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- Title
- ALTERNATIVE EPIGRAPHIC INTERPRETATIONS OF THE MAYA SNAKE EMBLEM GLYPH.
- Creator
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Savage, Christopher, Chase, Arlen, University of Central Florida
- Abstract / Description
-
This thesis seeks to demonstrate that the Maya snake emblem glyph is associated with religious specialists, instead of geographic locations, as emblem glyphs are typically understood to be. The inscriptions and the media on which the snake emblem glyph occurs will be analyzed to determine the role or function of the "Lord of the Snake." Temporal and spatial data has also been collected to aid in understanding the enigmatic glyph. The snake emblem glyph has recently been identified as...
Show moreThis thesis seeks to demonstrate that the Maya snake emblem glyph is associated with religious specialists, instead of geographic locations, as emblem glyphs are typically understood to be. The inscriptions and the media on which the snake emblem glyph occurs will be analyzed to determine the role or function of the "Lord of the Snake." Temporal and spatial data has also been collected to aid in understanding the enigmatic glyph. The snake emblem glyph has recently been identified as originating from a broad area containing the sites of El Perú and La Corona in Guatemala, and Dzibanche, Mexico, a departure from the longstanding choice of Calakmul, Mexico. Unprovenanced snake emblem glyph texts have been cataloged under a "Site Q" designation („Q‟ for the Spanish word Que, meaning "which") by Peter Mathews. Site Q is thus not securely identified geographically, which confounds efforts to designate a particular site as the snake emblem glyph site. Other problems with the snake emblem glyph, such as its geographically wide dispersal, hint that it is not a title of a particular city or region. Yet another problem is "a proper fit" between the individuals listed on unprovenanced material and individuals named at sites associated with the snake emblem glyph. It is argued that the interpretation of the snake emblem glyph differs from how emblem glyphs are presently understood. Rather than representing a physical location, the snake emblem glyph represents a mythological place or "state," containing members who legitimize their lineage (association) through ritual events such as communication with supernaturals via the vision serpent. The specialists perform rituals, scatterings, are ballplayers, and witness events. They are rarely associated with accession, which by current interpretation is implicitly tied to emblem glyphs.
Show less - Date Issued
- 2007
- Identifier
- CFE0001842, ucf:47368
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFE0001842
- Title
- THE EARLY MODERN SPACE: (CARTOGRAPHIC) LITERATURE AND THE AUTHOR IN PLACE.
- Creator
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Myers, Michael, Gleyzon, Francois-Xavier, University of Central Florida
- Abstract / Description
-
In geography, maps are a tool of placement which locate both the cartographer and the territory made cartographic. In order to place objects in space, the cartographer inserts his own judgment into the scheme of his design. During the Early Modern period, maps were no longer suspicious icons as they were in the Middle Ages and not yet products of science, but subjects of discourse and works of art. The image of a cartographer's territory depended on his vision�both the nature and placement of...
Show moreIn geography, maps are a tool of placement which locate both the cartographer and the territory made cartographic. In order to place objects in space, the cartographer inserts his own judgment into the scheme of his design. During the Early Modern period, maps were no longer suspicious icons as they were in the Middle Ages and not yet products of science, but subjects of discourse and works of art. The image of a cartographer's territory depended on his vision�both the nature and placement of his gaze�and the product reflected that author's judgment. This is not a study of maps as such but of Early Modern literature, cartographic by nature�the observations of the author were the motif of its design. However, rather than concretize observational judgment through art, the Early Modern literature discussed asserts a reverse relation�the generation of the material which may be observed, the reality, by the views of authors. Spatiality is now an emerging philosophical field of study, taking root in the philosophy of Deleuze & Guattari. Using the notion prevalent in both Postmodern and Early Modern spatiality, which makes of perception a collective delusion with its roots in the critique of Kant, this thesis draws a through-line across time, as texts such as Robert Burton's An Anatomy of Melancholy, Thomas More's Utopia, and selections from William Shakespeare display a tendency to remove value from the standard of representation, to replace meaning with cognition and prioritize a view of views over an observable world. Only John Milton approaches perception as possibly referential to objective reality, by re-inserting his ability to observe and exist in that reality, in a corpus which becomes less generative simulations of material than concrete signposts to his judgment in the world.
Show less - Date Issued
- 2015
- Identifier
- CFH0004899, ucf:53148
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFH0004899
