Current Search:  ecocriticism (x)

View All Items

  • CSV Spreadsheet
(1 - 6 of 6)
SILENCE, ABSENCE, AND MYSTERY IN LINDA HOGAN'S MEAN SPIRIT, SOLAR STORMS, AND POWER
Title
SILENCE, ABSENCE, AND MYSTERY IN LINDA HOGAN'S MEAN SPIRIT, SOLAR STORMS, AND POWER.
Creator
Erickson, Kathryn, Murphy, Patrick, University of Central Florida
Abstract / Description
ABSTRACT In Mean Spirit, Solar Storms, and Power, Linda Hogan uses the devices of silence, absence, and mystery to articulate the oppression and marginalization of Native Americans. Specifically, because of the environmental crises that produce conflict in each novel, the project benefits from ecocriticism, ecofeminism, and ecopsychology. Also, because of various interpretations that open up when silence is examined, theories of deconstruction strengthen the thesis. Ultimately, Hogan's...
Show moreABSTRACT In Mean Spirit, Solar Storms, and Power, Linda Hogan uses the devices of silence, absence, and mystery to articulate the oppression and marginalization of Native Americans. Specifically, because of the environmental crises that produce conflict in each novel, the project benefits from ecocriticism, ecofeminism, and ecopsychology. Also, because of various interpretations that open up when silence is examined, theories of deconstruction strengthen the thesis. Ultimately, Hogan's characters move from silence as a form of tyranny to silence as a form of reconnection with tribal ways. As the characters discover pathways to native traditions, they also discover spiritual connections with the biosphere. The movement from silence as a form of tyranny to silence as healing to silence as a means of reconnection with tribal traditions and kinship with the environment ensures the natives' healing and survival. The Introduction discusses the overview of the project, illustrates my thesis regarding Hogan's use of silence, absence, and mystery, and outlines my critical methodology. In the methodology chapter, I detail specific references to ecocritical, ecofeminist, ecopsychological, and deconstructive texts that I use to analyze Hogan's novels. Beginning with Chapter Two, I discuss Mean Spirit, which is based on a true story involving the murders of Osage people during the 1920s in Oklahoma. In Chapter Three, I examine Solar Storms and track Hogan's use of silence, absence, and mystery in the story of a teenage girl who returns to her birthplace and reconnects with her tribe and the wild lands surrounding her home. Chapter Four features my close reading of Power, a coming-of-age story blended with eocological and ethical conflicts taking place in rural Florida. Finally, Chapter Five concludes the thesis and reasserts my argument that Hogan's use of silence, absence, and mystery illuminates the conflicts in her characters' lives and ultimately serves to clear a space for healing and survival.
Show less
Date Issued
2006
Identifier
CFE0001176, ucf:46867
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0001176
NEGOTIATING PLACE: MULTISCAPES AND NEGOTIATION IN HARUKI MURAKAMI'S NORWEGIAN WOOD
Title
NEGOTIATING PLACE: MULTISCAPES AND NEGOTIATION IN HARUKI MURAKAMI'S NORWEGIAN WOOD.
Creator
Gladding, Kevin, Murphy, Patrick, University of Central Florida
Abstract / Description
In Murakami's Norwegian Wood, romance and coming-of-age confront the growing trend of postmodernity that leads to a discontinuity of life becoming more and more common in post-war Japan. As the narrator struggles through a monotonous daily existence, the text gives the reader access to the narrator's struggle for self- and societal identity. In the end, he finds his means of self-acceptance through escape, and his escape is a product of his attempts at negotiating the multiple settings or ...
Show moreIn Murakami's Norwegian Wood, romance and coming-of-age confront the growing trend of postmodernity that leads to a discontinuity of life becoming more and more common in post-war Japan. As the narrator struggles through a monotonous daily existence, the text gives the reader access to the narrator's struggle for self- and societal identity. In the end, he finds his means of self-acceptance through escape, and his escape is a product of his attempts at negotiating the multiple settings or "scapes" in which he finds himself. The thesis follows the narrator through his navigation of these scapes and seeks to examine the different way that each of these scapes enables him to attempt to negotiate his role in an indifferent and increasingly consumerist society. The Introduction discusses my overview of the project, gives specifics about Murakami's life and critical reception and outlines my particular methodology. In the overview section, I address the cultural and societal tensions and changes that have occurred since the Second World War. Following this section, I provide a brief critical history of Murakami's texts, displaying not only his popularity, but also the multiple disagreements that arise over the Japanese-ness of his work. In my methodology section, I plot my eco-critical, eco-feminist, eco-psychological and deconstructive procedure for dissecting Murakami's text. The subsequent chapters perform a close reading of Murakami's text, outlining the different scapes and their attempts at establishing identity. Within these chapters, I have utilized subheadings as I felt they were needed to mark a change not on theme, but on character and emphasis. My conclusion reasserts my initial argument and further establishes the multiscapes as crucial negotiations, the price and product of which is self-identity.
Show less
Date Issued
2005
Identifier
CFE0000440, ucf:46386
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0000440
Noise Thinks the Anthropocene: An Experiment in Noise Poetics
Title
Noise Thinks the Anthropocene: An Experiment in Noise Poetics.
Creator
Zwintscher, Aaron, Mauer, Barry, Grajeda, Anthony, Rounsaville, Angela, Schafer, Mark, University of Central Florida
Abstract / Description
This dissertation is a textual experiment in noise poetics. It is an experiment in that it results from indeterminate means, alternative grammar, and experimental thinking. The outcome was not predetermined. Noise poetics is the use of noise to explain, elucidate, and evoke (akin to other poetic forms) within the textual milieu in a manner that seeks to be less determinate and more improvisational than conventional writing. This text argues that noise poetics is a necessary form for...
Show moreThis dissertation is a textual experiment in noise poetics. It is an experiment in that it results from indeterminate means, alternative grammar, and experimental thinking. The outcome was not predetermined. Noise poetics is the use of noise to explain, elucidate, and evoke (akin to other poetic forms) within the textual milieu in a manner that seeks to be less determinate and more improvisational than conventional writing. This text argues that noise poetics is a necessary form for addressing political inequality, coexistence with the (nonhuman) other, the ecological crisis, and sustainability because it approaches these issues as system of interconnected fragments and excesses and thus has the potential to reach or envision solutions in novel ways. The experiment draws quotations and fragments from a diverse collection of noise theory texts, arranged and assembled via indeterminate cut-up methods based on the work of several prominent artists and theorists (John Cage and William Burroughs among them). The experimental text (contained in full in Appendix B) was then edited and added to in order to craft the textual project into an argument for noise poetics that followed the juxtaposed lines of thought towards possible conclusions and practical applications. This project coincided with and was supplemented by bruit jouissance, a multimedia audiovisual noise project (contained and explicated in Appendix A). The two projects together are two applications of thoryvology (an articulation of noise theory created and presented within the text) and as complementary methods of viewing and understanding each other.
Show less
Date Issued
2017
Identifier
CFE0006679, ucf:51911
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0006679
(UN)NATURAL BODIES, ENDANGERED SPECIES, AND EMBODIED OTHERS IN MARGARET ATWOOD'S ORYX AND CRAKE
Title
(UN)NATURAL BODIES, ENDANGERED SPECIES, AND EMBODIED OTHERS IN MARGARET ATWOOD'S ORYX AND CRAKE.
Creator
Galbreath, Marcy, Murphy, Patrick, University of Central Florida
Abstract / Description
The developing knowledge of life sciences is at the crux of Margaret Atwood's Oryx and Crake as she examines human promise gone awry in a near-future dystopia. This thesis examines aspects of posthumanism, ecocriticism, and feminism in the novel's scientific, cultural, and environmental projections. Through the trope of extinction, Atwood's text foregrounds the effects of human exceptionalism and instrumentalism in relation to the natural world, and engenders an analysis of human...
Show moreThe developing knowledge of life sciences is at the crux of Margaret Atwood's Oryx and Crake as she examines human promise gone awry in a near-future dystopia. This thesis examines aspects of posthumanism, ecocriticism, and feminism in the novel's scientific, cultural, and environmental projections. Through the trope of extinction, Atwood's text foregrounds the effects of human exceptionalism and instrumentalism in relation to the natural world, and engenders an analysis of human identity through its biological and cultural aspects. Extinction thus serves as a metaphor for both human development and human excesses, redefining the idea of human within the context of vulnerable species. Oryx and Crake reveals humanity's organic connections with non-human others through interspecies gene-splicing and the ensuing hybridity. In this perspective, Atwood's text provides a dialogue on humankind's alienation from the natural world and synchronic connections to the animal other, and poses timely questions for twenty-first century consumerism, globalism, and humanist approaches to nature. The loss of balance provoked by the apocalyptic situation in Oryx and Crake challenges commonplace attitudes toward beneficial progress. This imbalance signals the need for a new narrative: A consilient reimagining of humanity's role on earth as an integrated organism rather than an intellectual singularity.
Show less
Date Issued
2010
Identifier
CFE0003227, ucf:48552
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0003227
THE LOST VOICES OF ANCIENT ISRAEL: RECLAIMING EDEN, AN ECO-CRITICAL EXEGESIS
Title
THE LOST VOICES OF ANCIENT ISRAEL: RECLAIMING EDEN, AN ECO-CRITICAL EXEGESIS.
Creator
Bacchus, Nazeer, Campbell, James, University of Central Florida
Abstract / Description
This work addresses the historically-read despotism Genesis 1.28 has often received in its subordination of nature for the interests of human enterprise and counters the notion of reading the entire Bible as an anti-environmental, anthropocentric text. In using a combined literary lens of eco-criticism and new historicism, this work examines the Hebrew Bible with particular attention to the books of Genesis and Exodus, offering within the Torah's oldest literary tradition (the J source) an...
Show moreThis work addresses the historically-read despotism Genesis 1.28 has often received in its subordination of nature for the interests of human enterprise and counters the notion of reading the entire Bible as an anti-environmental, anthropocentric text. In using a combined literary lens of eco-criticism and new historicism, this work examines the Hebrew Bible with particular attention to the books of Genesis and Exodus, offering within the Torah's oldest literary tradition (the J source) an environmental connection between humanity and the divine that promotes a reverence of natural world and, conversely, a rejection of rampant urbanization and its cultural departure from nature. It is the goal of this research to create a discourse by bridging the gap between religious and green studies and forging a connection with the works of the early biblical writers and environmental thought of the modern world.
Show less
Date Issued
2015
Identifier
CFH0004793, ucf:45337
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFH0004793
Genetic Engineering as Literary Praxis: A Study in Contemporary Literature
Title
Genetic Engineering as Literary Praxis: A Study in Contemporary Literature.
Creator
Evans, Taylor, Campbell, James, Oliver, Kathleen, Murphy, Patrick, University of Central Florida
Abstract / Description
This thesis considers the understudied issue of genetic engineering as it has been deployed in the literature of the late 20th century. With reference to the concept of the enlightened gender hybridity of Cyborg theory and an eye to ecocritical implications, I read four texts: Joan Slonczewski's 1986 science fiction novel A Door Into Ocean, Octavia Butler's science fiction trilogy Lilith's Brood (-) originally released between 1987 and 1989 as Xenogenesis (-) Simon Mawer's 1997 literary novel...
Show moreThis thesis considers the understudied issue of genetic engineering as it has been deployed in the literature of the late 20th century. With reference to the concept of the enlightened gender hybridity of Cyborg theory and an eye to ecocritical implications, I read four texts: Joan Slonczewski's 1986 science fiction novel A Door Into Ocean, Octavia Butler's science fiction trilogy Lilith's Brood (-) originally released between 1987 and 1989 as Xenogenesis (-) Simon Mawer's 1997 literary novel Mendel's Dwarf, and the first two books in Margaret Atwood's speculative fiction MaddAddam series: 2003's Oryx and Crake and 2009's The Year Of the Flood. I argue that the inclusion of genetic engineering has changed as the technology moves from science fiction to science fact, moving from the fantastic to the mundane. Throughout its recent literary history, genetic engineering has played a role in complicating questions of sexuality, paternity, and the division between nature and culture. It has also come to represent a nexus of potential cultural change, one which stands to fulfill the dramatic hybridity Haraway rhapsodized in her (")Cyborg Manifesto(") while also containing the potential to disrupt the ecocritical conversation by destroying what we used to understand as nature. Despite their four different takes on the issue, each of the texts I read offers a complex vision of utopian hopes and apocalyptic fears. They agree that, for better or for worse, genetic engineering is forever changing both our world and ourselves.
Show less
Date Issued
2012
Identifier
CFE0004373, ucf:49438
Format
Document (PDF)
PURL
http://purl.flvc.org/ucf/fd/CFE0004373