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"WHITE MAN'S BURDEN?" THE PARTY POLITICS OF AMERICAN IMPERIALISM: 1900-1920
Title
"WHITE MAN'S BURDEN?" THE PARTY POLITICS OF AMERICAN IMPERIALISM: 1900-1920.
Creator
Carandang, Joven, Kallina, Edmund, University of Central Florida
Abstract / Description
This dissertation is an interpretive analysis of the political background of the American annexation and administration of the Philippine Islands between 1900 and 1920. It seeks to analyze the political value of supporting and opposing imperialism to American political parties and elites. Seeking to capitalize on the American victory over Spain in 1898, the Republican Party embraced the annexation of the Philippines as a way to promote an idea of rising American international power....
Show moreThis dissertation is an interpretive analysis of the political background of the American annexation and administration of the Philippine Islands between 1900 and 1920. It seeks to analyze the political value of supporting and opposing imperialism to American political parties and elites. Seeking to capitalize on the American victory over Spain in 1898, the Republican Party embraced the annexation of the Philippines as a way to promote an idea of rising American international power. Subsequently, their tenure in the Philippines can be analyzed as bringing industrialization to the Philippines for political gain, casting themselves in a politically popular role of nation builders and bringers of democracy. In opposing the Republicans, Democrats became anti-imperialists by default. After overcoming the initial unpopularity of that ideology, they were able to redefine it in such as way as to co-opt the original Republican successes in the Philippines. As such, the Democratic tenure in the Philippines emphasizes political gamesmanship and patronage that allowed them to effectively "steal" the credit for the democratization of the Philippines for partisan gains against the Republicans.
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Date Issued
2007
Identifier
CFE0001760, ucf:47256
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0001760
MADAMA BUTTERFLY: THE MYTHOLOGY OR HOW IMPERIALISM AND THE PATRIARCHY CRUSHED BUTTERFLY'S WINGS
Title
MADAMA BUTTERFLY: THE MYTHOLOGY OR HOW IMPERIALISM AND THE PATRIARCHY CRUSHED BUTTERFLY'S WINGS.
Creator
Nieves, Adriana, Warfield, Scott, University of Central Florida
Abstract / Description
As a popular historic work with constant and worldwide performances, the sexist and racist narratives disseminated by Giacomo Puccini's opera Madama Butterfly causes harmful social and political ramifications. Many scholars point to this opera specifically when discussing the fetishization of Asian females, and mention the title character as the quintessential example of damaging stereotypes. Thus, I conduct a postcolonial and feminist reading of Madama Butterfly, through analysis of the...
Show moreAs a popular historic work with constant and worldwide performances, the sexist and racist narratives disseminated by Giacomo Puccini's opera Madama Butterfly causes harmful social and political ramifications. Many scholars point to this opera specifically when discussing the fetishization of Asian females, and mention the title character as the quintessential example of damaging stereotypes. Thus, I conduct a postcolonial and feminist reading of Madama Butterfly, through analysis of the opera's libretto, the libretto sources, and the opera's score. I unravel the Orientalist assumptions that make up the foundation of the Butterfly narrative, and trace them as they make their way into Puccini's opera. I re-read Madama Butterfly as a metaphor for imperialism, and its effects on the colonized psyche. I examine Lieutenant Pinkerton and Butterfly's characters with specific attention to the power dynamics of their relationship in the context of colonization. I emphasize gender, race, and class tensions evident within the white male and white female gazes on the bodies of third world women of color. I present Puccini's musical choices in the operatic score as supplementary to my postcolonial-feminist reading. Puccini's use of pentatonic scales to evoke "Oriental" sounds, as well as his appropriation of Japanese folk tunes and "The Star Spangled Banner" into the score serve to supplement my basic contentions that Madama Butterfly is a product of Oriental discourse and a metaphor for imperialism and its effect on the colonized psyche.
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Date Issued
2014
Identifier
CFH0004716, ucf:45400
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFH0004716