonc(&)#233; Knowles-Carter's activism. The current scholarship surrounding digital activism is extensive and has offered a detailed look at individual tools used in activist movements, but there is a lack of research that recognizes the complex network of tools that are often used by an activist or activist group. To address this gap in the...
Show moreThis research seeks to understand how activists are encouraging audiences to identify with their work in digital spaces through a case study of Beyonc(&)#233; Knowles-Carter's activism. The current scholarship surrounding digital activism is extensive and has offered a detailed look at individual tools used in activist movements, but there is a lack of research that recognizes the complex network of tools that are often used by an activist or activist group. To address this gap in the research, this thesis offers an analysis of three specific activist tools used by Beyonc(&)#233; to encourage her fans and other audiences to identify with and participate in her activism. This study investigates the methods Beyonc(&)#233; employs to get her multiple audiences informed and engaged through an analysis of her activist blog, the (")Formation(") music video, and her live performance during the 2016 Super Bowl halftime show. Specifically, the purpose of this study is to assess, from a rhetorical standpoint, how Beyonc(&)#233; is inviting her audiences to respond and become engaged.The analysis of these three activist tools utilizes qualitative data analysis, focusing on Burke's (1969) concept of rhetorical identification to understand how her activist messages are presented across mediums. To expand on the findings of this analysis, a reception study on Beyonc(&)#233;'s (")Formation(") music video and 2016 Super Bowl performance was conducted to gauge the success of her rhetorical methods. The findings of this study recognize the need to continue looking at the multiple tools used by activists to understand the complexity of their rhetorical work online. This study also provides methods for analyzing the intertextual nature of digital activism so that further research can be done. While this study begins to address the gap in the current scholarship, more research needs to be done to study the current rhetorical practices of digital activists.
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Date Issued
2017
Identifier
CFE0006557, ucf:51344
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0006557
Narrative Transportation and Virtual Reality: Exploring the Immersive Qualities of Social Justice in the Digital World
Title
Narrative Transportation and Virtual Reality: Exploring the Immersive Qualities of Social Justice in the Digital World.
Creator
Raffel, Sara, McDaniel, Rudy, Jones, Natasha, Salter, Anastasia, Rettberg, Jill, University of Central Florida
Abstract / Description
This dissertation explores the potential applications for virtual reality (VR) stories in support of social justice causes, examining whether digital games historically been successfully leveraged for social justice purposes, and determining which components of VR technology can most encourage narrative transportation of participants in VR stories.The first chapter examines theories of simulation, virtual reality, narrative, and interactivity, as well as concepts of immersion from various...
Show moreThis dissertation explores the potential applications for virtual reality (VR) stories in support of social justice causes, examining whether digital games historically been successfully leveraged for social justice purposes, and determining which components of VR technology can most encourage narrative transportation of participants in VR stories.The first chapter examines theories of simulation, virtual reality, narrative, and interactivity, as well as concepts of immersion from various disciplines and settles on narrative transportation, a theory from cognitive psychology, as the most useful in measuring the effect of VR stories on participants.The second chapter examines ethnographic practices, activist games, and modes of reclaiming digital spaces as a way to encourage digital social justice and ensure traditionally marginalized communities have meaningful access to technology(-)or, the tools to use it, create with it, and critique it.The third chapter presents the result of a play study conducted to measure participants' transportation in a recent VR narrative and finds VR interactive narratives to be more transportive and engaging than their two-dimensional counterparts.The fourth chapter interrogates some of the fears of VR technology, namely that it will be used to further current societal injustices and as a potentially powerful propaganda tool.The final chapter presents five recommendations for designers seeking to experiment in virtual reality narratives. The ultimate aim of this work is to encourage scholars, designers, and participants to make ethical decisions in the creation and use of virtual societies.
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Date Issued
2018
Identifier
CFE0007080, ucf:52015
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0007080