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YOU CAN'T STOP THE BEAT: BRINGING MUSICAL THEATRE TO UNDERPRIVILEGED YOUTH
CAN A METHODOLOGY BE DEVELOPED FOR MUSICAL THEATRE CHOREOGRAPHY?
THE CHALLENGE OF PLAYING MULTIPLE ARTHURIAN CHARACTERS
STEPHEN SONDHEIM'S GESAMTKUNSTWERK: THE CONCEPT MUSICAL AS WAGNERIAN TOTAL THEATRE
A 16 BAR CUT: THE HISTORY OF AMERICAN MUSICAL THEATREAN ORIGINAL SCRIPT AND MONOGRAPH DOCUMENT
A 16 BAR CUT:THE HISTORY OF AMERICAN MUSICAL THEATREAN ORIGINAL SCRIPT AND MONOGRAPH DOCUMENT
Women in White: my journey into color
The Revenge of the Second Banana: A Female Sidekick's Survival Guide
JERRY HERMAN'S LEADING LADIES
THE MIND OF A SADOMASOCIST:A THEATRICAL ROLE ANALYSIS OF ORIN SCRIVELLO D.D.S
ANYTHING BUT CRAZY: HOW AMERICAN MUSICAL THEATRE CAN CHANGE SOCIETAL STIGMAS AGAINST MENTAL ILLNESSES
THE CHORUS: A LINE TO CROSS
TORAH, TRADITION, AND TRINA: ANALYSIS AND DEVELOPMENT OF TRINA IN WILLIAM FINN'S FALSETTOS FROM A FAITH-BASED PERSPECTIVE
MOBY DICK! THE MUSICAL: A TRAVESTY IN TRAVESTI
THE LAST 2500 YEARS: DEFINING, DISSECTING AND DIRECTING THE LESS LINEAR MUSICAL
MUSICAL AUTODIDACTS, CAN WE DO IT OURSELVES?; EXPLORING THE HISTORIES OF THOSE WHO HAVE
BLACK CATS, BERLIN, BROADWAY AND BEYOND: THE GENRE OF CABARET
BLACK CATS, BERLIN, BROADWAY AND BEYOND: CABARET HISTORY IN THE MAKING
...AND THEN, CLAIRE: AN INDIE-ROCK MONOLOGUE; INTEGRATING THE INDEPENDENT MUSIC SCENE INTO AMERICAN MUSICAL THEATRE
NOT QUITE THE INGéNUE: THE DEVELOPMENT OF THE MIDDLE-AGED FEMALE CHARACTER IN MUSICAL THEATRE

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