View All Items

Title: BETWEEN PSYCHE AND REALITY: AN INVESTIGATION OF CONTEMPORARY LANDSCAPE.
Creator: Stiles, Shanna, Poindexter, Carla, University of Central Florida
Abstract / Description: This body of work explores the emotional aspects of my life through the metaphor of landscape. It is a contemplation of the genre of landscape in the contemporary art dialog. By exploring the materiality of paint and the physicality of working large I discovered the question of contemporary relevancy is no longer my primary reason for this investigation. My growth as an artist has come from exploring historical and contemporary influences and how they have affected my processes and visual...
Show moreThis body of work explores the emotional aspects of my life through the metaphor of landscape. It is a contemplation of the genre of landscape in the contemporary art dialog. By exploring the materiality of paint and the physicality of working large I discovered the question of contemporary relevancy is no longer my primary reason for this investigation. My growth as an artist has come from exploring historical and contemporary influences and how they have affected my processes and visual aesthetic. Thus, a large series of work has emerged from an unexplainable desire to connect and share the crucial moments of my life through paint.
Show less
Date Issued: 2015
Identifier: CFH0004774, ucf:45373
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFH0004774

Title: PORTRAITURE: AN INTERACTIVE EXPERIENCE.
Creator: Lopez, Juan, Poindexter, Carla, University of Central Florida
Abstract / Description: Linking his thematic inspiration (the strange, the bizarre, the weird and the odd) to his artistic reflection, Lopez conceives of his work as based on his fascination with human facial expressions. "It is there where it is born", he says. Like Leonardo, he believes that the eye is the superior organ. Lopez's use of form and color represents his main objective: to show emotion, humanity and elegance. For that, it is necessary for him to reveal character as well as beauty. It is again, the...
Show moreLinking his thematic inspiration (the strange, the bizarre, the weird and the odd) to his artistic reflection, Lopez conceives of his work as based on his fascination with human facial expressions. "It is there where it is born", he says. Like Leonardo, he believes that the eye is the superior organ. Lopez's use of form and color represents his main objective: to show emotion, humanity and elegance. For that, it is necessary for him to reveal character as well as beauty. It is again, the approach used by the great masters such as Leonardo, Velázquez, Géricault and Goya in representing integrity inside the strange, the bizarre, the weird and the odd. Lopez's art invites the viewer to stare at it, to establish a cordial exchange and to venture into the fascinating world of the unusual.
Show less
Date Issued: 2008
Identifier: CFE0002111, ucf:47530
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0002111

Title: PERCEPTION OF CUTENESS AND BEAUTY.
Creator: Jones, Danielle, Poindexter, Carla, University of Central Florida
Abstract / Description: Upbringing and psychological make-up inspire individual norms for beauty and cuteness. The mannerist approach in my work is a product of the figural liberties found in cartooning, illustration and art history. By altering facial and bodily features, I relate the proportions of an infant to cuteness and innocence. However, I tailor the photographs to empower the subjects all the while mirroring trends in contemporary pop culture. I'm interested in themes of everyday life, vitality and...
Show moreUpbringing and psychological make-up inspire individual norms for beauty and cuteness. The mannerist approach in my work is a product of the figural liberties found in cartooning, illustration and art history. By altering facial and bodily features, I relate the proportions of an infant to cuteness and innocence. However, I tailor the photographs to empower the subjects all the while mirroring trends in contemporary pop culture. I'm interested in themes of everyday life, vitality and emotion placed in obscure, imaginary or exaggerated venues. I fictionalize subjects of my reality to compel viewers to identify with and fancy emotions, circumstances, moods and relationships. The intent is to amplify, yet be truer to their existence and idiosyncrasies through figural adaptations.
Show less
Date Issued: 2009
Identifier: CFE0002538, ucf:47637
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0002538

Title: COHABITATION: LOOKING THROUGH A KEYHOLE.
Creator: Torrecampo, Mary Joy, Poindexter, Carla, University of Central Florida
Abstract / Description: Initially, my developing body of work aimed to redesign the traditions of representational painting, specifically the female nude, to depict the contemporary notions of lesbianism and femininity in an honest and empowering manner as a form of identity and not as vehicle for voyeurism. As an artist who paints the female nude and identifies as a woman and a lesbian, I examine the preexisting notions of the male gaze and the effect of socialization as it pertains to my work. The act of looking...
Show moreInitially, my developing body of work aimed to redesign the traditions of representational painting, specifically the female nude, to depict the contemporary notions of lesbianism and femininity in an honest and empowering manner as a form of identity and not as vehicle for voyeurism. As an artist who paints the female nude and identifies as a woman and a lesbian, I examine the preexisting notions of the male gaze and the effect of socialization as it pertains to my work. The act of looking from the point of view of a woman, which is not synonymous with a "female gaze", or from the point of view of a lesbian, is not a birthright, but a conscious effort to constantly question the way we see and produce pictures and realizing that the male gaze permeates most images of female nudes. By the nature of my sexuality and my exposure to existing male-produced images, do I see the female nude through the male gaze or is there a gaze that is essentially female? Does it matter either way if the image is aesthetically compelling? My paintings neither attempt to conform to the male gaze or debunk it, nor do I attempt to prove the existence of a female gaze. Like Edgar Degas, I wish to look through a keyhole - a form of voyeurism - to see people outside of their public facade.
Show less
Date Issued: 2014
Identifier: CFH0004713, ucf:45402
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFH0004713

Title: OF MARTYRS AND MINSTRELS.
Creator: Coleman, Trevon J, Poindexter, Carla, University of Central Florida
Abstract / Description: "Our search for understanding in matters of race automatically incline us toward blackness, although that is not where these answers lie." - Nell Irvin Painter. Over the course of, and in partial fulfillment for, the degree of Bachelor of Fine Arts in Studio Art and the degree of Bachelor of Fine Arts in Film Production, I have produced a multimedia body of work. I made this body of work as a reflection and result of my processes and studies, and as a method to examine perception, and...
Show more"Our search for understanding in matters of race automatically incline us toward blackness, although that is not where these answers lie." - Nell Irvin Painter. Over the course of, and in partial fulfillment for, the degree of Bachelor of Fine Arts in Studio Art and the degree of Bachelor of Fine Arts in Film Production, I have produced a multimedia body of work. I made this body of work as a reflection and result of my processes and studies, and as a method to examine perception, and representation in relation to identity. This body of work combines drawing, painting, printmaking, ceramics, and filmmaking; utilizing each medium to scrutinize language, particularly that of the terms "black" and "white" and their cultural relationships to each other. Through this practice, my work evolved into a study of expectation, as situated through language, and conventional understanding. This work adds to the discourse on spaces and expectations of marginalized communities, art, and continues the tradition of the artists' practice as a form of research. I also position this work in relation to current mass culture iconography while using a distancing effect to explore concepts of martyrdom and minstrelsy as reflections of expectations on my own experience.
Show less
Date Issued: 2019
Identifier: CFH2000510, ucf:45677
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFH2000510

Title: INTELLIGENT DESIGN.
Creator: Dudziak, Jillian, Poindexter, Carla, University of Central Florida
Abstract / Description: As human beings we are designed and created in a fabric that is profound and complex. We are built with a framework where mind and body work in a concerted effort to maintain our lives automatically. A deep and defining part of our existence as humans is not just the innate desire to live but to live in consistent well-beingemotionally, physically, and mentally. I believe when we incorporate our knowledge of human physiology into our creative process then we allow ourselves a greater...
Show moreAs human beings we are designed and created in a fabric that is profound and complex. We are built with a framework where mind and body work in a concerted effort to maintain our lives automatically. A deep and defining part of our existence as humans is not just the innate desire to live but to live in consistent well-beingemotionally, physically, and mentally. I believe when we incorporate our knowledge of human physiology into our creative process then we allow ourselves a greater opportunity to create an authentic connection with our intended audience. My work during the past three years has been rooted in the study of these philosophical and scientific principles. I created a series of visual experimentations that aim to assist in my understanding of human beings at an emotional and biological level. Armed with a deep desire to understand humanity, my goal is to create work that fosters positive change and has significant impact in the world. My past and present research has been focused on human emotions, the intuitive creative process and the relationship between technology and establishing social identity.
Show less
Date Issued: 2011
Identifier: CFE0003693, ucf:48844
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0003693

Title: THE MEMORY OF FORGOTTEN THINGS.
Creator: Metz, Brittany, Poindexter, Carla, University of Central Florida
Abstract / Description: This thesis investigates my lack of childhood memories and documents how my artwork stands in as a substitute for that lost memory. The first part of the thesis analyzes my early life and influences; the second part analyzes my art making and process. The narrative style of writing is intentionally autobiographical to mimic the narrative style and structure of the thesis installation. My upbringing, interests, creative process, access to materials, and inspiration are fully explored. The...
Show moreThis thesis investigates my lack of childhood memories and documents how my artwork stands in as a substitute for that lost memory. The first part of the thesis analyzes my early life and influences; the second part analyzes my art making and process. The narrative style of writing is intentionally autobiographical to mimic the narrative style and structure of the thesis installation. My upbringing, interests, creative process, access to materials, and inspiration are fully explored. The impact my early life has on my current work is evident. Real memory is combined with created memory in the thesis multi-media installation. I wish to transport the viewer into the dreamlike space I have constructed with found objects and multi-media materials by offering an immersive experience into my world.
Show less
Date Issued: 2011
Identifier: CFE0003649, ucf:48814
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0003649

Title: THE INDIVIDUAL BEHIND THE IMAGE: FEMALE IDOLS IN THEIR VARIOUS FORMS.
Creator: Nuss, Patricia, Poindexter, Carla, University of Central Florida
Abstract / Description: The research investigated the artistic and photographic processes corresponding with two studies motivated by the artist's personal history and focused on the role, affect, and history of various female idols represented in art, religion, and modern American popular media. The first part of the study documented female models as they were simultaneously asked by the artist to think of a range of personal but nonspecific moments from her life, the women were asked not to share their thoughts,...
Show moreThe research investigated the artistic and photographic processes corresponding with two studies motivated by the artist's personal history and focused on the role, affect, and history of various female idols represented in art, religion, and modern American popular media. The first part of the study documented female models as they were simultaneously asked by the artist to think of a range of personal but nonspecific moments from her life, the women were asked not to share their thoughts, only the moment spent thinking, with the artist. The second part of the study documented aspiring models as they awoke during sunrise in the nightwear they slept in. This study incorporated landscapes near the models home. A similar notion is exemplified between the two studies as the models are asked to procure an intimacy with the photographer and in consequence with the viewer. The written part of the study gathered information regarding the female idols presence in a variety of cultures and eras, which transitioned to question the female idols current role in western culture. Findings showed that all idols stress an approved appearance, behavior and morality; furthermore research shows that the modern female idol stresses an importance on appearance more than any other factor. The research continued by breaking down the importance of a viewer-subject relationship in iconography and other artworks. A focus was made on what factors might create this viewer-subject relationship, and furthermore what do the subtleties of the subject tell the viewer. Reference of the artist's memories of an inconsistent female role model in her own life combined with the idols that were constantly solicited by the media resulted in this investigation. A positive relationship was found between the photographic process and the study of models in personal moments.
Show less
Date Issued: 2011
Identifier: CFE0003662, ucf:48809
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0003662

Title: MAKING VISUAL NOISE.
Creator: Leitch, Deborah, Poindexter, Carla, University of Central Florida
Abstract / Description: Focusing on the combination of multi-cultural and historical influences from my personal life experiences, my creations of odd juxtapositions of space, complex pattern and new iconography in my paintings, reveal more than merely a representational image to a viewer. Although my subjects may vary from the anonymous to media celebrity, it is their relationship to me that influences the creation of my static animation and visual noise.
Date Issued: 2011
Identifier: CFE0003623, ucf:48847
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0003623

Title: Life, Death, and Awakening: As Seen in Reflections of Nature.
Creator: Parks, Diane, Poindexter, Carla, Kim, Joo, Kovach, Keith, Price, Mark, University of Central Florida
Abstract / Description: My objective, in undertaking this three year MFA degree has been to create and produce metaphorical paintings which communicate my deepest feelings about my personal experiences of life, death, and nature using various types of landscapes as subject matter. My goal has been to explore many processes of painting, using a range of color palettes to suggest and inspire emotional responses from viewers that are similar to my own. Ultimately my intention has been to share feelings of empathy...
Show moreMy objective, in undertaking this three year MFA degree has been to create and produce metaphorical paintings which communicate my deepest feelings about my personal experiences of life, death, and nature using various types of landscapes as subject matter. My goal has been to explore many processes of painting, using a range of color palettes to suggest and inspire emotional responses from viewers that are similar to my own. Ultimately my intention has been to share feelings of empathy between myself and a viewer through the art I've produced. This thesis body of work chronicles my three year journey.
Show less
Date Issued: 2018
Identifier: CFE0007072, ucf:52002
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0007072

Title: Momentum, Moment, Epiphany: The Psychological Intersection of Motion Picture, the Still Frame, and Three-Dimensional Form.
Creator: Gerstein, Mark, Poindexter, Carla, Buyssens, Ryan, Adams, JoAnne, University of Central Florida
Abstract / Description: My journey from Hollywood Film production to a Fine Arts practice has been shaped by theory from Philosophy of Mind, Cognitive Psychology, Film, and Art, leading me to a new visual vocabulary at the intersection of motion picture, the still image, and three-dimensional form.I create large mixed media collages by projecting video onto photographs and sculptural forms, breaking the boundaries of the conventional film frame and exceeding the dynamic range of typical visual experience. My work...
Show moreMy journey from Hollywood Film production to a Fine Arts practice has been shaped by theory from Philosophy of Mind, Cognitive Psychology, Film, and Art, leading me to a new visual vocabulary at the intersection of motion picture, the still image, and three-dimensional form.I create large mixed media collages by projecting video onto photographs and sculptural forms, breaking the boundaries of the conventional film frame and exceeding the dynamic range of typical visual experience. My work explores emotional connections and fissures within family, and hidden meanings of haunting memories and familiar places.I am searching for an elusive type of perceptual experience characterized by an instantaneous shift in perspective(-)an (")aha(") moment of epiphany when suddenly I have the overpowering feeling that I am both seeing and aware that I am seeing.
Show less
Date Issued: 2018
Identifier: CFE0007003, ucf:52035
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0007003

Title: Real People Acting Out Interpersonal Issues With Paper Representations.
Creator: Dufner, Gary, Poindexter, Carla, Raimundi-Ortiz, Wanda, Price, Mark, University of Central Florida
Abstract / Description: In this thesis body of work, I have interacted and collaborated with five friends to create images exploring human relationships. The subject matter illustrates my friends and myself acting out interpersonal issues with paper representations of one another. It has been my aim to represent my imagery in a campy thematic way. I include a discussion of the images in my body of work from both my perspective and the perspective of my models. The figurative paper images (")stand in(") as...
Show moreIn this thesis body of work, I have interacted and collaborated with five friends to create images exploring human relationships. The subject matter illustrates my friends and myself acting out interpersonal issues with paper representations of one another. It has been my aim to represent my imagery in a campy thematic way. I include a discussion of the images in my body of work from both my perspective and the perspective of my models. The figurative paper images (")stand in(") as representatives of the genders of their subjects.I have explored multiple points of view, constructing, reconstructing and deconstructing complex compositions; experimenting with a variety of focal points; and I have increased my knowledge of lighting and color effects through digital manipulation.
Show less
Date Issued: 2015
Identifier: CFE0005607, ucf:52868
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0005607

Title: Changing the Channel: A Study of Agenda, Immersion and Social Commentary in Art.
Creator: Kalemba, Nicholas, Poindexter, Carla, Lotz, Theo, Kovach, Keith, University of Central Florida
Abstract / Description: This thesis examines the concepts and ideas that pervade my body of work in painting. These concepts include immersion and scale, interactions in space, harmony and disunity, flat and dimensional space and perhaps most importantly, ambiguity. I intentionally use these formal devices to create immersive environments that appear as a familiar but skewed version of reality. By forcing together disparate languages of visual representation into the theoretical space of a painting, I strive to...
Show moreThis thesis examines the concepts and ideas that pervade my body of work in painting. These concepts include immersion and scale, interactions in space, harmony and disunity, flat and dimensional space and perhaps most importantly, ambiguity. I intentionally use these formal devices to create immersive environments that appear as a familiar but skewed version of reality. By forcing together disparate languages of visual representation into the theoretical space of a painting, I strive to expose some of the humor and decay of our social institutions. In using the format of collage, my paintings have the opportunity to incorporate a wide array of iconography and imagery, while adding commentary through their juxtapositions. This thesis further explores the notion of oversaturation of images in media and how it has resulted in a clashing of imagery in the public space, akin to the format of collage in art-making. By using more easily readable or accessible iconography like cartoons or digital images to draw viewers in to the work on a visceral level, I discuss how the audience becomes witness to something sinister or something in the process of decay. Since I do not fully understand my own position as an artist and consumer of images, painting serves as a way to examine and question my relationship to society and culture as a whole. The artworks are inevitably questions in themselves: Who is to blame? What does it mean to be American? What is my duty as an artist?
Show less
Date Issued: 2019
Identifier: CFE0007472, ucf:52664
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0007472

Title: Expanding and Shedding the Self: Processing Selfdom Through Painting.
Creator: Lucey, Theresa, Poindexter, Carla, Lotz, Theo, Burrell, Jason, University of Central Florida
Abstract / Description: The absurd perpetual struggle, although entirely without hope of resolution, is the key to life's meaning, or perhaps, meaninglessness. The artist must work to live and live to work and find their place in an absurd world. Find joy in the questioning act of art making, make no attempt to escape the meaninglessness through pacifism, and face the chaos with awareness. I employ self-portraiture as a means to dig deeply into my experience and response to living. Self-portraiture morphs along with...
Show moreThe absurd perpetual struggle, although entirely without hope of resolution, is the key to life's meaning, or perhaps, meaninglessness. The artist must work to live and live to work and find their place in an absurd world. Find joy in the questioning act of art making, make no attempt to escape the meaninglessness through pacifism, and face the chaos with awareness. I employ self-portraiture as a means to dig deeply into my experience and response to living. Self-portraiture morphs along with my experiences and keeps a record of my thought patterns. My body of work is the harvest of my seeds of reflection. Tying together past influences, existential questioning, and a Sisyphean philosophy to a life of art making, I unravel the inner outcomes of my studio practice. It is in retrospect, through distance, that these connections are fully realized.
Show less
Date Issued: 2019
Identifier: CFE0007490, ucf:52657
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0007490

Title: A Crack in Everything.
Creator: Hoffman, Jeffrey, Isenhour, David, Poindexter, Carla, Kim, Joo, University of Central Florida
Abstract / Description: Contained herein is a close examination of self-awareness and self-portraiture as it applies to the works of artist Jeffrey Hoffman. Water, frozen into various forms and combined with natural elements of wood, slowly melt over an indeterminable amount of time, each droplet documented as the process transforms the elements. Through this process, we see change. We see time. We see truth. This documentation of change and time through natural elements is where the artwork comes full circle....
Show moreContained herein is a close examination of self-awareness and self-portraiture as it applies to the works of artist Jeffrey Hoffman. Water, frozen into various forms and combined with natural elements of wood, slowly melt over an indeterminable amount of time, each droplet documented as the process transforms the elements. Through this process, we see change. We see time. We see truth. This documentation of change and time through natural elements is where the artwork comes full circle. Working with new media to explore man's interconnectivity to life, energy, and the cosmos, he produces time based installations, photographs, videos, and sculptures that serve as both existential metaphors and Tantric symbols. With the use of digital cameras and video, a record is created by which the disintegration which occurs from the unseen forces of gravity, heat and time upon sculptures made from natural elements and ice is examined. In its sculptural form, his work can be categorized as Installation art and Performance art due to its evolving nature. Each piece is intended to either change over time or to have that change halted by another temporal force like that of flowing electricity. The possibility of allowing varying levels of self-awareness to emerge through self portraiture is also examined. The existential, as well as the metaphysical, can be present in a physical form when the form is imbued with evidence of an evolutionary process. In many ways, the work serves as a self portrait. It is a means for Hoffman to examine his own existentialism as a student of the modern western world and life.
Show less
Date Issued: 2012
Identifier: CFE0004242, ucf:49518
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0004242

Title: Behind The Mask of Time: Memory and Loss as Evolutionary Forces Upon Memory.
Creator: Bartolillo, Thomas, Raimundi-Ortiz, Wanda, Isenhour, David, Poindexter, Carla, University of Central Florida
Abstract / Description: For the past decade, I've been developing a body of work based on the concept of time, in all of its various forms. My medium varies, but my work maintains its steady, overarching philosophies and core aesthetics. The ideas of entropy, growth, decay, evolution, arrested development, fragmented memories, and fugue states; all are considered through a personal filter that borders upon the dark and macabre.
Date Issued: 2012
Identifier: CFE0004326, ucf:49452
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0004326

Title: The Suburban Nightmare: A Study of Atmosphere, Mood and Emotion.
Creator: Sobrack, Ericka, Poindexter, Carla, Lotz, Theo, Kovach, Keith, University of Central Florida
Abstract / Description: In this thesis body of work, I focus on the implied human presence through the lack of actual human figures. I believe there is more to say in a landscape with the absence of the figure, allowing the dialogue to be read and interpreted by a larger audience. I am particularly satisfied with White Knuckles, shown in figure 3, because I collide reason with imagination, thus contradicting the context and interpretation of the subject matter. In White Knuckles, I deal with formal elements such as...
Show moreIn this thesis body of work, I focus on the implied human presence through the lack of actual human figures. I believe there is more to say in a landscape with the absence of the figure, allowing the dialogue to be read and interpreted by a larger audience. I am particularly satisfied with White Knuckles, shown in figure 3, because I collide reason with imagination, thus contradicting the context and interpretation of the subject matter. In White Knuckles, I deal with formal elements such as composition, atmosphere, lightness and darkness as well as nuances of color. I have also considered the emotive impact the painting could reflect to the viewer, specifically feelings of tension and unease. The placement of the viewer outside the picture plane was carefully considered to suggest the audience is a participant in the suggested narrative. I often strive to create an ambiguous moment, reflecting feelings of uncertainty and apprehension. Like White Knuckles, my body of work employs unexpected narratives to reveal some of the uncomfortable truths of our human experience. I am interested in exploring the relationship between the mundane and the abnormal in the paintings, a feeling that could be described as a (")suburban nightmare.(")
Show less
Date Issued: 2019
Identifier: CFE0007532, ucf:52587
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0007532

Title: "Indivim-kara: An Exploration of Ego and the Archetypes in Art".
Creator: Justice, Jared, Mills, Lisa, Adams, JoAnne, Poindexter, Carla, University of Central Florida
Abstract / Description: The purpose of this document is to demonstrate how I use my art making as an active meditation in order to temporarily subvert ego and create a new subjective reality in visual form. The results of my research will provide the reader with the ability to connect existing philosophies of the Yoga Sutras and Jungian Theory with new art works that explore active meditation, neurosis, and the archetypes of the collective psyche. My goal is to reconstruct these concepts into a visual medium that...
Show moreThe purpose of this document is to demonstrate how I use my art making as an active meditation in order to temporarily subvert ego and create a new subjective reality in visual form. The results of my research will provide the reader with the ability to connect existing philosophies of the Yoga Sutras and Jungian Theory with new art works that explore active meditation, neurosis, and the archetypes of the collective psyche. My goal is to reconstruct these concepts into a visual medium that reshapes facts and theories into images of my own truth, giving free play to fantasy akin to that of magical realism by detailing works from Corrupted Chakras: A Bestiary, You Want Alchemy, and the State of Mind: Chitta Vritti series. The reader and viewer will be challenged to think about how the art I make resynthesizes these concepts in a unique way, which communicate my feelings and strivings that ultimately affect a measure of personal and creative transformation.
Show less
Date Issued: 2017
Identifier: CFE0006610, ucf:51296
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0006610

Title: Seeing Living Things: Observations of Figures From the Outside In.
Creator: Deblois, Forrest, Poindexter, Carla, Lotz, Theo, Harris, Christopher, Watson, Keri, University of Central Florida
Abstract / Description: This writing accompanies the outcomes of my studio practice over the last three years, focusing on two bodies of work of paintings and drawings. In it I describe and analyze multiple influences tied to the progression and change in my studio practice. I began the process of my work with images and subjects from my home state of Florida, frequently juxtaposing the wildlife and humans, now I see this pattern as a byproduct of a studio practice functioning as a introspective reflection of what I...
Show moreThis writing accompanies the outcomes of my studio practice over the last three years, focusing on two bodies of work of paintings and drawings. In it I describe and analyze multiple influences tied to the progression and change in my studio practice. I began the process of my work with images and subjects from my home state of Florida, frequently juxtaposing the wildlife and humans, now I see this pattern as a byproduct of a studio practice functioning as a introspective reflection of what I experience, the things that I understand and the things that I don't. I deconstruct elements of figures and landscape, removing most information but what is necessary to retain symbolic context, and allow physical windows into the past formal states of the work, exposing the audience to different periods of time and hinting at information now hidden under the finished image.
Show less
Date Issued: 2018
Identifier: CFE0006991, ucf:51618
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0006991

Title: The Fabricated Shopping Experience: An Impersonal Impression on Consumerism.
Creator: Nienass, Sherri, Poindexter, Carla, Isenhour, David, Kovach, Keith, Raimundi-Ortiz, Wanda, University of Central Florida
Abstract / Description: I have a compulsion to document my surroundings. I do this in all forms possible; through a picture text-message, a point-and-shoot camera, or through a high end camera. Like most women in contemporary society, I feel an expectation to be gorgeous. While I do not feel this pressure directly from my boyfriend or close friends, I am constantly surrounded by advertisements for beauty products enforcing the importance of being attractive. My current occupation as a cosmetic counter makeup artist...
Show moreI have a compulsion to document my surroundings. I do this in all forms possible; through a picture text-message, a point-and-shoot camera, or through a high end camera. Like most women in contemporary society, I feel an expectation to be gorgeous. While I do not feel this pressure directly from my boyfriend or close friends, I am constantly surrounded by advertisements for beauty products enforcing the importance of being attractive. My current occupation as a cosmetic counter makeup artist relies on convincing women to enhance their appearance. I am fascinated by how easily I can persuade clients to purchase unnecessary products. My art is both a celebration and commentary on the beauty industry and contemporary consumerism. My approach to this series is varied and complex. The individuals photographed are unaware of their participation in the creation of my work. I do not intend to exploit the subjects or places that I photograph, rather my work comes from a very natural understanding of this environment based on several years working in a major department store. I attempt to attach multiple emotions of (-) empathy, humor, and sometimes sympathy (-) to the moments I capture. My work is not fabricated or recreated, (-) it is documentary. I am aware of the times I live in, and the people that inhabit these times and places. Once documented, the captured moments in time can be reflected on from a multitude of perspectives at a later place and time. Because I also contribute to the general shopping and grooming experience, the details of these images come from a trained eye and attentive approach. I have chosen to write this thesis in an auto-biographical narrative because I play many roles. I am the retail specialist, the artist, the photographer, and the consumer.
Show less
Date Issued: 2012
Identifier: CFE0004316, ucf:49461
Format: Document (PDF)
PURL: http://purl.flvc.org/ucf/fd/CFE0004316

art (7)	+ -
Painting (4)	+ -
painting (4)	+ -
Contemporary Art (3)	+ -
Fine Art (3)	+ -

Realism (3)	+ -
Studio Art (3)	+ -
fine art (3)	+ -
photography (3)	+ -
Art (2)	+ -
Collage (2)	+ -
Cubism (2)	+ -
Landscape Painting (2)	+ -
Master of Fine Art (2)	+ -
Master's Thesis (2)	+ -
Photography (2)	+ -
beauty (2)	+ -
digital (2)	+ -
mfa (2)	+ -
video (2)	+ -
03/06/2015 (1)	+ -
2-D animation (1)	+ -
Abstraction (1)	+ -
Andy Clark (1)	+ -
Arab (1)	+ -
Artist (1)	+ -
Bed (1)	+ -
Ben-Day dots (1)	+ -
Blueprint (1)	+ -
Cartoons (1)	+ -

ETD Collection (24)	+ -
Honors Collection (3)	+ -

Poindexter, Carla (27)	+ -
University of Central Florida (27)	+ -
Kovach, Keith (7)	+ -
Price, Mark (7)	+ -
Raimundi-Ortiz, Wanda (6)	+ -

Lotz, Theo (5)	+ -
Isenhour, David (4)	+ -
Adams, JoAnne (3)	+ -
Kim, Joo (3)	+ -
Bartolillo, Thomas (1)	+ -
Bradon, Shelly (1)	+ -
Burrell, Jason (1)	+ -
Buyssens, Ryan (1)	+ -
Cherry, Nannette (1)	+ -
Coleman, Trevon J (1)	+ -
Colon Mendoza, Ilenia (1)	+ -
Comparetto, Heather (1)	+ -
Cooper, Larry (1)	+ -
Dannelly, David (1)	+ -
Deblois, Forrest (1)	+ -
Dudziak, Jillian (1)	+ -
Dufner, Gary (1)	+ -
Francis, Madison (1)	+ -
Gerstein, Mark (1)	+ -
Harris, Christopher (1)	+ -
Hoffman, Jeffrey (1)	+ -
Jimenez, Samuel (1)	+ -
Jones, Danielle (1)	+ -
Justice, Jared (1)	+ -
Kalemba, Nicholas (1)	+ -

Search In

Pages

Pages

Sort Results By:

Narrow results by:

Topical Subject

Collection

Type of Resource

Language

Creator

Format

Owner