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Title
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SHAMING THE LOVE PLOT: INCONVENIENT WOMEN NAVIGATING CONVENTIONAL ROMANCE.
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Creator
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Wilkey, Brittan, Jones, Anna Maria, University of Central Florida
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Abstract / Description
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The love plot is one of the most widely consumed genres of fiction for women. Romance often dictates a woman's identity and her "story" or narrative, leaving little room for other avenues of self-development. However, when romance fails, even in the realm of fiction, women are left with shame. Shame might suggest a catastrophic aftereffect of the failure of women's initial investment of the love plot; however, I argue that shame functions in place of the love plot and helps to provide a...
Show moreThe love plot is one of the most widely consumed genres of fiction for women. Romance often dictates a woman's identity and her "story" or narrative, leaving little room for other avenues of self-development. However, when romance fails, even in the realm of fiction, women are left with shame. Shame might suggest a catastrophic aftereffect of the failure of women's initial investment of the love plot; however, I argue that shame functions in place of the love plot and helps to provide a critique of the oppressive and patriarchal nature of conventional romance. Using affect theory, I look at both Mrs. Henry Wood's East Lynne and Jean Rhys's Wide Sargasso Sea as they rewrite the love plot typified by Charlotte Bronte's Jane Eyre.
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Date Issued
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2013
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Identifier
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CFH0004437, ucf:45089
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Format
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Document (PDF)
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PURL
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http://purl.flvc.org/ucf/fd/CFH0004437