Current Search: cuban literature (x)
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Title
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TWO TERMS OF THE CUBAN COUNTERPOINT: TRANSCULTURATION IN THE POETRY OF NICOLoS GUILLeN.
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Creator
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Fulk, Alanna L, Chelfa, Celestino Alberto Villanueva, University of Central Florida
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Abstract / Description
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The history of Latin America and the Caribbean was irreversibly altered by the arrival of the conquistadors, destruction of native civilizations and implementation of colonialism for hundreds of years. However, Spain also introduced the high culture of the baroque to Latin America and the Caribbean, which mixed with the cultures of native and African peoples, creating new, distinct forms of literary expression. Subsequent post-colonial cultural movements attempted to explore and reaffirm the...
Show moreThe history of Latin America and the Caribbean was irreversibly altered by the arrival of the conquistadors, destruction of native civilizations and implementation of colonialism for hundreds of years. However, Spain also introduced the high culture of the baroque to Latin America and the Caribbean, which mixed with the cultures of native and African peoples, creating new, distinct forms of literary expression. Subsequent post-colonial cultural movements attempted to explore and reaffirm the variety of cultures that shaped both regions, including the movement of Afrocubanismo in Cuba, which occurred from 1910-1940. Afrocubanismo was a movement intended to incorporate African folklore and music into traditional modes of art. While many authors and artists were instrumental to Afrocubanismo, Nicol�s Guill�n is considered to be the most influential author of the movement, due to his new and inventive style of poetry that incorporated both Spanish and African influences. This study will demonstrate how Guill�n�s use of traditional poetic forms, the son and portrayal of everyday Afro-Cuban life reveal his vision for a post-colonial, transcultured Cuban society, rather than a Cuba subject to colonialism and acculturation.
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Date Issued
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2016
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Identifier
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CFH2000061, ucf:45516
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Format
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Document (PDF)
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PURL
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http://purl.flvc.org/ucf/fd/CFH2000061
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Title
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The Natural Exile: A Study Of Twenty-First Century Cuban-American Narratives Focusing On The Elderly's Plight.
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Creator
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Parson, Jasmine, Milanes, Cecilia, Nwakanma, Obi, Logan, Lisa, University of Central Florida
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Abstract / Description
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Developed from the similarity between exile theory and age studies, the term (")exile(") is expanded to a natural form of exile because of the shocking temporal shift that reconstructs social interaction, familial dynamics, and the aging body. Using Heidegger's theoretical work Being in Time, Simon de Beauvoir's The Coming of Age, and Jean Am(&)#233;ry's On Aging as insight, this literary analysis captures how the elderly protagonists Goyo from Cristina Garc(&)#237;a's King of Cuba, M(&)#225...
Show moreDeveloped from the similarity between exile theory and age studies, the term (")exile(") is expanded to a natural form of exile because of the shocking temporal shift that reconstructs social interaction, familial dynamics, and the aging body. Using Heidegger's theoretical work Being in Time, Simon de Beauvoir's The Coming of Age, and Jean Am(&)#233;ry's On Aging as insight, this literary analysis captures how the elderly protagonists Goyo from Cristina Garc(&)#237;a's King of Cuba, M(&)#225;ximo from Ana Men(&)#233;ndez's (")In Cuba I was a German Shepherd,(") and Soledad from Cecilia Rodr(&)#237;guez Milan(&)#233;s's (")Abuela Marielita(") experience a natural exile among society, their family and within their own body. These areas express how the elderly's sense of displacement equates that of a political/geographical exile.
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Date Issued
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2019
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Identifier
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CFE0007701, ucf:52432
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Format
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Document (PDF)
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PURL
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http://purl.flvc.org/ucf/fd/CFE0007701