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- Title
- Ultrasound Measured Flexor Muscle Thickness in the Forearms of Rock Climbers.
- Creator
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Marsala, Michael, Garcia, Jeanette, Fukuda, David, Stock, Matt, University of Central Florida
- Abstract / Description
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PURPOSE: To examine differences in the forearms of rock climbers using ultrasound to measure the muscle thickness of the finger flexors. METHODS: A total of 33 participants were recruited, 22 climbers (22.23 years; 68% male) and 11 controls (21.8; 55% male). Climbers provided self-reported ratings of their climbing ability, skill level, and preferred mode of climbing (e.g. sport climbing vs. bouldering). Anthropometric measures, including body fat percentage, were measured in all participants...
Show morePURPOSE: To examine differences in the forearms of rock climbers using ultrasound to measure the muscle thickness of the finger flexors. METHODS: A total of 33 participants were recruited, 22 climbers (22.23 years; 68% male) and 11 controls (21.8; 55% male). Climbers provided self-reported ratings of their climbing ability, skill level, and preferred mode of climbing (e.g. sport climbing vs. bouldering). Anthropometric measures, including body fat percentage, were measured in all participants. Ultrasound measurements were taken with the participant lying on their back on a padded table with their dominant hand supinated. Muscle thickness measurements were taken at the forearm where a peak of the forearm flexors was identified on the medial aspect of the forearm after a circumference measurement and small mark was made. The distance from the ulna and radius to the muscle-skin interface was measured, as well as echo intensity surrounding the median nerve using a third party program. RESULTS: Approximately 50% of climbers rated themselves as (")intermediate("), and the other 50% rated themselves as (")advanced(") climbers, while 77% of the 22 climbers classified themselves as primarily (")sport climbers("), and 23% classified themselves as (")boulderers("). Body fat percentages were significantly different at 19.14(&)#177;6.99 and 30.02(&)#177;7.6 for climbers and controls. Ulnar and radial muscle thickness values were significantly higher in climbers, 4.23(&)#177;.39and 2.32(&)#177;.39, respectively, and 3.61(&)#177;.6 and 1.84(&)#177;.31 in controls (p(<).001). No differences in echo intensity were observed between climbers and non-climbers. DISCUSSION: The findings suggests that there are differences in flexor muscle thickness observed in earlier stages of rock climbing. Echo intensity of the flexor muscles were also measured, however significant variance in results warrants further investigation. Future studies should consider larger samples to better determine differences among muscle thickness and echo intensity across climbing abilities and mode of climbing, thus allowing for more specific training programs to be developed at each phase of training.
Show less - Date Issued
- 2019
- Identifier
- CFE0007677, ucf:52473
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFE0007677
- Title
- ...AND THEN, CLAIRE: AN INDIE-ROCK MONOLOGUE; INTEGRATING THE INDEPENDENT MUSIC SCENE INTO AMERICAN MUSICAL THEATRE.
- Creator
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Bahr, Mickey, Chicurel, Steven, University of Central Florida
- Abstract / Description
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For more than fifty years, the Independent (indie) Music Scene has existed as an evolving business model, allowing indie artists to develop a wealth of progressive musical ideas while creating a sustainable audience base. American Musical Theatre has an already-established rich history of adapting styles to fit concurrent trends in popular music while maintaining the story as the core of a show. While some indie artists (The Lisps, The Mountain Goats, Stephin Merritt, and Stew) and some...
Show moreFor more than fifty years, the Independent (indie) Music Scene has existed as an evolving business model, allowing indie artists to develop a wealth of progressive musical ideas while creating a sustainable audience base. American Musical Theatre has an already-established rich history of adapting styles to fit concurrent trends in popular music while maintaining the story as the core of a show. While some indie artists (The Lisps, The Mountain Goats, Stephin Merritt, and Stew) and some musical theatre composers (David Yazbek, Doug Crossley, and Michael Friedman) have created crossover works, there is currently an overall dearth of musical theatre pieces infused with the indie style and a lack of indie albums with an actable musical theatre storyline. The intent of this thesis is to prove that although American Musical Theatre and the Independent Music Scene are two vastly different art forms, they can be combined to create a viable and unique form that appeals to both audiences. The indie-rock monologue ...and then, Claire was composed, recorded, and performed to test the viability of this thesis. In addition to presenting research on the history of American Musical Theatre and the Independent Music Scene, an analysis of the already-successful artists mentioned above is presented to provide context for ...and then, Claire. This context along with the original indie-rock monologue proves successful combinations of American Musical Theatre and the Independent Music Scene as well as the potential for more attempts in the future.
Show less - Date Issued
- 2012
- Identifier
- CFH0004202, ucf:44970
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFH0004202
- Title
- Seismic Response of Moment Resisting Frames Coupled with Rocking Walls.
- Creator
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Aghagholizadeh, Mehrdad, Makris, Nicos, Catbas, Necati, Mackie, Kevin, Kauffman, Jeffrey L., University of Central Florida
- Abstract / Description
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This study investigates the inelastic response of yielding structures coupled with rocking walls. This topic is of major significance in the design of tall moment-resisting buildings, since during recent major earthquakes several tall, moment-resisting frames that had been designed in an accordance to the existing seismic code provisions, exhibited a weak-story failure. Utilization of this structural system can help reducing maximum story drifts, prevents weak story failure and minimize...
Show moreThis study investigates the inelastic response of yielding structures coupled with rocking walls. This topic is of major significance in the design of tall moment-resisting buildings, since during recent major earthquakes several tall, moment-resisting frames that had been designed in an accordance to the existing seismic code provisions, exhibited a weak-story failure. Utilization of this structural system can help reducing maximum story drifts, prevents weak story failure and minimize residual deformation of the structure. This study first examines different configurations of both stepping rocking walls and pinned rocking walls that have been reported in the literature.Next, effect of additional vertical tendons or vertical damping devices in maximum response of the system is investigated. This research first derives the nonlinear equations of motion of a yieldingoscillator coupled with a rocking wall and the dependability of the one-degree of freedom idealization is validated against the nonlinear time-history response analysis of a 9-story moment-resisting frame coupled with a rocking wall. This research finally concludes that, stepping wall suppresses peak and permanent displacements, with the heavier wall being most effective. In contrast, the pinned rocking wall increases in general the peak inelastic displacements and the permanent displacements. While, the coupling of weak building frames with rocking walls is an efficient strategy that controls inelastic deformations by enforcing a uniform interstory-drift distribution, therefore, avoiding mid-story failures, the study shows that even for medium-rise buildings the effect of vertical tendons on the inelastic structural response is marginal, except for increasing the vertical reactions at the pivoting points of the rocking wall. Additionally, The SDOF idealization presented in this study compares satisfactory with finite-element analysis of a 9-story steel SAC building coupled with a stepping rocking wall; therefore, the SDOF idealization can be used with confidence for preliminary analysis and design.
Show less - Date Issued
- 2018
- Identifier
- CFE0007301, ucf:52157
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFE0007301
- Title
- Examining the Influences of the Bottoming Out Experience and the Turning Point on the Early Recovery Process from Substance Dependence Using Structural Equation Modeling.
- Creator
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Depue, Mary, Hagedorn, William, Lambie, Glenn, Young, Mark, Conley, Abigail, Finch, Andrew, University of Central Florida
- Abstract / Description
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Considering the prevalence of addiction issues within the U.S., this study focused on the topic of recovery from drug and alcohol dependence in order to add to current literature. Prevention and recovery services are two of the most common ways of combating the addiction issue, and counselors are at the forefront of both movements. The bottoming out experience (BOE) and the turning point (TTP) are two common lay terms of factors within changing addictive behaviors, yet the connection of these...
Show moreConsidering the prevalence of addiction issues within the U.S., this study focused on the topic of recovery from drug and alcohol dependence in order to add to current literature. Prevention and recovery services are two of the most common ways of combating the addiction issue, and counselors are at the forefront of both movements. The bottoming out experience (BOE) and the turning point (TTP) are two common lay terms of factors within changing addictive behaviors, yet the connection of these constructs to recovery remains unstudied and unknown. The current study tested a model that levels of the BOE and the TTP are predictive of early recovery (ER).The data from this study was obtained from a national dataset previously collected from 230 grant-funded addiction treatment centers that utilize the Global Assessment of Individual Needs (GAIN) assessment instrument. A review of the literature gaps, coupled with available data, influenced decisions on research design and statistical analysis procedures. As clear definitions of the BOE, TTP, and ER have not been discovered through research, a descriptive, correlational research design was chosen in order to understand not only what constitutes a BOE, TTP, and ER, but also to discover the relationships between the BOE, TTP, and ER in their natural state. The purpose of correlational studies is to investigate the relationship between two or more variables without researcher manipulation and such designs are common in the counseling and counselor education research field (Heppner, et al., 2008). Because correlational research is exploratory in nature, structural equation modeling (SEM) was utilized to understand the components of each construct and was used to test the hypothesis of the relationships between the BOE, TTP and ER. Although SEM is a confirmatory technique, it is frequently used in an exploratory manner because it combines elements of confirmatory factor analysis and multiple regressions and allows for various possibilities of the relationships between constructs and variables (Schrieber, et al., 2006). The literature on ER, BOE, and TTP provides enough evidence to test a theoretical model, which is the purpose of SEM. The hypothesized model assessed data at intake for the BOE, TTP and ER. Once constructs were delineated through measurement models/CFA, SEM path analysis was used to understand how the constructs related to one another. The first three hypotheses were rejected in the study, and measurement model modifications were conducted, which yielded good fit indices. Results from Hypothesis One indicated that hypothesized factors did not load on the BOE, and instead, the BOE at the intake level was a measurement of mental health severity. Results from Hypothesis Two indicated that hypothesized factors did not load on TTP; however, TTP did resulting factor structure created through model modification contained factors of awareness, motivation, and support. Results from Hypothesis Three also indicated that hypothesized indicators did not load into ER; however the resulting factor structure contained indicators of abstinence and environmental support. Lastly, Hypothesis Four yielded three resulting models, all of which had good fit indices. Therefore, hypothesis four was accepted. It is noteworthy that direct effects were not all significant, and the p value in all final models was significant. There was not a significant relationship between the BOE and ER at the intake level; however, there was a significant relationship between the BOE and TTP, as well as TTP and ER at the intake level. The direct effects between the BOE and ER may have had a role in the significant p values, as well as the large sample size. Within the three resulting models, the BOE had significant relationships with TTP, spiritual support, and motivation. Both spiritual support and motivation also had significant relationships with ER. Therefore, the results from the current study support that there are existing relationships between the BOE and TTP; however, the relationship between the BOE and ER at the intake level was not significant.
Show less - Date Issued
- 2013
- Identifier
- CFE0004672, ucf:49862
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFE0004672
- Title
- The Legacy of Civil Rights Protest Music: Sweet Honey in the Rock's "The Ballad of Harry T. Moore".
- Creator
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Hyder, Thomas, Warfield, Scott, Koons, Keith, Hunt, Jeremy, University of Central Florida
- Abstract / Description
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This study investigates the role music played in the Civil Rights Movement as a form of political protest. The first part of the studies analyzed how political protest music was used in the early part of the twentieth-century leading up to the Civil Rights Movement of the 1960s. An analysis of the role of music in African-American culture also provides a historical background to the music-making of the Civil Rights Movement. Specific musical forms such as topical ballads, freedom songs, and...
Show moreThis study investigates the role music played in the Civil Rights Movement as a form of political protest. The first part of the studies analyzed how political protest music was used in the early part of the twentieth-century leading up to the Civil Rights Movement of the 1960s. An analysis of the role of music in African-American culture also provides a historical background to the music-making of the Civil Rights Movement. Specific musical forms such as topical ballads, freedom songs, and spirituals are examined. In addition, musical influences of African culture as well as religious influences on music-making during the Civil Rights Movement are also examined.The second section of the paper investigates the life and murder of NAACP organizer Harry T. Moore of Mims, Florida. Moore's life and death became the subject of a topical ballad, (")The Ballad of Harry T. Moore("), composed in 2001 by musical group Sweet Honey In The Rock. An analysis of the song's, literary, political, and musical connections to the ideology and music of the Civil Rights Movement, as well as subject matter, gives evidence that places the song within the tradition of the musical protest activities of the Civil Rights Movement.
Show less - Date Issued
- 2012
- Identifier
- CFE0004550, ucf:49226
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFE0004550