Current Search: Renaissance (x)
View All Items
- Title
- THROUGH THE EYES OF A RENAISSANCE PROPHET: FRA GIROLAMO SAVONAORLA AND THE COMPENDIUM OF REVELATION.
- Creator
-
Fear, David, Adams, Carole, University of Central Florida
- Abstract / Description
-
This thesis provides the historiographical background and historical context necessary to undertake an examination of Savonarola's Compendium of Revelations and evaluate it as a work of the Italian Renaissance. It conducts such an examination and reaches the conclusion that Savonarola should be used as an example of a figure who, like the age of the Renaissance itself, represented a significant break with the medieval world while still being influenced by it. His political, social, and...
Show moreThis thesis provides the historiographical background and historical context necessary to undertake an examination of Savonarola's Compendium of Revelations and evaluate it as a work of the Italian Renaissance. It conducts such an examination and reaches the conclusion that Savonarola should be used as an example of a figure who, like the age of the Renaissance itself, represented a significant break with the medieval world while still being influenced by it. His political, social, and religious views all show both the influence of the medieval world and the underpinnings of the modern. The analysis is influenced by intellectual, religious, and micro history.
Show less - Date Issued
- 2006
- Identifier
- CFE0001252, ucf:46889
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFE0001252
- Title
- DISPLAYS OF MEDICI WEALTH AND AUTHORITY: THE ACTS OF THE APOSTLES AND VALOIS FETES TAPESTRY CYCLES.
- Creator
-
Clyburn, Madison L, Zaho, Margaret Ann, University of Central Florida
- Abstract / Description
-
The objective of my research is to explore Medici extravagance, power, and wealth through the multifaceted artistic form of tapestries vis-a-vis two particular tapestry cycles; the Acts of the Apostles and the Valois Fetes. The cycles were commissioned by Pope Leo X (1475-1521), the first Medici pope, and Catherine de' Medici (1519-1589), queen, queen regent, and queen mother of France. The motivation for such a project lies in analyzing what is traditionally considered as two independent...
Show moreThe objective of my research is to explore Medici extravagance, power, and wealth through the multifaceted artistic form of tapestries vis-a-vis two particular tapestry cycles; the Acts of the Apostles and the Valois Fetes. The cycles were commissioned by Pope Leo X (1475-1521), the first Medici pope, and Catherine de' Medici (1519-1589), queen, queen regent, and queen mother of France. The motivation for such a project lies in analyzing what is traditionally considered as two independent tapestry cycles by revealing their social, religious, political, and artistic significance through the powerful dynastic influence of the Medici. As Leo and Catherine were both aware of the contemporary social environment, their commission of the Acts of the Apostles and the Valois Fetes exemplify the Medici streak for ambition, familial dependence, and triumphalism. As Leo X (r. 1513-1521) governed from Rome, Catherine de' Medici (r. 1547-1559) presided over the French throne for nearly fifty years in some capacity. Both Medici enjoyed access to the wealth associated with the Papal Curia and Valois royal household accounts, respectively, investing an enormous sum on the tapestry cycles, only one of the numerous artistic commissions procured during the sixteenth century. Heedless of their iconography and embellishment, the Acts of the Apostles and Valois F�testestify to the wealth and power wielded through their patron's accessibility and resourcefulness to procure an estimable and luxurious commission.
Show less - Date Issued
- 2019
- Identifier
- CFH2000523, ucf:45696
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFH2000523
- Title
- MARSILIO FICINO'S ASTRAL PSYCHOLOGY: THE INNER COSMOS OF CARDINAL ALESSANDRO FARNESE ON THE ASTRONOMICAL CEILING FRESCO OF SALA DEL MAPPAMONDO AT CAPRAROLA.
- Creator
-
Nagy, Renata R, Zaho, Margaret, University of Central Florida
- Abstract / Description
-
This thesis intends to explore the relationship between the Neoplatonist doctrines of the Renaissance philosopher, Marsilio Ficino (1433-1499), and astrological images in the Renaissance. The astrological ceiling fresco located in the Room of Maps in the Villa Farnese at Caprarola is in the center of the argument, which I analyze based on the metaphysical works of Ficino, the Platonic Theology (1482) and the Three Books on Life (1492). Authors have examined the fresco decoration and Ficinian...
Show moreThis thesis intends to explore the relationship between the Neoplatonist doctrines of the Renaissance philosopher, Marsilio Ficino (1433-1499), and astrological images in the Renaissance. The astrological ceiling fresco located in the Room of Maps in the Villa Farnese at Caprarola is in the center of the argument, which I analyze based on the metaphysical works of Ficino, the Platonic Theology (1482) and the Three Books on Life (1492). Authors have examined the fresco decoration and Ficinian philosophy individually, but never together. This study is the first to recognize Ficino's influence on Renaissance astrological images in its entirety.The present work synthesizes scholarship on Ficino and astrological image interpretations and provides a Neoplatonic reading of the fresco in question. The results demonstrate that the ceiling fresco at Caprarola is a visual manifestation of the principal Ficinian doctrines. The predominant decorative figures (Phaeton, Argo, Capella, and Jupiter) located at the four corners of the ceiling, communicate the importance of contemplation and introspection, the proper management of one's vices and virtues, and the immortality of the soul. Together, they comprise the microcosm of the patron, Cardinal Alessandro Farnese (1520-1589). The decoration provides an insight into the inner world of Cardinal Farnese and represents his dominant personality traits. In the end, he triumphs over his sins, and his good deeds enable his soul to ascend to the divine sphere. The current study opens the door to conducting psychoanalyses of other historical figures, who were major patrons of the art and involved with Ficino's philosophy.
Show less - Date Issued
- 2018
- Identifier
- CFH2000347, ucf:45739
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFH2000347
- Title
- THE EARLY MODERN SPACE: (CARTOGRAPHIC) LITERATURE AND THE AUTHOR IN PLACE.
- Creator
-
Myers, Michael, Gleyzon, Francois-Xavier, University of Central Florida
- Abstract / Description
-
In geography, maps are a tool of placement which locate both the cartographer and the territory made cartographic. In order to place objects in space, the cartographer inserts his own judgment into the scheme of his design. During the Early Modern period, maps were no longer suspicious icons as they were in the Middle Ages and not yet products of science, but subjects of discourse and works of art. The image of a cartographer's territory depended on his vision�both the nature and placement of...
Show moreIn geography, maps are a tool of placement which locate both the cartographer and the territory made cartographic. In order to place objects in space, the cartographer inserts his own judgment into the scheme of his design. During the Early Modern period, maps were no longer suspicious icons as they were in the Middle Ages and not yet products of science, but subjects of discourse and works of art. The image of a cartographer's territory depended on his vision�both the nature and placement of his gaze�and the product reflected that author's judgment. This is not a study of maps as such but of Early Modern literature, cartographic by nature�the observations of the author were the motif of its design. However, rather than concretize observational judgment through art, the Early Modern literature discussed asserts a reverse relation�the generation of the material which may be observed, the reality, by the views of authors. Spatiality is now an emerging philosophical field of study, taking root in the philosophy of Deleuze & Guattari. Using the notion prevalent in both Postmodern and Early Modern spatiality, which makes of perception a collective delusion with its roots in the critique of Kant, this thesis draws a through-line across time, as texts such as Robert Burton's An Anatomy of Melancholy, Thomas More's Utopia, and selections from William Shakespeare display a tendency to remove value from the standard of representation, to replace meaning with cognition and prioritize a view of views over an observable world. Only John Milton approaches perception as possibly referential to objective reality, by re-inserting his ability to observe and exist in that reality, in a corpus which becomes less generative simulations of material than concrete signposts to his judgment in the world.
Show less - Date Issued
- 2015
- Identifier
- CFH0004899, ucf:53148
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFH0004899