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OF GODS, BEASTS AND MEN: DIGITAL SCULPTURE
Title
OF GODS, BEASTS AND MEN: DIGITAL SCULPTURE.
Creator
Salisbury, Brian, Kovach, Keith, University of Central Florida
Abstract / Description
My most recent body of work explores the synthesis of my influences, interests and life experiences into imagery of common themes: The expression of dynamic figures and forms and colors in digital 3d space, cinematic composition, and vibrant color, expressed through a semblance of Aztec culture and wildlife. My sculptures of nature and ancient culture are created using contemporary digital art creation technologies and techniques. I examine the art and religion of the Aztecs and the universal...
Show moreMy most recent body of work explores the synthesis of my influences, interests and life experiences into imagery of common themes: The expression of dynamic figures and forms and colors in digital 3d space, cinematic composition, and vibrant color, expressed through a semblance of Aztec culture and wildlife. My sculptures of nature and ancient culture are created using contemporary digital art creation technologies and techniques. I examine the art and religion of the Aztecs and the universal search for understanding and purpose in the world and the forces around and beyond us.
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Date Issued
2009
Identifier
CFE0002587, ucf:48278
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0002587
House vs. Home: Defining Place Through Identity
Title
House vs. Home: Defining Place Through Identity.
Creator
Gleason, Ryan, Buyssens, Ryan, Kovach, Keith, Kim, Joo, University of Central Florida
Abstract / Description
A house is a place of safety. A home is a place of belonging. Though different a house always desires to become a home, but it can only be so through a connection to self. It is a home that is an extension of one's identity. Through the mirror, which is the home, and through an understanding of schema theory a person's being can be understood through one's ideas, place, self, family, rituals, memories, and feelings. Each of these factors act as a layer of brick building a strong foundation or...
Show moreA house is a place of safety. A home is a place of belonging. Though different a house always desires to become a home, but it can only be so through a connection to self. It is a home that is an extension of one's identity. Through the mirror, which is the home, and through an understanding of schema theory a person's being can be understood through one's ideas, place, self, family, rituals, memories, and feelings. Each of these factors act as a layer of brick building a strong foundation or a crackling fireplace adorned with family portraits making the rooms feel cozy for the image of the home as well as self. Exploring the melancholic drawings, paintings, sculptures, and installations the relationship of self and place become more evident thus separating what is a house from a home. It becomes clear that the definition of home does not come from its physical boundaries but from the thoughts and interactions that reside within its walls. A joyous person creates a joyous home and a melancholic home creates an artist that is inclined to create melancholic art in search of what they don't have. It is along this emotional journey the artist can truly understand what this sense of belonging means. Through his art the worn wallpaper and the cracked plaster of this darker world hold in the emotions of the artist showcasing the authenticity of self and opening a door for others in a similar search.
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Date Issued
2018
Identifier
CFE0007006, ucf:52042
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0007006
Life, Death, and Awakening: As Seen in Reflections of Nature
Title
Life, Death, and Awakening: As Seen in Reflections of Nature.
Creator
Parks, Diane, Poindexter, Carla, Kim, Joo, Kovach, Keith, Price, Mark, University of Central Florida
Abstract / Description
My objective, in undertaking this three year MFA degree has been to create and produce metaphorical paintings which communicate my deepest feelings about my personal experiences of life, death, and nature using various types of landscapes as subject matter. My goal has been to explore many processes of painting, using a range of color palettes to suggest and inspire emotional responses from viewers that are similar to my own. Ultimately my intention has been to share feelings of empathy...
Show moreMy objective, in undertaking this three year MFA degree has been to create and produce metaphorical paintings which communicate my deepest feelings about my personal experiences of life, death, and nature using various types of landscapes as subject matter. My goal has been to explore many processes of painting, using a range of color palettes to suggest and inspire emotional responses from viewers that are similar to my own. Ultimately my intention has been to share feelings of empathy between myself and a viewer through the art I've produced. This thesis body of work chronicles my three year journey.
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Date Issued
2018
Identifier
CFE0007072, ucf:52002
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0007072
Changing the Channel: A Study of Agenda, Immersion and Social Commentary in Art.
Title
Changing the Channel: A Study of Agenda, Immersion and Social Commentary in Art.
Creator
Kalemba, Nicholas, Poindexter, Carla, Lotz, Theo, Kovach, Keith, University of Central Florida
Abstract / Description
This thesis examines the concepts and ideas that pervade my body of work in painting. These concepts include immersion and scale, interactions in space, harmony and disunity, flat and dimensional space and perhaps most importantly, ambiguity. I intentionally use these formal devices to create immersive environments that appear as a familiar but skewed version of reality. By forcing together disparate languages of visual representation into the theoretical space of a painting, I strive to...
Show moreThis thesis examines the concepts and ideas that pervade my body of work in painting. These concepts include immersion and scale, interactions in space, harmony and disunity, flat and dimensional space and perhaps most importantly, ambiguity. I intentionally use these formal devices to create immersive environments that appear as a familiar but skewed version of reality. By forcing together disparate languages of visual representation into the theoretical space of a painting, I strive to expose some of the humor and decay of our social institutions. In using the format of collage, my paintings have the opportunity to incorporate a wide array of iconography and imagery, while adding commentary through their juxtapositions. This thesis further explores the notion of oversaturation of images in media and how it has resulted in a clashing of imagery in the public space, akin to the format of collage in art-making. By using more easily readable or accessible iconography like cartoons or digital images to draw viewers in to the work on a visceral level, I discuss how the audience becomes witness to something sinister or something in the process of decay. Since I do not fully understand my own position as an artist and consumer of images, painting serves as a way to examine and question my relationship to society and culture as a whole. The artworks are inevitably questions in themselves: Who is to blame? What does it mean to be American? What is my duty as an artist?
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Date Issued
2019
Identifier
CFE0007472, ucf:52664
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0007472
Exploration of life and decay in technological civilization
Title
Exploration of life and decay in technological civilization.
Creator
Wieser, Mauro, Kovach, Keith, Adams, JoAnne, Burrell, Jason, University of Central Florida
Abstract / Description
Reflecting upon humanity's obligatory use of technology and its place in our collective evolution has become my endeavor. These reflections happen in a studio and through a process that influences the fine art objects produced. In turn the objects both celebrate and warn us of the dynamic and immanent enhanced human. I balance the use of modern machining processes with dark humor to comment and raise questions about the coexistence of man and machine in an increasingly absurd environment.
Date Issued
2019
Identifier
CFE0007555, ucf:52608
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0007555
Designosaurs: Technological Evolution and De-Extinction Through an Advancing Medium
Title
Designosaurs: Technological Evolution and De-Extinction Through an Advancing Medium.
Creator
Vanzyl, Sean, Kovach, Keith, Adams, JoAnne, Burrell, Jason, University of Central Florida
Abstract / Description
This thesis is an examination of my imperative need to understand dinosaurs and their role in science and art, acting as prehistoric symbols for science and imagination. Like our understanding of dinosaurs, my body of work is evolving simultaneously with the technology of our time. Through the synthesis of artistic language with science and technology, I create dynamic experiences allowing a viewer to witness an extinct living being in its entirety, an otherwise lost experience. By utilizing...
Show moreThis thesis is an examination of my imperative need to understand dinosaurs and their role in science and art, acting as prehistoric symbols for science and imagination. Like our understanding of dinosaurs, my body of work is evolving simultaneously with the technology of our time. Through the synthesis of artistic language with science and technology, I create dynamic experiences allowing a viewer to witness an extinct living being in its entirety, an otherwise lost experience. By utilizing digital modeling, animation techniques, and interactive video games, my work speaks to the power and diversity of digital media's role in visualizing artifacts in our society and culture.
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Date Issued
2019
Identifier
CFE0007549, ucf:52596
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0007549
The Suburban Nightmare: A Study of Atmosphere, Mood and Emotion
Title
The Suburban Nightmare: A Study of Atmosphere, Mood and Emotion.
Creator
Sobrack, Ericka, Poindexter, Carla, Lotz, Theo, Kovach, Keith, University of Central Florida
Abstract / Description
In this thesis body of work, I focus on the implied human presence through the lack of actual human figures. I believe there is more to say in a landscape with the absence of the figure, allowing the dialogue to be read and interpreted by a larger audience. I am particularly satisfied with White Knuckles, shown in figure 3, because I collide reason with imagination, thus contradicting the context and interpretation of the subject matter. In White Knuckles, I deal with formal elements such as...
Show moreIn this thesis body of work, I focus on the implied human presence through the lack of actual human figures. I believe there is more to say in a landscape with the absence of the figure, allowing the dialogue to be read and interpreted by a larger audience. I am particularly satisfied with White Knuckles, shown in figure 3, because I collide reason with imagination, thus contradicting the context and interpretation of the subject matter. In White Knuckles, I deal with formal elements such as composition, atmosphere, lightness and darkness as well as nuances of color. I have also considered the emotive impact the painting could reflect to the viewer, specifically feelings of tension and unease. The placement of the viewer outside the picture plane was carefully considered to suggest the audience is a participant in the suggested narrative. I often strive to create an ambiguous moment, reflecting feelings of uncertainty and apprehension. Like White Knuckles, my body of work employs unexpected narratives to reveal some of the uncomfortable truths of our human experience. I am interested in exploring the relationship between the mundane and the abnormal in the paintings, a feeling that could be described as a (")suburban nightmare.(")
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Date Issued
2019
Identifier
CFE0007532, ucf:52587
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0007532
Hidden Scars: The Art of PTSD
Title
Hidden Scars: The Art of PTSD.
Creator
Gonzalez, Gabriel, Price, Mark, Kovach, Keith, Raimundi-Ortiz, Wanda, University of Central Florida
Abstract / Description
Through the use of mixed media, I explore imagery that reveals the trauma of returning combat veterans, of which I am one, as we try to reintegrate into a society that does not understand the war that still lingers within us. In my work, I depict emotional disturbances that are related to my personal encounters with war.My working process starts by referencing mainstream media imagery, which I juxtapose against harsh images inspired by veterans' drug and alcohol use, trauma and death.My black...
Show moreThrough the use of mixed media, I explore imagery that reveals the trauma of returning combat veterans, of which I am one, as we try to reintegrate into a society that does not understand the war that still lingers within us. In my work, I depict emotional disturbances that are related to my personal encounters with war.My working process starts by referencing mainstream media imagery, which I juxtapose against harsh images inspired by veterans' drug and alcohol use, trauma and death.My black-and-white pixelated paintings feature the fragmented memories of a hostile combat environment, and although (")Out of My Mind(") depicts the chaotic emotions associated with PTSD, my whimsical style of illustration suggests a detachment from reality.Whether we call it shell shock, battle fatigue or PTSD, the war-related disorder is real. I want society to be aware of the hidden scars that our veterans carry with them. I do not anticipate my subject matter changing any time soon.
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Date Issued
2013
Identifier
CFE0004684, ucf:49857
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0004684
The Fabricated Shopping Experience: An Impersonal Impression on Consumerism
Title
The Fabricated Shopping Experience: An Impersonal Impression on Consumerism.
Creator
Nienass, Sherri, Poindexter, Carla, Isenhour, David, Kovach, Keith, Raimundi-Ortiz, Wanda, University of Central Florida
Abstract / Description
I have a compulsion to document my surroundings. I do this in all forms possible; through a picture text-message, a point-and-shoot camera, or through a high end camera. Like most women in contemporary society, I feel an expectation to be gorgeous. While I do not feel this pressure directly from my boyfriend or close friends, I am constantly surrounded by advertisements for beauty products enforcing the importance of being attractive. My current occupation as a cosmetic counter makeup artist...
Show moreI have a compulsion to document my surroundings. I do this in all forms possible; through a picture text-message, a point-and-shoot camera, or through a high end camera. Like most women in contemporary society, I feel an expectation to be gorgeous. While I do not feel this pressure directly from my boyfriend or close friends, I am constantly surrounded by advertisements for beauty products enforcing the importance of being attractive. My current occupation as a cosmetic counter makeup artist relies on convincing women to enhance their appearance. I am fascinated by how easily I can persuade clients to purchase unnecessary products. My art is both a celebration and commentary on the beauty industry and contemporary consumerism. My approach to this series is varied and complex. The individuals photographed are unaware of their participation in the creation of my work. I do not intend to exploit the subjects or places that I photograph, rather my work comes from a very natural understanding of this environment based on several years working in a major department store. I attempt to attach multiple emotions of (-) empathy, humor, and sometimes sympathy (-) to the moments I capture. My work is not fabricated or recreated, (-) it is documentary. I am aware of the times I live in, and the people that inhabit these times and places. Once documented, the captured moments in time can be reflected on from a multitude of perspectives at a later place and time. Because I also contribute to the general shopping and grooming experience, the details of these images come from a trained eye and attentive approach. I have chosen to write this thesis in an auto-biographical narrative because I play many roles. I am the retail specialist, the artist, the photographer, and the consumer.
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Date Issued
2012
Identifier
CFE0004316, ucf:49461
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0004316
The Bed as Object and Metaphor
Title
The Bed as Object and Metaphor.
Creator
Comparetto, Heather, Poindexter, Carla, Francis, Madison, Robinson, Elizabeth, Kovach, Keith, University of Central Florida
Abstract / Description
This series of work explores the nature of the bed as object and metaphor. The bed is an object where an action, such as thinking and laying awake takes place. In a metaphorical sense, the bed in my work represents moods and emotions that are psychologically tied to the bed. In this body of work I explore the relationship between the person and the bed. The bed represents not only an intimate space, but also a hiding place of retreat and self-imposed alienation. This series pulls from...
Show moreThis series of work explores the nature of the bed as object and metaphor. The bed is an object where an action, such as thinking and laying awake takes place. In a metaphorical sense, the bed in my work represents moods and emotions that are psychologically tied to the bed. In this body of work I explore the relationship between the person and the bed. The bed represents not only an intimate space, but also a hiding place of retreat and self-imposed alienation. This series pulls from personal experience, influences such as Alison Brady and Sophie Callie, and select films that focus on the problems, issues, and decisions of the human condition. In my work I bring together formal qualities and conceptual content to create juxtaposition between beauty and mood. I am interested in visual poetry and formalism in photographs. Throughout all the photographic work I have created, I focus on using existing light and composing an image intuitively.
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Date Issued
2012
Identifier
CFE0004328, ucf:49426
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0004328
Secondary World: The Limits of Ludonarrative
Title
Secondary World: The Limits of Ludonarrative.
Creator
Dannelly, David, Adams, JoAnne, Price, Mark, Poindexter, Carla, Kovach, Keith, University of Central Florida
Abstract / Description
Secondary World: The Limits of Ludonarrative is a series of short narrative animations that are a theoretical treatise on the limitations of western storytelling in video games. The series covers specific topics relating to film theory, game design and art theory: specifically those associated with Gilles Deleuze, Jean Baudrillard, Jay Bolter, Richard Grusin and Andy Clark. The use of imagery, editing and presentation is intended to physically represent an extension of myself and my thinking...
Show moreSecondary World: The Limits of Ludonarrative is a series of short narrative animations that are a theoretical treatise on the limitations of western storytelling in video games. The series covers specific topics relating to film theory, game design and art theory: specifically those associated with Gilles Deleuze, Jean Baudrillard, Jay Bolter, Richard Grusin and Andy Clark. The use of imagery, editing and presentation is intended to physically represent an extension of myself and my thinking process and which are united through the common thread of my personal feelings, thoughts and experiences in the digital age.
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Date Issued
2014
Identifier
CFE0005155, ucf:50704
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0005155
Projected Surfaces
Title
Projected Surfaces.
Creator
Flynn, Jason, Price, Mark, Kovach, Keith, Raimundi-Ortiz, Wanda, Isenhour, David, University of Central Florida
Abstract / Description
In this paper I will address the philosophies of Susan Sontag, Roland Barthes and Thomas Ruff by considering the object, materials and processes of photography as my primary motivator to create art. I will examine the contrast between photographic imagery, as an illusion of the past, and sculpture, as a physical manifestation of the present, when creating works that ask, (")What else can photography be?(")
Date Issued
2014
Identifier
CFE0005166, ucf:50671
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0005166
The Signs We Speak: An exploration of the loss of precision and meaning in language today.
Title
The Signs We Speak: An exploration of the loss of precision and meaning in language today.
Creator
Finney, Emilie, Adams, JoAnne, Kovach, Keith, Price, Mark, Lotz, Theo, University of Central Florida
Abstract / Description
My interest is in the beauty and power of language. I have sought to understand language on a systemic level. I have broken language down to alter signified meaning, exalted extinct words, mourned the loss of formal language, and explored the confines of common vernacular.My artwork addresses meaning within the context of Semiotics and Linguistics. I have investigated the Semiotic theories and philosophies of Roland Barthes, Jacques Ranci(&)#232;re, Pierre Guiraud, and Erving Goffman. As...
Show moreMy interest is in the beauty and power of language. I have sought to understand language on a systemic level. I have broken language down to alter signified meaning, exalted extinct words, mourned the loss of formal language, and explored the confines of common vernacular.My artwork addresses meaning within the context of Semiotics and Linguistics. I have investigated the Semiotic theories and philosophies of Roland Barthes, Jacques Ranci(&)#232;re, Pierre Guiraud, and Erving Goffman. As outlined by Roland Barthes, our language is a semiotic system used to communicate meaning. My work is also informed by the rules of Linguistics and the research of Linguists John McWhorter and Guy Deutcher. In my work I have consistently altered the signifiers within our language (words and letters) to affect meaning. I have also broken linguistic rules of syntax, word order, and word morphology (the arrangement of grammatical units), to obscure meaning. In my thesis work I have narrowed the focus of my artwork to exploring the loss of precision in language in popular culture today.I have witnessed changes in language in our culture: changes in language itself and changes in attitudes toward language. Avenues such as the Internet, social media and texting have altered the language people use and have developed a more superficial type of communication. With a desire for ease of delivery and quickness, people have created and used acronyms and catch phrases to carry content. Thus they have created representations for themselves as well as developed a habit of using minimal content. As a result, people have divorced themselves from responsibility for full absorption and communication of information not only in their personal life, but also in their educational and professional life. My work addresses this lack of understanding and reveals the detriment of growing apathy toward clarity in understanding and conviction. My progression to using sound as a medium was a result of my history and experience with music. Through examining the work of contributing artists in sound art, I found artists Laurie Anderson, Susan Philipsz, and Janet Cardiff among the most relevant to my practice. Musicians such as Philip Glass, John Cage and Trevor Wishart, inspired my creative approach as well as how I think about my work. My exploration of sound is not only relevant to the way I work; it is relevant to the direction of the art world. The medium is growing as more museums, galleries and curators are including sound and new media within their spaces. As I continue to develop my artwork and practice, I look forward to what this medium has to offer.
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Date Issued
2014
Identifier
CFE0005165, ucf:50669
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0005165
The Weight of Words: Collecting and Visualizing Data from Twitter
Title
The Weight of Words: Collecting and Visualizing Data from Twitter.
Creator
McSwain, Daniel, Adams, JoAnne, Salter, Anastasia, Kovach, Keith, Smith, Peter, University of Central Florida
Abstract / Description
The Weight of Words is a web-based artwork designed to capture snapshots of Twitter discussions concerning the most popular topics of the day. The growth of social media in recent years has led to a sharp increase in thought and opinion sharing among the vocal population on the Internet. Twitter's use of trending topics allows users to be aware, and be a part of fun or silly stories as well as important news headlines and social movements. The Weight of Words is an exploration into using...
Show moreThe Weight of Words is a web-based artwork designed to capture snapshots of Twitter discussions concerning the most popular topics of the day. The growth of social media in recent years has led to a sharp increase in thought and opinion sharing among the vocal population on the Internet. Twitter's use of trending topics allows users to be aware, and be a part of fun or silly stories as well as important news headlines and social movements. The Weight of Words is an exploration into using Twitter's always changing landscape of conversation to generate graphic visualizations based on the most frequently used words at the time. This thesis includes a discussion regarding design considerations, application architecture, and data mining, as well as an examination of data visualization, social media, and human behavior. Through the construction of these visualizations I aim to provide a unique opportunity to discover patterns and trends from the popular topics of that current day. By providing viewers of this work with a unique perspective, I hope to encourage reflection and discussion of the current state of our culture's behavior and values.
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Date Issued
2016
Identifier
CFE0006479, ucf:51422
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0006479
For Alexander: An Exploration of Good Ole Boy Identity and Mortality.
Title
For Alexander: An Exploration of Good Ole Boy Identity and Mortality.
Creator
Johnson, Chad, Kim, Joo, Kovach, Keith, Isenhour, David, Price, Mark, University of Central Florida
Abstract / Description
(")For Alexander(") is an exhibition about masculinity as it is exhibited by Southern (")good ole boys("). I rely on original and appropriated imagery, as well as memories of loss and humor from my childhood in Alabama. Combining mixed media and sculptural elements has allowed me to investigate the subjects that interest me. I explore and artistically comment on these subjects through a mix of personal and culturally loaded imagery that records what I have either experienced or researched,...
Show more(")For Alexander(") is an exhibition about masculinity as it is exhibited by Southern (")good ole boys("). I rely on original and appropriated imagery, as well as memories of loss and humor from my childhood in Alabama. Combining mixed media and sculptural elements has allowed me to investigate the subjects that interest me. I explore and artistically comment on these subjects through a mix of personal and culturally loaded imagery that records what I have either experienced or researched, and which I realize through the ironic use of non-traditional materials, such as sequins and rhinestones.My work examines stereotypes and my own beliefs about Southern good ole boys. I also reflect on elements of Southern hypocrisy, and I question long standing social practices with the help of historical and contemporary media sources.My exhibition is dedicated to my great uncle, who was murdered by his father, a preacher, during the Great Depression.
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Date Issued
2013
Identifier
CFE0004698, ucf:49856
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0004698
Recollections: An Internal Analysis of Memory and Perception
Title
Recollections: An Internal Analysis of Memory and Perception.
Creator
Jimenez, Samuel, Kovach, Keith, Price, Mark, Raimundi-Ortiz, Wanda, Poindexter, Carla, University of Central Florida
Abstract / Description
I investigate the depths of memory, the entanglement of personal recollections withcommunal knowledge (learned semantic information from media and society such as facts and social norms) and the changing perceptions of environments over time. Memories define us. Throughout life we are exposed to vast quantities of imagery through a variety of media and personal experiences. Over time our firsthand experiences and what we witness in film, print, photography, and the internet become...
Show moreI investigate the depths of memory, the entanglement of personal recollections withcommunal knowledge (learned semantic information from media and society such as facts and social norms) and the changing perceptions of environments over time. Memories define us. Throughout life we are exposed to vast quantities of imagery through a variety of media and personal experiences. Over time our firsthand experiences and what we witness in film, print, photography, and the internet become indistinguishable in our memory.My work recreates consequential scenes from my past through technical drawings and blended imagery while exploring the possibilities provided by the interaction of common knowledge and the ambiguous nature of memory.
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Date Issued
2014
Identifier
CFE0005188, ucf:50623
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0005188
Doubting Thomas: The Testaments
Title
Doubting Thomas: The Testaments.
Creator
Riascos, Ivan, Price, Mark, Raimundi-Ortiz, Wanda, Lotz, Theo, Kovach, Keith, University of Central Florida
Abstract / Description
This paper will discuss the creation of my artwork, which has been inspired by my experiences and understandings of Catholicism and its icons. I will consider how iconography works in art, its influence, and how and why I have created this artwork dealing with my beliefs. I will also refer to the works of contemporary artists Duane Michals and Michael Wesely to help explain my exhibition, which I have titled (")Doubting Thomas: The Testaments.(")
Date Issued
2014
Identifier
CFE0005237, ucf:50575
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0005237