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...AND THEN, CLAIRE: AN INDIE-ROCK MONOLOGUE; INTEGRATING THE INDEPENDENT MUSIC SCENE INTO AMERICAN MUSICAL THEATRE
REVITALIZING "THE ROCKY HORROR SHOW" THROUGH GOSPEL MUSIC
THE BRAGGART SOLDIER: AN ARCHETYPAL CHARACTER FOUND IN "SUNDAY IN THE PARK WITH GEORGE"
THE MERRY WIVES OF WINDSOR: A UNIVERSITY ACTRESS
THE RESURRECTION OF EVERYMAN
A CHORUS LINE: DOES IT ABIDE BY RULES ESTABLISHED BY ACTORS' EQUITY ASSOCIATION FOR THE AUDITION PROCESS?
AFRICAN-AMERICAN MEN AND A JOURNEY THROUGH MUSICAL THEATRE AND OPERA
DIRECTION OF REFLECTION: THE MEANS BY WHICH ONE ESTABLISHES DIRECTORIAL AND CHOREOGRAPHIC PROFICIENCY
MUSICAL AUTODIDACTS, CAN WE DO IT OURSELVES?; EXPLORING THE HISTORIES OF THOSE WHO HAVE
A SCENIC DESIGN FOR RICHARD O'BRIEN'S THE ROCKY HORROR SHOW
Performing Bernarda: Activating Power and Identity
The Power of Play: Creating A Theatre for the Very Young Experience
Between Words: Popular Culture and the Rise of Print in Seventeenth Century England
THREE DIFFERENT JOCASTAS BY RACINE, COCTEAU AND CIXOUS
LA DIVINA: THE BIRTH OF THE SINGER/ACTOR
Performing Jason Robert Brown's The Last Five Years: An Exercise in Communication On Stage and Off
THE ESTATE OF MENDACITY: AN INTERPRETATION OF WILLIAMS'S MOST AMBIGUOUS CHARACTER
BETWEEN TWO WORLDS: REPRESENTING DUALITY IN THE COSTUMES OF THE UNIVERSITY OF CENTRAL FLORIDA CONSERVATORY THEATRE'S PRODUCTION OF SEAMUS HEANEY'S THE BURIAL AT THEBES: A VERSION OF SOPHOCLES' ANTIGONE
The forging of modern Broadway Sound Design Techniques amid the Fires of the Rock Musicals in the Late 1960s and 1970s.
SEEKING A VISION, FINDING A VOICE: EXPLORING THE MUSICALITY OF THEATRE THROUGH MULTIDISCIPLINARY PRACTICE

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