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ANYTHING BUT CRAZY: HOW AMERICAN MUSICAL THEATRE CAN CHANGE SOCIETAL STIGMAS AGAINST MENTAL ILLNESSES
REDEFINING CHOREOGRAPHY FOR THE "THE ROCKY HORROR SHOW" FOR A NEW GENERATION OF ACTORS
THE BRAGGART SOLDIER: AN ARCHETYPAL CHARACTER FOUND IN "SUNDAY IN THE PARK WITH GEORGE"
CAN A METHODOLOGY BE DEVELOPED FOR MUSICAL THEATRE CHOREOGRAPHY?
TURNING TRICKS AND THE MODERN FEMALE PROTAGONIST: AN ANALYSIS OF THE PORTRAYAL OF THE ROLE OF THE DEMIMONDE FROM VIENNESE OPERETTA TO MODERN AMERICAN MUSICAL THEATRE
THE DARK SIDE OF THE TUNE: A STUDY OF VILLAINS
A CHORUS LINE: DOES IT ABIDE BY RULES ESTABLISHED BY ACTORS' EQUITY ASSOCIATION FOR THE AUDITION PROCESS?
MOBY DICK! THE MUSICAL: A TRAVESTY IN TRAVESTI
THE MIND OF A SADOMASOCIST:A THEATRICAL ROLE ANALYSIS OF ORIN SCRIVELLO D.D.S
AFRICAN-AMERICAN MEN AND A JOURNEY THROUGH MUSICAL THEATRE AND OPERA
DRAMA HAS ISSUES: A BRIEF RETROSPECTIVE ON THE AMERICAN THEATRE CRITIC IN NEW YORK FROM 1925 TO PRESENT
DIRECTION OF REFLECTION: THE MEANS BY WHICH ONE ESTABLISHES DIRECTORIAL AND CHOREOGRAPHIC PROFICIENCY
STINGRAY: AN EXPLORATION INTO THE ART AND CRAFT OF PLAYWRITING
TEN-MINUTE PLAYWRITING: A STUDY OF DESIGN, METHOD, AND STRUCTURE
THE OPPRESSION AND SEXISM OF AFRICAN-AMERICAN WOMEN: THEN AND NOWSUBSTANTIAL CONTRIBUTIONS TO THE HISTORY OF MUSICAL THEATRE
SEXUALITY AND COURTSHIPS OF 19TH CENTURY VIENNA VS 21ST CENTURY AMERICA THROUGH THE ROLES OF ALFRED AND SAM IN ROMANCE, ROMANCE
THE LAST 2500 YEARS: DEFINING, DISSECTING AND DIRECTING THE LESS LINEAR MUSICAL
LA DIVINA: THE BIRTH OF THE SINGER/ACTOR
WRITES OF SPRING: A STUDY OF COMMUNICATION WITHIN COLLECTIVE DEVISING
DRAMA + MATH = DRAMATH

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