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- Title
- THE DARK SIDE OF THE TUNE: A STUDY OF VILLAINS.
- Creator
-
Biggs, Michael, Weaver, Earl, University of Central Florida
- Abstract / Description
-
On "championing" the villain, there is a naïve quality that must be maintained even though the actor has rehearsed his tragic ending several times. There is a subtle difference between "to charm" and "to seduce." The need for fame, glory, power, money, or other objects of affection drives antagonists so blindly that they've no hope of regaining a consciousness about their actions. If and when they do become aware, they infrequently feel remorse. I captured the essence of the villain...
Show moreOn "championing" the villain, there is a naïve quality that must be maintained even though the actor has rehearsed his tragic ending several times. There is a subtle difference between "to charm" and "to seduce." The need for fame, glory, power, money, or other objects of affection drives antagonists so blindly that they've no hope of regaining a consciousness about their actions. If and when they do become aware, they infrequently feel remorse. I captured the essence of the villain by exposing these lightless characters to the sun. On Monday, April 9th and Tuesday, April 17th, 2007, on the Gillespie stage in Daytona Beach, Florida, I performed a thirty-minute, one-act cabaret entitled The Dark Side of the Tune. By selecting pieces from the musical theatre genre to define and demonstrate the qualities of the stock character, the villain, I created a one-man show; a musical play, including an inciting incident, rising conflict, climax, and dénouement, with only a few moments of my own dialogue to help handle the unique transitions for my own particular story. By analyzing the arc of major historical villains and comparing them to some of the current dark characters, I will discuss the progression of the villain's role within a production and the change from the clearly defined villain to modern misfits who are frequently far less scheming or obvious. My research includes analysis of the dark references within each piece's originating production, and how it has been integrated into the script for The Dark Side of the Tune and a breakdown of my cabaret's script (Appendix A). I explore actors' tools, specifically voice, movement, and characterization, and their use in creating villainous characters. I also discuss similarities in story progression for the deviant's beginning, middle, and final positions within the plot structure of a production.
Show less - Date Issued
- 2008
- Identifier
- CFE0002446, ucf:47709
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFE0002446
- Title
- Disciplinary Mythologies: A Rhetorical-Cultural Analysis of Performance Enhancement Technologies in Sports.
- Creator
-
Lamothe, John, Scott, Blake, Janz, Bruce, Campbell, James, Oliveira, Leonardo, University of Central Florida
- Abstract / Description
-
In sports discourse, the relationship between athletics and technology is often paradoxical. On the one hand, modern sports rely on technology at every level, from training and tracking of players to the equipment and apparel used by athletes to the game strategies and playing fields themselves. Nearly all of these technologies are intended to increase athletic performance on some level. And yet, certain performance enhancement technologies can be criticized for being antithetical to the...
Show moreIn sports discourse, the relationship between athletics and technology is often paradoxical. On the one hand, modern sports rely on technology at every level, from training and tracking of players to the equipment and apparel used by athletes to the game strategies and playing fields themselves. Nearly all of these technologies are intended to increase athletic performance on some level. And yet, certain performance enhancement technologies can be criticized for being antithetical to the spirit of sports, which is framed as being a strictly natural and pure human endeavor. Using a rhetorical-cultural methodological approach, popular sports discourse is analyzed to investigate how arguments in contested spaces between sports and technologies get (re)negotiated and (re)articulated to fit within a sports social language that emphasizes (")pure(") and (")natural(") ideals of sport. This often results in a dichotomy where the sport/technology relationship is either black boxed, thus being subsumed in the sport social language and becoming transparent and the relationships unarticulated, or the technology is regulated out of the sport through rules and bans. The reason for this articulation is attributed in large part to the deep humanism embedded in the sport social language. How a shift to a posthuman perspective would effect sports discourse is explored. These conclusions about underlying values in sports discourse lead to the formation of a new theoretical framework called disciplinary mythologies. Building off of Foucault's disciplinary power, Scott's disciplinary rhetorics, and Barthe's mythologies, disciplinary mythologies are discrete units of persuasion that both construct and constitute claims by drawing upon layered narratives and shifting associations that lose their context when entering the realm of myth. Two specific disciplinary mythologies are discussed(-)the level-playing-field topos and the nostalgia enthymeme(-)and it is shown how sports discourse often draws upon them to shape arguments and actions.
Show less - Date Issued
- 2015
- Identifier
- CFE0005970, ucf:50773
- Format
- Document (PDF)
- PURL
- http://purl.flvc.org/ucf/fd/CFE0005970