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THE ENGLISH REFORMATION IN IMAGE AND PRINT: CULTURAL CONTINUITY, DISRUPTIONS, AND COMMUNICATIONS IN TUDOR ART
Title
THE ENGLISH REFORMATION IN IMAGE AND PRINT: CULTURAL CONTINUITY, DISRUPTIONS, AND COMMUNICATIONS IN TUDOR ART.
Creator
Hoeschen, Jessica, Larson, Peter, University of Central Florida
Abstract / Description
In the sixteenth century, Martin LutherÂÂ's Protestant Reformation generated multiple reform movements and political transformations in Europe. Within this general period of reform, political and cultural changes from the Tudor era (1485-1603) created a separate English Reformation. The English Reformation evolved from the different agendas of the early Tudor monarchs and occurred in two distinct waves: an initial, more moderate Henrician Reformation and a later, more...
Show moreIn the sixteenth century, Martin LutherÂÂ's Protestant Reformation generated multiple reform movements and political transformations in Europe. Within this general period of reform, political and cultural changes from the Tudor era (1485-1603) created a separate English Reformation. The English Reformation evolved from the different agendas of the early Tudor monarchs and occurred in two distinct waves: an initial, more moderate Henrician Reformation and a later, more complete Edwardian Reformation. Henry VIII and Edward VIÂÂ's attempts to redefine monarchy through a new State and Church identity drove English church reform during this period, giving these religious shifts distinct political roots. Cultural artifacts were prominent indicators of these differing political goals, and Henry VIII and Edward VI adjusted and removed images and texts according to their propaganda methods. These royal manipulations of culture are well-documented, but historians have overlooked important components in the communication process. Lay responses to imagery changes ranging from compliance to rebellion demonstrate the complex relationship of images, monarchy, and reform. Examining imagesÂÂ' function as propaganda with questions of intent, reception, and comprehension in royal communication is imperative for assessing the impact of royal messages on Tudor culture. Analyzing Tudor art as a form of political communication that disseminated idealized political representation reveals a strong visual discourse between the King and the English people. Images held key powers within royal discourse to create and disseminate propaganda of a kingship.
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Date Issued
2010
Identifier
CFE0003116, ucf:48622
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0003116
THE LOST VOICES OF ANCIENT ISRAEL: RECLAIMING EDEN, AN ECO-CRITICAL EXEGESIS
Title
THE LOST VOICES OF ANCIENT ISRAEL: RECLAIMING EDEN, AN ECO-CRITICAL EXEGESIS.
Creator
Bacchus, Nazeer, Campbell, James, University of Central Florida
Abstract / Description
This work addresses the historically-read despotism Genesis 1.28 has often received in its subordination of nature for the interests of human enterprise and counters the notion of reading the entire Bible as an anti-environmental, anthropocentric text. In using a combined literary lens of eco-criticism and new historicism, this work examines the Hebrew Bible with particular attention to the books of Genesis and Exodus, offering within the Torah's oldest literary tradition (the J source) an...
Show moreThis work addresses the historically-read despotism Genesis 1.28 has often received in its subordination of nature for the interests of human enterprise and counters the notion of reading the entire Bible as an anti-environmental, anthropocentric text. In using a combined literary lens of eco-criticism and new historicism, this work examines the Hebrew Bible with particular attention to the books of Genesis and Exodus, offering within the Torah's oldest literary tradition (the J source) an environmental connection between humanity and the divine that promotes a reverence of natural world and, conversely, a rejection of rampant urbanization and its cultural departure from nature. It is the goal of this research to create a discourse by bridging the gap between religious and green studies and forging a connection with the works of the early biblical writers and environmental thought of the modern world.
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Date Issued
2015
Identifier
CFH0004793, ucf:45337
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFH0004793
EXPLORING TRANSIENT IDENTITIES: DECONSTRUCTING DEPICTIONS OF GENDER AND IMPERIAL IDEOLOGY IN THE ORIENTAL TRAVEL NARRATIVES OF ENGLISHWOMEN, 1831-1915.
Title
EXPLORING TRANSIENT IDENTITIES: DECONSTRUCTING DEPICTIONS OF GENDER AND IMPERIAL IDEOLOGY IN THE ORIENTAL TRAVEL NARRATIVES OF ENGLISHWOMEN, 1831-1915.
Creator
DeLoach, CarrieAnne, Stockdale, Nancy, University of Central Florida
Abstract / Description
Englishwomen who traveled to the "Orient" in the Victorian era constructed an identity that was British in its bravery, middle-class in its refinement, feminine in appearance and speech and Christian in its intolerance of Oriental heathenism. Studying Victorian female travel narratives that described journeys to the Orient provides an excellent opportunity to reexamine the diaphanous nature of the boundaries of the public/private sphere dichotomy; the relationship between travel, overt...
Show moreEnglishwomen who traveled to the "Orient" in the Victorian era constructed an identity that was British in its bravery, middle-class in its refinement, feminine in appearance and speech and Christian in its intolerance of Oriental heathenism. Studying Victorian female travel narratives that described journeys to the Orient provides an excellent opportunity to reexamine the diaphanous nature of the boundaries of the public/private sphere dichotomy; the relationship between travel, overt nationalism, and gendered constructions of identity, the link between geographic location and self-definition; the power dynamics inherent in information gathering, organization and production. Englishwomen projected gendered identities in their writings, which were both "imperially" masculine and "domestically" feminine, depending on the needs of a particular location and space. The travel narrative itself was also a gendered product that served as both a medium of cultural expression for Victorian women and a tool of restraint, encouraging them to conform to societal expectations to gain limited authority and recognition for their travels even while they embraced the freedom of movement. The terms "imperial masculinity" and "domestic femininity" are employed throughout this analysis to categorize the transient manipulation of character traits associated in Victorian society with middle- and upper-class men abroad in the empire and middle- and upper-class women who remained within their homes in Great Britain. Also stressed is the decision by female travelers to co-assert feminine identities that legitimated their imperial freedom by alluding to equally important components of their transported domestic constructions of self. Contrary to scholarship solely viewing Victorian projections of the feminine ideal as negative, the powers underlining social determinants of gender norms will be treated as "both regulatory and productive." Englishwomen chose to amplify elements of their domestic femininity or newly obtained imperial masculinity depending on the situation encountered during their travels or the message they wished to communicate in their travel narratives. The travel narrative is a valuable tool not only for deconstructing transient constructions of gender, but also for discovering the foundations of race and class ideologies in which the Oriental and the Orient are subjugated to enhance Englishwomen's Orientalist imperial status and position. This thesis is modeled on the structure of the traveling experience. In reviewing first the intellectual expectations preceding travel, the events of travel and finally the emotional reaction to the first two, a metaphoric attempt to better understand meaning through mimicry has been made. Over twenty travel narratives published by Englishwomen of varying social backgrounds, economic classes and motivations for travel between 1830 and World War I were analyzed in conjunction with letters, diaries, fictional works, newspaper articles, advice manuals, travel guides and religious texts in an effort to study the uniquely gendered nature of the Preface in female travel narratives; definitions of "travelers" and "traveling;" the manner in which "new" forms of metaphysical identification formulated what Victorian lady travelers "pre-knew" the "East" to be; the gendered nature in which female travelers portrayed their encounters with the "realities" of travel; and the concept of "disconnect," or the "distance" between a female traveler's expectation and the portrayed "reality" of what she experienced in the Orient.
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Date Issued
2006
Identifier
CFE0001487, ucf:47101
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0001487